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Mammootty-starrer & # 39; Unda & # 39; is a powerful movie with a powerful message. It's a story of cops, but no supercops.
And the megastarist is also an unfortunate cop, probably forced to opt for this profession to make a living.
There are no puzzles or macho performances, as we can expect. in a movie that has a central character woven for Mammootty, and that too as a policeman
The policemen are all ordinary people, including Mammootty's Mani, who is only a police inspector. Middle age. By his own confession, Mani never had to try to sue a little thief or solve a murder case.
But the meaning of "Unda", which could be interpreted colloquially in the context of the film as a bullet, is that these local cops have left for a nobler mission in the infested Bastar naxal grounds in Chhattisgarh.
& # 39; Unda & # 39; delivers a poignant message about it.
After "Anuraga Karikkin Vellam", Khalid Rahman again attempted to build the plot around a policeman. And like that, "Unda" is not a police story as such.
If "Anuraga Karikkin Vellam" speaks of family ties with a hint of romance, "Unda" explores a more noble message, though there is a reciprocal interplay of these factors. in the context of the larger theme.
What Happens
A group of Kerala police officers are badigned to elections in a remote village of Bastar in Chhattisgarh.
The police are sick. – physically and mentally equipped, with no apparent training to deal with torn conflict situations.
All they can do is probably the charge, a favorite hobby of politically overcrowded agitations in Kerala.
These cops, of different origins and dealing with their small domestic problems, land in the harsh socio-political situation.
Conducting an election in a remote booth in a Maoist fortress is not an enviable task.
And that too without enough ammunition, protective equipment or knowledge
Only at the break of the interval, these cops, unaware of the danger in which they are engaged, have a taste of what is reserved for them.
And now, they realize that none of them, including group leaders are equipped to deal with such a herculean task.
The plot then explores their personal difficulties and follies and also exposes their smallness as human beings. The cops that are found there are rarely highlighted, except at the climax.
The detour of the plot is the place where the message "Unda" is nested.
This is again a game of social disasters caused by man and woven in a political context. the Maoists feared in the country's red-hot corridors
Even the ITBP's only staff who are guiding Kerala policemen into the absolute booth of Chhattisgarh has never faced a Maoist. It's his own confession, not our interpretation.
But the depth of this confession may not strike you, or you would rather think it was simply a meaningless line.
The filmmakers succeeded in bringing out a clever game of political messages and personal traps.
In doing so, they captured the dense socio-political realities of poverty and social alienation that the unfortunate tribal belt population faces day-to-day. While the security forces consider the locals to be Maoists, the latter suspect them to be police informants; during this time, sandwiched between them, the natives are probably leading a lost battle in the land, soil and water that they own.
A Different Film
The music of Prashant Pillai captures the essence of social upheaval. in the backcountry of alienation.
The filmmakers' realistic approach, however, must give way to unrealistic action scenes, but that could very well be forgiven.
There is no heroin in 'Unda', but again, she did not need it given the trajectory of the plot.
& # 39; Unda & # 39; It's not a cooking pot or a star movie. But he sends a poignant message.
& # 39; Unda & # 39; is a valiant director despite his pedestrian defects.
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