A decent thriller, engaging in plays (2019)



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Gowtham, an investigative journalist, decides to trace the girl who continues to dream when he stays in a hotel at number 118 in the room.

An investigation does not help much to unravel the mystery of this girl, even if he comes to know his name. She is Aadhya (Nivetha). Using lucid dreaming techniques with the help of a doctor (Nbader),

he discovers what happened to Aadhya.

118 is the first film of director of photography KV Guhan and he chose to tell us a story that is largely familiar to us. The packaging is what what?

makes a difference thanks to the concept of "Lucid Dreaming". The film begins with the dreaming hero of a brutally beaten woman. The investigative journalist does not waste time finding

his comings and goings. He manages to find the girl and her picture, her father and her friend. However, he fails to reach the fundamental mystery. It is then that the director introduces the technique 'Lucid Dream'

which gives the film an unprecedented angle.

What holds the interest in the film is not the big rebound, but the journey. When we know the story of Aadhya, we feel totally disappointed because this angle

has been featured in countless films, most notably in Tamil films that have been dubbed into Telugu.

feel.

But the film has too many loops and predictable sequences. The director understands little about journalism or the police system. The hero is content to solve everything to solve the case as he was

an IWC officer and everyone provides him with information without any hesitation.

Kalyan Ram as an investigative journalist is treated. It's Nivetha Thomas who steals the show with his brief but all

important role of a girl who aims to serve society. She is the pivot around which this film is shot. Shalini Pandey of Arjun Reddy has no role to play. Prabhas Seenu as Kalyan

Ram's friend, Rajeev Kanakala and Hari Teja as Esther are doing well. The sequences involving Geetha Bhascker (who plays Kalyan Ram's mother) and Shalini Pandey (her fiance) are quite

poor.

The production values ​​are good. Director Guhan has written a tight scenario. The main engine is the major badet.

118 is a decent thriller that engages in

rooms. The generally fast-paced investigative thriller that speaks of lucid dreaming may please if expectations are not met.

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