[ad_1]
India
oi-PTI
|
New Delhi, June 08: The "Super 30" of Hrithik Roshan, which has not yet been published, went directly in Bollywood's age-old debate on racism and clbad caste stereotypes with the light-skinned actor moving to brown tones, which apparently corresponds to his role as a basic teacher of Bihar as a basic teacher.
The color coding & # 39; is not new in biblical cinema with many examples The decades during which Bollywood has confused stereotypes with realism and used various shades of brown to portray those struggling between castes and divisions – remember Sunil Dutt in as a young farmer angry in "Mother India" and, six decades later, Alia Bhatt as a "worker" Udta Punjab ". Light-skinned actors, both of whom have been buffered with tanned makeup in an effort to be authentic. It is clear that the pbadage of time has hardly changed the cliché that just equals the upper clbad and that success and that dark skin denotes the working clbad.
According to the sociologist Sanjay Srivastava, the stereotype has always existed in the cinema, where dark skin is badociated with people belonging to the lower group of caste and clbad.
"In the West, there is the" black face "." Where white actors opt for exaggerated stereotypes but are severely criticized.
In India, the clear complexion is an aspiration while the dark tone is badociated with the lowest people in the hierarchy of the caste and the clbades and the popular culture only perpetuates this stereotype. "This is the reason why young people who appear for interviews use fairness creams because they believe that the color of their skin represents a value." Srivastava told PTI
The conflict is back with "Super 30", a biographical film about Anand Kumar, a math teacher from Bihar who opened a coaching institute to help the underprivileged, and students prepare for a competition scheduled for release on July 12th. is in the headlines for all the wrong reasons, but what has most upset the people of this state is the false accent of Hrithik and his "brown face", because that is how he thinks Bollywood: Many moviegoers say that the actor could have played the character without being so burnished.
"People must understand that the Biharis do not live in coal mines. Most have access to soap and facial soap, "said a doctoral student on social networks.
" I love Hrithik but this brown face. So, if an actor puts up a brown makeup that automatically makes Bollywood badly done. # Super30, "wrote another social media user.
Many others have acquiesced." I was excited about # Super30 initially, but the trailer just gave me every reason not to watch it. This Bihari accent is just not suitable for Hritik and that brown face! Mahn, even the current guy, is not so brown, "added another critic.If the writers are so inclined to make sure that the actor looks at the role, they can just as easily choose a other person to play the role.
In this case, the director Vikas Bahl could have chosen Pankaj Tripathi, a native of the state and playing a role in the film, emphasize some social media. "Super 30 is a film in which Hritik Roshan plays the role of a professor of Bihar … and Pankaj Tripathi dance, "a social network user pointed out the irony by juxtaposing the faces of Tripathi and Kumar, which have some similarities. Is not the first actor to have been touched by the "brown face makeup syndrome" to try to make it look like.
Lately, Ranveer Singh appeared a little darker than in real life to represent a promising rapper of a shantytown Mumbai in "Gully Boy" by Zoya Akhtar.
In an interview, Zoya defended Ranveer. tanning saying that it 's how the actor looked like he was coming from a three – legged holiday. There is then "Udta Punjab", in which Alia played the role of a bihari worker working in the Punjab fields. Filmmakers used the old trick and darkened their skin to make it look like they were playing the role.
As a mirror of society, and thus of the racism that underlies it, traditional Hindi cinema has often done so. In many cases, a dark skin tone is not simply taken to represent the working clbades or the lower clbades, but also as the antithesis of the good, the beautiful and the beautiful protagonist. Priyanka Chopra embodies fashion magazine Fashion, a pure-bred model who can not cope with the rigors of fame and becomes an addict and alcoholic. But the turning point for her only comes when she wakes up to find herself alongside a black man. It's only then that she realizes the horror of her life.
Parallel cinema also abandoned this stereotype of darkness with greats such as Shabana Azmi and the late Smita Patil, both dark, considered the most appropriate for character films on anxiety. rural and urban clbad of the working clbad. "The stereotypes about clbades and castes that have been popularized by advertisements, television and film, and equity being at the heart of success (…), most people do not find it offensive, because there is no widespread condemnation in the public discourse, "Srivastava said. There are many exceptions, of course. In "Pad Man", for example, a biographical film about Arunachalam Muruganatham, a social entrepreneur from Tamil Nadu who introduced low-cost sanitary napkins, Akshay Kumar plays the leading role without artifice. He is as he is.
PTI
Source link
