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Angelina Jolie is evil and Elle Fanning is Aurora in MALEFICENT: The mistress of evil. to make debate this teaser during The evening of yesterday of The Bachelorette was a clever demographic game, its timing was all the more embarrbading in the light of Game of Thrones of sunday evening Unfortunately, there is no sequence where Angelina Jolie's Maleficent gets tired of her subjects, turns into a dragon and reduces the kingdom to ashes. Maleficent is an obvious example of a very troubled production five years ago (John Hanbad eventually replaced Robert Stromberg) .The film badly reviewed (it looked great and had subtleties of clouds but hardly resembled a coherent narrative feature film) nevertheless reported $ 249 million america ins and $ 748 million worldwide for $ 18 0 million.
It is this film that consolidated the notion that A) Disney exploited its animated properties for big action movies was a viable strategy for building a brand / franchise and B) made films for / concerning women and girls. was a way to differentiate itself from the current landscape of pop culture. I always say that Disney became Disney (at least in the modern sense of his current multimedia empire) when he stopped trying to scam Pirates of the Caribbean and began to try to Scam Alice in Wonderland . Jolie Maleficent also represents a defining example of modern celebrity, inasmuch as Jolie-as-Maleficent was a huge sale so that a less iconic actress (or pretty in a non-IP star vehicle) is not.
Five years later, Disney now owns Fox and, this morning, takes full control of Hulu, allowing it to control one of the three largest streaming services (alongside Amazon and Netflix ) before even launching Disney + in the market. fall. The theatrical box office reportedly was depressed in the summer of 2014, but the lower cumulative summer box office was primarily due to the absence of three preordained characters, The Good Dinosaur from Universal , Furious 7 of Universal and Universal Fifty Shades of Gray which all opened in 2015. That said, it was also one of the last seasons in which more figurines as small as Lucy and Fault of Our Stars had an incredible chance to stand alongside the clbadic mats.
And, as you know, the drastic shift in entertainment habits has set a new standard: fewer people are going to the movies just to go to the movies. Unless it's something that they want to see, and especially in movie theaters (instead of four months later in VOD or DVD), consumers have the entertainment option to home via Netflix, Hulu, Amazon, cable TV and YouTube, some of this content being of a quality (in terms of writing, production values and interpretation) equal to may -be 90% of all theatrical content available. In general, the public always shows up for superhero movies, branded toons, horror musicals and real-life scenes, and everything else is qualified as a risk.
Even Disney has struggled to transform his fairy-tale movies live ( Christopher Robin The Returns of Mary Poppins etc.) into great hits. The failure of Dumbo ($ 339 million on a $ 170 million budget) made Aladdin a must-see film. While the MCU and the animated divisions will continue to reap fruit, Maleficent: Mistress of Evil is (by default) the most curious exit of Disney in 2019. With Artemis Fowl moved (ironically) the same weekend of late May in 2020, where Maleficent opened in 2014, Mistress of Evil is perhaps Mouse House's most important release . We know that Toy Story 4 The Lion King, Rise of Skywalker and Frozen II are going to be at varying degrees of "fat", but what about about? a sequel to Maleficent ?
Since it's a sequel to a popular star vehicle (though this one has had some very critical machines) and that star is actually back, Maleficent 2 (directed this time by Joachim Röslash, Nning – co-director of Kon Tiki and Pirates of the Caribbean: The dead do not tell the stories ), represents (by default perhaps to be) the best shot of Disney this year to show that they can still draw a lot of money from fairy tales of tales that do not necessarily drown in nostalgia or that are part of the MCU or the saga Star Wars . The good news is that, if the audience does not really show up at the movies as he likes the main characters and recent evidence ( Bohemian Rhapsody Captain Marvel Mission: Impossible – Fallout ) seems to confirm it, so Maleficent: Mistress of Evil has an advantage.
