[ad_1]
The voice in your ear has a certain sharpness. With time, it became bored, sandy and rough. It is one of India's most precious baritones, a plus ultra, a typical and unique mono. While speaking for his new thriller Badla the deep voice echoes in my room echoing: " hand vo 6 dekhu jo tum dikha rahi 9 jo mujhe dekhna hai? "It has a different quality about it, you do not need surround sound to support it, it stays in your remaining memory. Amitabh Bachchan and his art have captivated several generations now, without age, the musician has turned 50 years in an industry that he rides in the manner of a colossus.
Initially, in his interview with IANS, Mr. Bachchan wanted to send a message about something that had caused him so much pain and sorrow in recent years: "with our hearts and minds in condolences and prayers for the brave hearts we have lost in Pulwama and the brave hearts who fight us and protect us every hour for our safety! "
Throughout the interview, there are many topics. indeed, the phlegmatic and superficial responses of one of the most popular movie stars of our time, the solid foundation of modesty manifesting itself at all times. It is very clear that aura and adulation are unrepentant, but fanboys and fan-girls think the opposite. Epithets, hyperbole and verbosity have come to him, but he wonders why, such is self-effacement and humility. Yet people are still around. The Inquilab in him (name given to him at birth by his father Harivanshrai Bachchan, but later changed to Amitabh at the request of Mr. Bachchan's poet friend, still unpretentious , seeking to flourish as an actor. [19659003] Extracts:
Ques: How would you describe your 50 year journey from the time when Abbas sahab chose a young man from Calcutta to be one of Saat Hindustani ? to Sujoy Ghosh and Badla …
Mr. Bachchan : Another day another work then … But I already worked with Sujoy, I liked the story and the director, the element of suspense and thrill in the Story reaches me .. Sujoy did Kahaani and is worried in search of the perfection of his artists, very clear in his thought process e and how he wants to roll with it. He intelligently understands the grammar of cinema.
Ques: A fulfilling urney job where you worked with great directors and actors, would you say that Hrishi da and Pran are your favorites, they were lucky for you in different ways … did you make 10 films with Hrishi da ?
M. Bachchan : Every director, actor, screenwriter, producer, colleague with whom I worked will always remain my favorites …
Ques: many American actors followed the model actor of the method created by Lee Strasberg that we then saw under the name of Hyman Roth in The Godfather 2 standing up against his pupil Al Pacino, the cinema was fascinating.
M. Bachchan : No, I have never taken an acting clbad, nor taken any acting lessons, nor taken any acting lessons . Unknowingly imitate someone, unless my officials ask for it … and there have been some such opportunities! I have no idea of the method to follow and I have never progressed.
Ques: What work do you admire in Hollywood?
M. Bachchan Christopher Plummer is ageless and seems better … ditto for Clint Eastwood, more director? Marlon Brando, Montgomery Clift, James Dean …
Ques: We hear about Ranveer Singh who lives and breathes his roles as nowadays … or who embodies a character, I am sure that many of your roles would have required an important preparation, for example Pa or Black if you could explain your talent for such difficult roles?
M. Bachchan : I have no talent and no idea of what others are doing in what they do so brilliantly .. I have followed as diligently as ever as possible the written words of the writer and the instructions given by the directors! For Black we learned sign language! Badla is a different genre, a thriller that for years has kept us hooked on someone of my generation, Mahal remains etched in the memories since that time. it was a cult film of 1949 with Ashok. Kumar and Madhubala with seminal music. They are an integral part of the strong fabric of Hindi cinema. Obviously, Alfred Hitchbad was the master of this genre. Thrillers are an integral part of the history of universal cinema. (During his formative years, Mr. Bachchan himself played in two very powerful thrillers – Parwana and Gehri Chaal .)
Ques : You have always said that. you were lucky in your acting career – hi ka me chala ja rha tha, connect judte shale gaye aur karvan banta chala gaya – is this the creed that determined your life ?
