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Just before Saturday Night Live was returning from his break, Ariana Grande published "Thank u, next", in which she checks the name of her ex-fiancée, Pete Davidson, but also three other ex-boyfriends, including Mac Miller, who died earlier this fall: "I thought I would end up with [Big] Sean / But he was not doing a match / writing of songs on Ricky [Alvrez his former dancer] / Now I listen and I laugh. Even almost almost married / And for Pete, I'm so grateful / I'd like to be able to thank Malcolm [Miller] / Because he was an angel. Then the chorus comes in: "Thanks, see you next time. I am so grateful for my ex. It's a panacea for a breakout song that presents each man as a time in Grande's life – not the other way around. In a single outing, the pop star, who rarely lets the story escape, signals complete and complete control of his story.
Although Grande explicitly tweeted that the song was not meant to hurt. or one-up, – "no drag … no shadow … juice of love, gratitude, acceptance, honesty, forgiveness … and growth" – the timeline Accelerated is brilliant in part because it reduces Davidson to a point on a timeline. It also gives us, the battle-hungry audience, the insignificant air of awarding a winner while Grande takes the high road. (By way of comparison, Taylor Swift tends to let the conversation go out before she publishes an air of revenge or four, at Tom Hiddleston's ] and with his public remarks: "Bad Blood" almost coined a quarrel with Katy Perry, and "That's why we can not have beautiful things" appeared long after the din around his quarrel with Kanye West -and by extension Kim Kardashian -was the ridge.) The moment of Grande's release – just hours before SNL returned – was as sharp as possible, preempting Davidson's hypothetical remarks. (For what it's worth, TMZ said Davidson deliberately scrapped any Grande play from Saturday's show.)
Grande had good reason to believe that she could become flesh in sketch. When she and Davidson lived together, S.N.L. They made their commitments for comedy and propelled Davidson to more airtime than he had ever had before, as noted Vanity Fair's Joanna Robinson . And last Thursday, S.N.L. hinted that he would certainly live up to his old tricks by broadcasting a promo in which Davidson proposed to the musical guest Maggie Rogers. After Rogers answered "No," he answered, "Well, zero for three." This occurred after he had evoked the end of his relationship at a charity event with Judd Apatow. "Well, as you can see, I do not want to be here," he said in late October, a week after the announcement of the news. "There are a lot of things going on, does any one have open rooms? Are you looking for a roommate?" After the promo release with Rogers, Grande tweeted, then deleted: "For someone" one who claims to hate irrelevance, it's a love that holds on to it, huh, "that could have looked like the beginning of a stronghold, if it very next tweet had not been a subtle self-promotion: "thank you, then."
In a way, Grande's dominance over the story of her split was preordained.Although Davidson saw a tragedy that turns sour, the sincerity of Great has always been revealing, as she speaks directly to her fans and leaves them with hope, Davidson has sent a similar message on a similar message, appearing in "Weekend Update" to read a prepared statement: "The last thing I would say is that I know that some of you are curious about the break, but the truth is that it's nobody's business, he added, "Sometimes things do not work and everything is fine. He is a great and strong person, and I sincerely wish him all the happiness of the world. Go, please, go vote on Tuesday.
His message, it seems, resembled something that looked like, our personal problems are nothing compared to the current national problem. But while Davidson uses political activism as a way to change the subject, Grande seems to be able to do everything: cancel an engagement, mourn the death of a loved one, encourage his fan-base to vote and go out a new single that blends smoothly rewrites his own story.
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