He will live or die if the public always wants to see Jolie as the main character, and it is difficult to say that this is not the case (especially since Jolie only played in From the sea since Maleficent ). In addition, confronting her with Prince Phillips' mother, portrayed by Michelle Pfeiffer, is a huge "value-added element," as the camp's value (whether intentional or not) of watching Jolie and Pfeiffer confront each other on a stage Royal may prove to be the right hook, whether the world needs or not another Maleficent . If this happens at its opening on October 18, 2019, it will be a glimmer of hope for the idea that Disney can always push more than mainstream movies and movies.
Maleficent: Mistress of Evil ] with Angelina Jolie, Michelle Pfeiffer, Elle Fanning, Chiwetel Ejiofor, Harris Dickinson, Warwick Davis, Ed Skein, Imelda Staunton, Lesley Manville and Juno Temple, to be inaugurated on the 18th October 2019. I bet this week would open instead of partially in 2020 for it to be faster on the Disney + streaming service. But it would still be nice if Mouse House were able to do magic outside of its animated divisions and MCU. Maybe it will end on a cliffhanger where Maleficent will turn into a dragon and burn all of Pfeiffer's realm. This would certainly correspond to that of first film. 45 / I spat on your grave sensibilities, although this may be embarrbading for all the parents who named their maleficent children.
Angelina Jolie is evil in Disney's MALEFICENT: MISTRESS OF EVIL.
] Walt Disney
Michelle Pfeiffer is Queen Ingrith in MALEFICENT: MISTRESS OF EVIL.
Walt Disney
She is orchestrated by Aurora in MALEFICENT OF EVIL.
Walt Disney
Angelina Jolie is Maleficent in MALEFICENT: Mistress of the evil of Disney.
Walt Disney
Angelina Jolie is evil and Elle Fanning is Aurora in MALEFICENT: Mistress of Evil.
Walt Disney
Michelle Pfeiffer is Queen Ingrith of Disney: MISTRESS OF EVIL.
Walt Disney
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Angelina Jolie is Evil and Elle Fanning is Aurora in MALEFICENT: MISTRESS OF EVIL
Walt Disney
While Disney's Choice to Debate with this Teaser On the first night of The Bachelorette was a clever demographic game, its timing was all the more puzzling in light of Sunday night's Game of Thrones . no sequence in which Maleficent Angelina Jolie has enough of her subjects, turns into a dragon and reduces the kingdom to ashes. Maleficent is a clear example, five years ago, d & # 39; a very troubled production (John Hanbad finally replaced Robert Stromberg), which nonetheless resulted in an overwhelming success.The film badly reviewed (he looked awesome and had a lot of subtext but barely looked like a long consistent narrative footage) nonetheless gained 2 49 million US dollars and 748 million US dollars worldwide with a budget of 180 million US dollars.
that A) Disney exploits its animated properties for big action real movies is a viable franchise / brand building strategy and B) that making movies for / about women and girls is a way to differentiate itself from the current landscape of pop culture. I always say that Disney became Disney (at least in the modern sense of his current multimedia empire) when he stopped trying to scam Pirates of the Caribbean and began to try to Scam Alice in Wonderland . Jolie Maleficent also represents a defining example of modern celebrity, inasmuch as Jolie-as-Maleficent was a huge sale so that a less iconic actress (or pretty in a non-IP star vehicle) is not.
Five years later, Disney now owns Fox and, this morning, takes full control of Hulu, allowing it to control one of the three largest streaming services (alongside Amazon and Netflix ) before even launching Disney + in the market. fall. The theatrical box office reportedly was depressed in the summer of 2014, but the lower cumulative summer box office was primarily due to the absence of three preordained characters, The Good Dinosaur from Universal , Furious 7 of Universal and Universal Fifty Shades of Gray which all opened in 2015. That said, it was also one of the last seasons in which more figurines as small as Lucy and Fault of Our Stars had the courage to stand alongside clbadic tents.
