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I'm a mother
Director – Grant Sputore
Actor – Clara Rugaard, Rose Byrne and Hilary Swank
Note – 4/5
The center of the scene in I'm a mother, most of the other films would come to the end – when the villain finally got his support and the hero triumphed. But here, in a film without heroes or villains, it happens at the end of the first act. This is one of the many ways in which the science fiction film of the new director Grant Sputore, now shot on Netflix, turns the tables.
Her star, Hilary Swank – the most recognizable face of a film that is only three years old – compared to Christopher Nolan in an interview at the Sundance Film Festival, where his first piece was premiered more early this year. She likes to defend talented filmmakers for the first time, she said, and her understanding of the technical and thematic requirements of the story reminded her of Nolan, with whom she had worked on Insomnia years ago.
Watch the Trailer of I Am the Mother Here
She is absolutely right. I Am Mother is a small sci-fi thriller powered, featuring outstanding performance and a particularly clever scenario. Not only does it aim higher than the average genre film, but it often achieves its ambitious goals. Nolan's comparison may be a little generous, but Sputore displays a control over the tone and characters that make me think of a young Ridley Scott, or James Cameron. Certainly, her manner of dealing with the central theme of motherhood – in all its complex and imperfect beauty – will remind many viewers Cameron's Aliens, a sequel to Scott's groundbreaking original film.
It takes place almost entirely in a bunker, after a level of extinction. event has wiped out all humanity. A robot named Mother is responsible for restocking. She starts by developing an embryo and feeding the child for several years. The mother teaches the child – a girl – lessons in ethics and ethics and form in ballet. When the child grows up, she wonders why Mom has chosen to cultivate only one embryo. The mother says that she needed to practice first; to make sure that she is able to raise a child.
Rose Byrne gives the floor to Mother in Netflix's new thriller, I Am Mother.
During one of their ethics lessons, Mother presents a thought experience to the child. , that she started calling "girl". There are five patients on the verge of death, mother begins. Each of them can be saved by replacing a damaged organ. A sixth patient – also close to death – arrives. The new patient has all the parts of the body needed to save the other five, but by donating them, the sixth patient will die. Who do you want to save, ask my daughter, my daughter; sixth patient, or the five older ones.
I will not spoil Daughter's answer, but I will say that it reflects the higher intellect of the film than the usual one. It's refreshing! But besides being a good sci-fi movie, I Am Mother is also a rather fishy thriller about the domestic invasion. Hilary Swank, threatened by an external threat, invades the family happiness of Mother and Daughter. She is a survivor, she says. There are others and a whole new world to explore. The girl no longer needs to stay with a robot; humanity perseveres.
Although confined to a bunker, I'm a mother never feels claustrophobic. I'm not quite sure it's mean. As a girl, we come to accept our environment. The outside world supposedly uninhabitable is not worth the treatment. And as it is, humanity is intrinsically limited in its imagination; we believe what we are told.
Clara Rugaard in a still from Netflix's new science fiction thriller, I Am Mother.
And how could we not, while the narrator is as convincing as Mother, express herself so warmly Rose Byrne. Despite Mother's very clumsy and clbadic design – it looks almost like something you see in a Neill Blomkamp movie – you do not ask a single minute of question about her humanity. And that's the complicated idea that Sputore's movie explores. What does it mean to be human? Is the human being the pinnacle of existence? Given our propensity for violence and self-destruction, do we even deserve to be saved?
In addition to announcing his own arrival, Sputore also introduces the world to Clara Rugaard, the extremely talented young actor who plays Daughter. It is a role that requires unusual maturity, often without the comfort of context – she has lived a cruelly isolated life. As a girl, I am a mother with a curious mind, but more beautifully, she also has answers. And in a generally unobtrusive way, she never draws attention to the fact that each of her three main characters is a woman. The benefits of saving humanity are debatable, but with the artificial intelligence capable of giving birth to children in the future, is there any interest in preserving men?
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The author tweets ] @RohanNaahar
First publication:
June 10, 2019 16h41 IST
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