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Review: Dorasaani is not just the story of two lovers; it is also the story of a village chief, a dora, who is afraid of the communist movement slowly advancing in his village. It is the story of a communist leader moved by such an idealistic love story that, even if he knows it better, he hopes the world will be better than he is, whereas love would survive. This is the story of many villagers who know that the feudal system in which they live is unfair and yet has no choice: to see their dora only as a god. It is also the story of a dasi who, at a revealing moment, realizes that whatever the clbad, the expected place of the woman in the world in which she lives is not a question of authority but of obedience.
Raju (Anand Deverakonda) is the son of a poor man who paints temples and houses for a living. Despite their state of deprivation, her parents want to educate her and give her a better life. Back home for the holidays, Raju visits the gadi of the dora (Vinay Verma) with his friend and sees the china dorasaani Devaki (Shivathmika Rajasekhar) after many years. He falls in love with her and despite her friends who warn her, sneaks into the gadi just to see her every day. The dorasaani start too early to notice it, falling under the spell of the poetry that he writes for her. Despite their clbad differences, the love of Raju and Devaki is so innocent and idealistic that it's hard not to root for them.
Despite fears about the end of events, it is hard not to be trapped by the romance director Mahendra who surrounds Raju and Devaki. The film also gives meaning to the red color, where on the one hand the communist movement of the village uses it as a color of dissent, for the two lovers it is the color of their mutual love. Even the red pamphlets of the manifesto are transformed into something more poetic. Raju and Devaki oppose the system in their own way. There is also a bright yellow flower that flowers in the most unlikely places and is difficult to crush, and that grow even in the worst moments, just like their affection for each other. There is a lot of symbolism and truth hidden in this film if we look beyond the trope of the poor boy who falls for a rich girl.
The only drawback (if we can even call it that) is that Mahendra takes his. This is the right time to set up the characters and the story at once, his story remaining unhurried even afterwards. After a while, one is eager to know how that ends, knowing that with the progression of the story, the director is not about to launch a curve also late in history. With Dorasaani Mahendra may not get you out of the carpet, but it will give you time to think and hit you in the bowels with this effective climax.
The use of synchro sound, anamorphic lens, and real-world locations turns out to be a plus for the film, Prasanth R Vihari's music, BGM, and Sunny Kurapati's cinematography giving balance to most scenes. Anand Deverakonda and Shivathmika Rajasekhar make an amazing start. They steal the show and invest in their characters. They shine not only in the scenes where they seem to look at the world with pink-tinted glbades, but also when they are reminded of how some will protect the clbad system. The rest of the cast also makes its mark, especially Vinay Varma as dora, Kishore Kumar as communist leader and Sharanya Pradeep as dasi who speaks a lot without saying a word.
See Dorasaani this weekend if you like a film that will make you love the kind of beauty it contains in every detail. Especially go watch it if you like to watch innocent love stories that pull you to the throat. Be patient with the laborious pace, it's worth it.
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