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Poorna, a Vizag girl gifted in cricket, falls in love with a beautiful girl from Northern England, Anshu (Divyansha), but their story ends abruptly when her parents object to their relationship.
At the present time: Poorna marries much Sravani (Samantha) against her will and can not forget her past love. His devoted wife does everything to bring him back to his normal state but
he became an alcoholic, depressed by his lost love. They live together under the same roof but their relationship is not consumed. What would be their majili?
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His first film Ninnu
Kori and this second-year attempt Majili established the fact that director Shiva Nirvana loves to take a nostalgic trip and love to present old movies to the public of today.
with new emotions. In Ninnu Kori he repacked from Hum Dil De Chuke Sanam . In Majili we see many old movies such as Mani Ratnam Mouna Ragam Sobhan
Movie of Babu starrer 1984 Illalu Priyuralu and that of K Vishwanath Sagara Sangamam . To make it a contemporary drama, he added cricket as a backdrop while making heroes
cricketer.
The film begins in the late 1990s or early 2000s in Vizag. He tells that a teenager belonging to a railroad colony fell in love with the daughter of a naval officer. Railways and naval
officers … both are distinct features of Vishakapatnam. Shiva Nirvana has this right. The background is good but the problems start with the plot and the scenes. Why Chaitanya and the naval officer
Separating girl is a cliche as it becomes. After the interval, there is a good flashback episode of Samantha, why she married that drunkard Chaitanya who turned Devadas because of her past love.
After this backtrack, the film's sequences take up the old way of filming.
There is a plan in the film: when Chaitanya goes to her neighbor Samantha to repair a fuse,
she is already secretly in love with him and she touches her feet with reverence. Like the characterization of Samantha in the old, the scenes of the film are also old school. If you do not have a problem
watching movies that tell nothing new, but simply reworking old movies, so that makes a good watch. But if you are tired as this commentator looks at the wife and husband at the old
the drama then it will annoy you.
As the movie progresses, the writing goes for a draw and the emotions seem wrong. What saves Majili besides the performances of the main actors, are good
dialogues and music. The scene of Samantha and Chaitanya just before the interval also recalls the iconic scene of Sagara Sangamam .
Naga Chaitanya and Samantha are the main badet. Chaitanya showed a lot of maturity in his game, he chose the emotional quotient. Samantha in the role of Sravani shines again.
His game is a huge badet. Newcomer Divyansha Kaushik makes an impressive debut. Rao Ramesh gets a great role and the main actor no longer disappoints. Posani is good in a brief
character.
Gopi Sundar's music leaves a trace. Thaman's background note also lent to the quality The cinematography of Vishnu Sharma is rich. The places of Vizag are well captured.
The design of the production is ok. The first love story of the movie took place 15 years ago, but the old Vizag and the well – developed Vizag of today have the same appearance in the film. Throughout the film we see "nostalgic"
feel that a contemporary look.
The dialogue writing of Shiva Nirvana is good.
Majili is a tragedy for husband and wife. Samantha's performance and
Chaitanya records this film otherwise pbadable.
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