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Review of Baguettes: The omnipresent scenario does not do any favors to poor Abhay Deol. Film distribution: Abhay Deol, Mithila Palkar, Vijay Raaz
Director: Sachin Yardi
Movie rating The baguettes: A star
The chopsticks are presented as a first of its kind – an original Netflix movie "in Hindi". Everything begins with a hint of promise, while Nirma Sahastrabuddhe (Palkar), sakharashtrian-mulgie, acquires her first new and brilliant car. As we follow Nirma chatting with her mother through the congested roads of Mumbai, the character begins to take shape: Nirma is a ruler of the rules (speaks on the phone and drives while shaking her head with her ), a listener
When Nirma also reveals her awkward and vulnerable side at the workplace, with a boss of hell and cowardly colleagues, we can not help but hang up for her. But the editing, which begins with potential, reveals too early a film that has no idea what he wants to be: is it a rom-com, a shocking-big-bad-Mumbai, a drama of the majority … what, exactly?
Palkar plays as well as she can. At least his character, with his details (a professional who earns his living, an expert in Mandarin, a young woman who wants to go ahead without getting lost) has something to work. At least to begin. But the omnipresent scenario does not benefit the poor Abhay Deol, who seems to embody the idea of an urban thief who lives in a building that looks like an abandoned building with a state-of-the-art kitchen where he offers gourmet dishes including the quality could easily please the hard judges of Masterchef. Huh? Do not ask.
The third person having something important to do is Vijay Raaz, who plays a moron (yes again) with a trick for his beautiful goat who calls Bahubali and Kishore Kumar songs. 19659011] On paper, the coming together of all these disparate elements, with a bit of "goondagiri" and "car theft", while the characters are walking around Mumbai, may seem like a good idea. But the execution is miserably and scandalously amateurish.
'Quirky and offbeat' is the way the film describes itself. And for a film that has all the freedom offered by a streaming platform, a great animator and a prominent man who has already done an interesting job in the past, now looking for a new lease, the appropriate filmmaker can come up with delicious quirks, and can go a long way, far from conventional Bollywood.
But if that's all the filmmakers can propose in the name of "weird", I'd rather talk about Bollywood: at least you know where the constraints are:
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