And, as you know, the dramatic shift in entertainment habits has created a new normal, where fewer people go to the movies just to go to the movies. movies. Unless it's something that they want to see, and especially in movie theaters (instead of four months later in VOD or DVD), consumers have the entertainment option to home via Netflix, Hulu, Amazon, cable TV and YouTube, some of this content being of a quality (in terms of writing, production values and interpretation) equal to may -be 90% of all theatrical content available. In general, the public always shows up for superhero movies, branded toons, horror musicals and real-life scenes, and everything else is qualified as a risk.
Even Disney has struggled to turn his fairy-tale movies into live ( Christopher Robin The Returns of Mary Poppins etc.) into great hits. The failure of Dumbo ($ 339 million on a $ 170 million budget) made Aladdin a must-see film. While the MCU and the animated divisions will continue to reap fruit, Maleficent: Mistress of Evil is (by default) the most curious exit of Disney in 2019. With Artemis Fowl moved (ironically) the same weekend of late May in 2020, where Maleficent opened in 2014, Mistress of Evil is perhaps Mouse House's most important release . We know that Toy Story 4 The Lion King, Rise of Skywalker and Frozen II are going to be at varying degrees of "fat", but what about about? a sequel to Maleficent ?
Since it is a sequel to a popular star vehicle (though this one is critical), and that star actually returns, Maleficent 2 ( directed this time by Joachim Rønning – co-director of Kon Tiki and Pirates of the Caribbean: The dead do not tell the stories ), represents (by default perhaps) the best shot of Disney this year to show that he can still earn a lot of money playing in real-life fairy tales that do not necessarily drown in nostalgia or that are part of the MCU or the saga Star Wars . The good news is that, if the audience does not really show up at the movies as he likes the main characters and recent evidence ( Bohemian Rhapsody Captain Marvel Mission: Impossible – Fallout ) seems to confirm it, so Maleficent: Mistress of Evil has an advantage.
He will live or die if the public always wants to see Jolie as the main character, and it is difficult to say that this is not the case (especially since Jolie only played in From the sea since Maleficent ). In addition, confronting her with Prince Phillips' mother, portrayed by Michelle Pfeiffer, is a huge "value-added element," as the camp's value (whether intentional or not) of watching Jolie and Pfeiffer confront each other on a stage Royal may prove to be the right hook, whether the world needs or not another Maleficent . If this happens at its opening on October 18, 2019, it will be a glimmer of hope for the idea that Disney can always push more than mainstream movies and movies.
Maleficent: Mistress of Evil ] with Angelina Jolie, Michelle Pfeiffer, Elle Fanning, Chiwetel Ejiofor, Harris Dickinson, Warwick Davis, Ed Skein, Imelda Staunton, Lesley Manville and Juno Temple, to be inaugurated on the 18th October 2019. I bet this week would open instead of partially in 2020 for it to be faster on the Disney + streaming service. But it would still be nice if Mouse House were able to do magic outside of its animated divisions and MCU. Maybe it will end on a cliffhanger where Maleficent will turn into a dragon and burn all of Pfeiffer's realm. This would certainly correspond to that of first film. 45 / I spat on your grave sensibilities, although this may be embarrbading for all the parents who named their maleficent children.
Angelina Jolie is evil in Disney's MALEFICENT: MISTRESS OF EVIL. ] Walt Disney
Michelle Pfeiffer is Queen Ingrith in MALEFICENT: MISTRESS OF EVIL.
Walt Disney
She Fanning is Aurora in MALEFICENT: MISTRESS OF EVIL.
Walt Disney
Angelina Jolie is evil in MALEFICENT: MISTRESS OF EVIL.
Walt Disney
Angelina Jolie is evil and Elle Fanning is Aurora in MALEFICENT: MISTRESS OF EVIL.
Walt Disney
Michelle Pfeiffer is Queen Ingrith in MALEFICENT: MISTRESS OF EVIL.
Walt Disney
