Does the final phase mark a major turning point for the villains of the MCU?



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Note: Contains annotations for Avengers: Endgame

For some time, the Marvel film universe has been hiding silently from the threats its heroes are facing.

During the early years of the MCU, when the Avengers were just a glimmer in the eyes of Nick Fury, most of the powers of the Earth's most powerful heroes could boil down to a version of Super strength. It worked to pit them against villains like Obadiah Stane and the Abomination, who could be hit, beaten and left to their fate. Even Thor, whose powers were more expansive, still broke most things with his hammer until he finally won.

But the current landscape of the MCU seems very different from its point of departure. We now have heroes who can open doors to other dimensions, manipulate energy, reduce themselves to a quantum state, and change their thoughts. Even the superforce has been mbadively upgraded: Carol Danvers sprayed entire spaceships in her solo feature film and in Avengers: Endgame without even breaking the sweat.

As Marvel adds alignment to his talent and increases the abilities of his heroes, he also misses the time needed to help criminals who can be defeated by mere physical prowess.

This may still work from time to time – Thor: Ragnarok ultimately boils down to a god-like entity that is encumbered by an entity similar to an even larger god – but in the same way. together, as the MCU progressed, it moved further and further away from simple problems that could be solved only by the superpowers.

  thor ragnarok, tesseract

Marvel Studios

Although the stammering damn CGI will likely continue to be a staple of the MCU as long as there is a [MC] ] movies such as such as Captain America: The Winter Soldier and Captain America: Civil War, Dr. Strange, Black Panther, and The Ant and the Wasp used all their gigantic fights to deepen the depth, more brain conflicts than their characters could not come out.

While Marvel's wicked problem was widely recognized as the Achilles' heel of the MCU, the few antagonists who fight the trend are those who challenged our heroes intellectually and physically.

Loki continually compels Thor to unveil the concept of dignity, Killmonger confronts all of Challa's ideology and even Zemo, though much less elaborate than the previous two, forces the Avengers to struggle with the unpleasant consequences of their mark of heroism.

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<p clbad= Even though the MCU has actively adhered to the philosophical side of its conflicts, it is even more likely to use the fight at the end, while more recent films such as Spider-Man: Homecoming, Captain Marvel and Black Panther have all presented interesting programs , superimposed antagonists who challenged the hero's preconceptions of good and evil, they still resulted in clashes that relied much more on muscles than on brains.

Even as Marvel strides forward, they seem to insist on doing so with one hand tied behind the back.

Heureuseme nt, if one can deduce that the final two-part of the first three phases of the MCU allly identified its greatest weakness and decided to remedy the situation. In Avengers: Infinity War the MCU launched almost all the heroes and superpowers in its mbadive arsenal against a single villain, physically imposing – and lost.

And in case the symbolism would not be clear enough after seeing a group of such powerful heroes fail, Endgame doubled, finally allowing the survivors of Infinity War to triumph Thanos physically in the first part, to change nothing.

  Josh Brolin as Thanos, Avengers: Infinite War

Marvel Studios

A decade in the cinematographic journey of the MCU, Infinity War and Endgame seem to indicate a paradigm shift, collectively recognizing the end of the era when all threats could be thwarted and the fist closed.

During its existence, Marvel has pbaded the stage of superhero approach that has already worked so well in films like Iron Man and The Avengers. After all, just as its heroes have evolved, so does the genre itself, and it makes sense that the setting that once offered many opportunities for growth is no longer comfortable. restrictive.

Therefore, once you have pbaded the first scenes of Endgame the rest of the film is based on the fact that the Avengers must think, not hit, to get out of their situation.

The theft of time itself is an idea of ​​Scott Lang, arguably the least physically fit avenger, and the acquisition of each of the six Infinity Stones requires much more thought, sacrifice and hard work. Team more than a specialized combat training or capacity enhancement.

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<p clbad=Although the fierce fight against the armies of Thanos is indeed impressive, bursting with refreshing decorations highlighting a vertiginous panoply of fantastic abilities, the act that saves the world ultimately is not a great display of strength or powers, but rather a trick of astute hobby badociated with poignant moment of character development.

And even though Endgame bids farewell to founding members of the team, Natasha Roman, Steve Rogers and Tony Stark, he simultaneously silence the notion of skills, strength and technology, the most powerful weapons of the MCU.

In a claq Tony Stark's fingers, it became perfectly clear that when Nick Fury s "group of remarkable people " all those years ago, that's not what they could do [19459006whodistinguishedthembutwhothey were .

None of this would have been possible without Thanos, the villain who forced the Avengers to look beyond their powers and see what they were really capable of. With a lesser antagonist, their impressive abilities would have been enough to carry and the team would have had no reason to think outside the box or stretch beyond what it was. she thought possible before.

Thanos was precisely the adversary that the MCU needed at this stage of his development to galvanize not only his heroes but also his story.

One may wonder if the MCU will take this ball and run with it in Phase 4 and beyond, but chances are good. Doctor Strange spent most of his time carefully establishing the philosophical differences between his main character and his mentor, Baron Mordo, who appeared to be on the verge of becoming the villain of Doctor Strange 2 .

  Jake Gyllenhaal and Tom Holland in Spider-Man: Away from Home

Jay Maidment Sony Pictures


The Black Panther has already set the bar very high for morally complex antagonists, then it's a safe bet that his suite will follow in his footsteps. New Details Appear About Spider-Man: Away From Home Seems like Peter Parker will be dealing with a villain who will make his powers essentially fake, the obliging thus to do more than just strategic slings on the Web to save

Thanos is defeated in Endgame but he may still have achieved his goal. By putting aside the unseen enemies of his past and igniting With new antagonists and conflicts as richly drawn as his heroes, the universe – or at least the Marvel film universe – could finally find a perfect balance.

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