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Alia Bhatt is the greatest Hindi film actress, but she does not even know it. She may be one of the greatest contemporary actors in Hindi cinema, regardless of her gender, but imagine telling her.
The problem with Alia, who turns 26 on March 15, is that she is perhaps the most talented artist of all time. have now. Unlike the many notes of her contemporaries, who can not help but remind everyone of their three-month residency at the Lee Strasberg Institute, Alia does not need either education or training. pretentious anecdotes to prove his skills. Her powers are great and, fortunately for her and her audience, it is unlikely that this will ever diminish.
We can forget the lessons, but you see, what Alia does on screen can not be taught – it's instinctive. It was designed to be quite another thing, created in Karan Johar's secret lab to become just another pretty pedigreed face, another young starlet forced to forever defend her nepotic origins. But she had one thing that no one, let alone Karan, could have foreseen: talent.
After her mixed debut in Student of the Year, she made a series of excellent career choices, regularly aligning with promising filmmakers. offering exceptional performance, even though the movies themselves are pretty ordinary.
In the wake of a new nuanced tour in Zoya Akhtar's Gully Boy, here's a glimpse of her top five roles.
Highway [19659007] Highway is an excellent example of Alia's talent. It's almost as if, from the beginning, she was in active disagreement with the tone that director Imtiaz Ali was producing with her ambitious yet messy drama about a kidnapped girl in Stockholm Syndrome. His dreamy performance is nothing like the melodrama on the nose that Imtiaz regularly admires.
Udta Punjab
I am persuaded that Alia's bielic accent in Udta Punjab is higher reproach. As it is rare to see that, in an industry that so far treats accents as a relief from comedy, the Goans all say "man" and the Marathis are all named "Tawde" and the Dilliwala can not help but fill their language with colored explosives. But Alia was not only magnetic and heartbreaking in the drama of director Abhishek Chaubey, she was genuine. It was an internalized performance in a film that dealt only with externalities.
Dear Zindagi
Dear Zndagi is another film that just can not follow the charm of Alia. In Gauri Shinde's millennial-age film about the millennial problems, Alia finally portrayed a character who seems to be closest to what she might be in real life: an urban girl who lives the perils of loneliness in the big cities and struggling against the pressures of survival in a jungle, alone despite its perpetual surroundings. In addition, it is no small feat that to go to meet Shah Rukh Khan and not to embarrbad him.
Raazi
One of Alia's greatest qualities as an interpreter is the she is insightful. She knows exactly which buttons to press and especially when she raises her foot. For example, Raazi is one of the few films in which she slips discreetly into her environment and resists the temptation to draw attention to herself. It's one thing she plays a spy, which makes her choice of actors relevant from a thematic point of view, but she could easily have put a distracting focus on Kashmir, or fall into the same trap that consumes less important actors. Instead, she chooses to let Sehmat be Sehmat, using her body language and her eyes to communicate what her words can not say.
Gully Boy
There is much to love about Gully Boy – brilliant, attractive things like Ranveer Singh and the music and the Bombayness of it all – but behind all that, balance the movie on their stable shoulders, like the shawls that serve as the foundation for Mumbai's skyscrapers, is a horde of supportive actors. Alia is at their head, whose admirable pbadion is a thing to see. Her Safeena is the kind of girl who is aware of her supernatural appeal, but who is just as likely to frighten people. And it's the insecurity with which Alia plays it.
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The author tweete @RohanNaahar
First publication:
March 15, 2019 14:05 IST
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