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It's safe to say that All Elite Wrestling has kept its promise to give fans an unforgettable night with their inaugural event; Double or Nothing offers a variety show sensation similar to All In. Although it is not officially an AEW event, it has served as a model for the eventual promotion of Powerhouse that the elite and Tony Khan would be the iron of spear. You want a sports showcase with lots of crazy spots? There are the Young Bucks against the Lucha Brothers. Or maybe you are more inclined to go backwards? Cody and Dustin Rhodes are here.
The great struggle is only a small part of it. Any company can book a series of strong matches if it has the talent. The key to having a stellar reputation lies in the overall package, from the presentation to the transparency of your operation. WWE has been severely criticized for its current dealings, including the controversial deal with Saudi Arabia over organizing super shows. AEW knows that they must not only be different, but even better.
This means for me, to the whole world, to know that a major promotion in wrestling takes inclusion seriously. Whether it's disability, race, gender or badual orientation, a concerted effort to break down the barriers the industry has put in place bodes well for the future. I watch competitors such as Dustin Thomas, Sonny Kiss and Nyla Rose and I see a real desire to introduce people who might not be vaccinated elsewhere. AEW wants to treat its artists and fans from all walks of life with the respect they deserve.
If there was one thing that caught my attention more than anything else with Double or Nothing, it was that it was the first time ever inclusive sensory wrestling show. When Brandi Rhodes made this announcement on top of the night, some people who were watching at home may have gotten tired. This was not fully explained because the fans attending were eager to see a bit of struggle. And, of course, the event was subject to pay-as-you-go payment schedules. This is not really the ideal environment to talk at length about aspects of planning your event. That's what podcasts are for. However, I was always intrigued because I am pbadionate about the inclusion of non-neurotypical people.
As a long-time autistic wrestling fan, I had real apprehension about attending events with a crowd. I'm only 40 minutes from London and have never seen a PROGRESS show, for example. The UK's independent scene is thriving and there are autistic fight fans from top to bottom who do not feel comfortable sharing their pbadion with others.
This is a problem. AEW understood that they could play a role in solving this problem. Brandi Rhodes expressed her belief in diversity and inclusion. AEW's mission statement is that the fight is for everyone from the beginning. For the cynic, this is a company that looks like a group of ex-WWE members, who are tired and want to do the same to Vince McMahon. It's a superficial prospect when we look at a promotion that really wants to inspire change. They do not just talk about changing the world, they do it.
The inclusive sensory nature of Double or Nothing was first detailed in a Reddit article by the user blackdragon8577 in r / squaredcircle. AEW is badociated with KultureCity, an organization dedicated to the acceptance and standardization of autism in the United States. They understand that not all disabilities are visible and that the mental demands that autism can have on a person are sometimes very stressful.
At the event, bags containing items suitable for people with autism had been distributed to fans who needed it. the fans present. High quality hearing protections, play toys (for restless people who need some form of distraction or stimulation), memory cards for nonverbal communication and an identification strap participants likely to need help. Although these packs are normally sold for $ 25, they were totally free on demand. In addition, site staff has been trained to help fans who may be overwhelmed by the experience.
When you're in a crowd A room filled with loud noises and bright lights, it can trigger all kinds of alarm bells for people prone to sensory overload. These can have quite serious consequences. In my own experience, I was prone to freezing disabling anxiety, panic attacks and even depressive episodes in the hours that followed. The inability to process such large and intrusive information can be a serious risk for people with autism – for AEW, providing such support is a step forward from that of their contemporaries.
There was also a separate room in the room with comfortable spaces. seats, less intense lighting and reduced sound levels to enjoy the show. Ticket holders simply had to register in advance, and they could be escorted into the room if necessary. There, those with sensory problems could watch the show in peace and feel cared for. Creating such a safe and welcoming environment for a significant portion of fans who are generally ignored is a step that even market leaders are not currently taking. WWE has only established that women's wrestling has been a marketable product in the last four years. It seems that they are in years to take care of their fans who are afraid to go to their concerts.
The simple anxiety of being able to attend a wrestling event has bothered me in the past. And I'm sure it's the same for many other autistic fans. Knowing that there is a company that wants to eliminate the barriers of exclusion and accept those with special needs is a major statement. AEW does not do it retroactively. They do not seek to change their brand identity in response to external group pressures. They made the conscious decision to help people from the beginning. They tell the world that they are a modern company that wants to give back to those who support them. The fight is for everyone, and AEW is definitely for me.
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