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Abhay Deol kept his promises when he made an entry to Bollywood with Imtiaz Ali Socha Na Tha (2005). In the future, he refuses to succumb to the "great formula films" and instead chooses alternative cinema with critically acclaimed films such as Navdeep Singh's neo-black thriller Manorama: Six Feet Under, Dibakar Banerjee & # 39; s Lucky Oye! Lucky Oye !, Shanghai, and the dev. From Anurag Kashyap . D, 19459010.
Abhay Deol, Mithila Palkar in a still trailer. Source: Netflix India
Defending the cause of good cinema through independent films, Deol, known to be a slightly off-center insider of Bollywood, also makes his digital debut with the comic film Caper Chopsticks ( premieres on May 31) – an offbeat story that also features the Internet sensation Mithila Palkar and Vijay Raaz in essential roles. Directed by writer Sachin Yardi and produced by Ashvini Yardi, the film traces a day in the life of Nirma (Palkar), who badociates with a crook named Artist (Deol) to recover his gangster car. eccentric "goat-loving" (Vijay Raaz).
At first, Deol refused to play the role (revealed by his co-star, Palkar) in this story of the pbadage to adulthood, but had been gradually convinced by Yardi. "I laughed well when the role was offered. Sachin has convinced me with these long-distance phone calls and this emotional blackmail, "says Deol laughing with laughter. "I was in another space when Sachin approached me but I realized that I needed something light, fun. I was not so sure to go in the comic book, but the script was good. The comedy was already launched. the dialogues were spiritual. Then I thought about why I was closing comedy, especially if it was something as well written, "said Deol.
Yardi, director of the comic dramas of Ekta Kapoor, Kyaa Super Kool Hum Hain (2012) and C Kkompany (2008), explains that the idea from Chopsticks came to him through characters and not in the form of history. "I had these characters in my head and I needed something to bind them and pit them against each other. The point of the plot is simply an excuse to get these characters to undertake their journey together, "says Yardi.
One of the few actors to have gone from the theater artist to the viral actor sensation of the internet to play both in Marathi and Marathi. and Hindi films (Katti Batti and Karwaan), Palkar says that she could not relate her character so sweet, unsure of himself and sure of himself . "But everything was in writing, I did not have to do much Before we started shooting, Sachin Sir and I spent a few days rehearsing some scenes to get the body language, accent and other things, we wanted to be on the same wavelength with respect to the interpretation of this character, "says Palkar.
Hoping that the digital platform will lead to the evolution of art and creativity in the film industry, Deol, which channels his fame into smaller and slightly more offbeat movies, is extremely pleased with his character of the movie. an enigmatic rogue who also likes to be a chef and continues to experiment with food "He is intelligent, educated and his own boss Where can you play such weird characters in our films? Explains Deol
"And if the writing is good, l becomes easy to play the role.The tone, the humor is in place, the situation is quite explanatory, so half of your work is over. Eccentricity is all that Sachin did, I just play what is given to me in script. I could find the approach because the writing was very clear. It was a good script and an excellent platform, "he adds.
Deol production in the Bollywood general public has declined considerably in recent years. He was last seen in a supporting role in Zero, by Shah Rukh Khan, a commercial disappointment in addition to Nanu Ki Jaanu largely unknown. "It's never nice when something fails. You think about the people involved and the time and effort that it took to deploy. I have no expectation of anything. I'm doing my job quietly. I am not absorbed by the Maya of success or failure, I am absorbed only by the Mayan creativity, "says Deol.
I am disappointed Bollywood public, the actor continues "For too long, small groups of people have controlled the story and even if they were trying to control the digital space, they could not." The digital space allows diversity is to give a chance to people and ideas of artists that the general public would never do.A big screen with small ideas is only superficially beautiful and has no substance For me, a small screen with a larger idea is more appealing, it is so big that it pushes you into the space that you never imagine seeing on the screen.You do not worry about the platform anymore.As an artist, this freedom we get is worth it. "[19659006] Yardi, too, finds the digital platform much more liberating. "Digital is very different because the conventional rules and regulations that it is necessary to subscribe to when it comes to Bollywood are missing. You can get more experimental with your content, it does not need to be commercially viable. There is more honesty in every aspect of film making than you can muster. You can experience the plot and the characters without having to subscribe to traditional sensibilities. He is usually liberating, "says Yardi.
In this web movie, Mumbai and his belly take a central place, he captures the essence of the city thoroughly, as Deol says:" We went from Colaba to Bhayandre in Virar and all over the world. enter. You can even feel the city in some scenes. I was born and raised in Mumbai. Playing a character who explores the city has given me the opportunity to fall in love with Mumbai, "said Palkar, eyebrowing Deol's leg and calling his experience" bumpy and smelly. "Palkar told Deol (who spends his time in Goa, Los Angeles and Mumbai), has denied the city, but the latter denies it. "It's because I'm everywhere else," Deol moaned.
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Publication date: May 30, 2019 08:37
| Last Updated: May 30, 2019 10h58
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Date Updated: May 30, 2019 10:58:32 AM HIST
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