Bachchan : I do not know the meaning of the creed in my profession … I know that I was lucky …
Ques: For much of your peak years, you actually had a very difficult relationship with the media, including a significant part of the fact that the media boycotted you … and now you have a fabulous relationship with the media . Explain this paradox and have you tried to reduce the gap in two stages?
M. Bachchan : I am certain that you are more than aware that one can never be too close to the media or too far away from them! The media is the fourth state, the conscience of the nation. I will have the ability or daring to live with my conscience, but not with that of the media. It would be silly of me to think so.
Ques: Fifty years of oil painting and yet the fire remains intact. Where do you find your energy? Or is it respect for work that defines your underlying ethics?
M. Bachchan : I do not understand why you or a lot of other people are asking you this question?
Ques: In the years immediately following Saat Hindustani many failures took place, but some key works were taken, even in a small role in Resilma Aur Shera Sunil Dutt, memories of this experiment and others before Anand ?
M. Bachchan : Just the desire to find another job. Most of the time, there was a failure …
Ques: Back in Sherwood, did you do a Shakespeare at school, somewhere in your baritone and in playing, there is a touch of thespian that emerges
M. Bachchan : No, Shakespeare has never been to school …
Ques: You've never seen Shakespeare at school … 50 years of acting, is there a memorable character beyond the ubiquitous Vijay, a character inscribed in your memories and why, I have many favorites.
M. Bachchan : No, I do not have any. ..
Ques: Is Hindi cinema in good hands with a new generation of young filmmakers and filmmakers? actors and filmmakers from the middle of the road and actors such as Ranveer Singh, Ayushmaan Khurana, Alia Bhatt, Rajkumar or even the Sher of Gully Boy (actor Siddhant Chaturvedi) telling simple stories that resonate with people? Biopics or true stories with a bit of poetic license seem to be well, Akshay perfected this art, you do it too Jhund with Nagraj Manjule. Tell us if this is due to the lack of original scripts or the flavor of the season.
M. Bachchan : Times and circumstances change. They change for each profession too. The movies are not different. The current generation is a daring set of incredible talents! I admire them immensely and I am lucky to be able to play a small role in their business. It's an education for me. They provide a different and alternative worldview, which is educational. Never underestimate the credibility, dexterity, skill, and skills of today 's entertainment writers and decision – makers. They are the reason and cause of the flourishing and proliferation of our creativity for over 100 years! Having a sense and standing up after 100 years is not a joke. It deserves respect and dignity. Originality is a dichotomous terminology.
Ques: Are you irritated by the fact that actors now have to sing for supper as at the market and promote their films aggressively and devote a lot of time and energy, which was not the case. not the case when you were undisputed Shahenshah . How and why did the tactic change?
Mr. Bachchan : Look around you, dear sir … not just the actors, but is not everyone today singing for The diner?
Ques: Of eight releases in one year of your time, the stars now shoot a movie in a year or two, is this a function of the new-age trade?
M. Bachchan : This is the recognition of better management, both financial and personal. The good thing is that music and melody are back in the Hindi cinema, the music pleases everyone, the music captures the strings and strings of our souls.
Ques: From the age of parallel cinema to small cinema as Raazi and Badhaai Ho romp, how Hindi cinema has -he is evolving? Has the palace of Hindi spectators changed or the definition of the dough itself has changed?
M. Bachchan : I do not know what is "pulp" or "parallel". Cinema is a cinema – size and circumference, large or small, are measurement labels on clothing. The palate of every generation in every corner of the world is changing, not just for the cinema, but for all walks of life!
Ques: Are all the memories of Geraftar probably the only film where Rajinikanth, Kamal Haasan and you shared the same screen?
M. Bachchan : It was an honor, a privilege and a most humiliating experience to be in the same film as Rajni and Kamal. 19659003] (With the exception of the title, this story was not changed by NDTV staff and is published from a syndicated feed.)
[ad_2]
Source link
