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Captain America in Avengers: Endgame (Courtesy of Walt Disney Studios Motion Pictures)
for for Avengers: Endgame The cornerstone of blockbuster to more than A decade of Marvel Studios studios, Christopher Markus and Stephen McFeely have scripted the narrative threads of dozens of superheroes – an orchestration feat of storytelling that requires an intimate understanding of a chorus of characters. Yet even after writing for everyone, from Iron Man to Captain Marvel, the duo of screenwriters remains true to the goal of their first Marvel film project: Captain America.
About a decade ago, Markus and McFeely began writing Captain. America: The First Avenger which explains how Steve Rogers, a man of lesser height, became a super-soldier of the Second World War, thanks to the experience of "super serum" of biting, moxie and the army. The writing team embraced the adaptation of the star hero, created by another creative duo – Joe Simon and Jack Kirby – shortly before the US involvement in World War II.
Through five films, Markus and McFeely built intriguing moral conflicts for Cape Town. , the character withdrawn without cynicism, which is the most direct arrow of the Avengers.
"He is unshakable where society is very gray and highly changeable," Markus said. "And so the fascination has always been: how difficult is it to defend those things in which he believes – in the face of reality? Reality is a hard thing to bear literally."
Markus says so fiercely "good" "The types of film history fascinate him: characters such as Atticus Finch in To Kill A Mockingbird or Eliot Ness in The Untouchables .
McFeely shares this sensibility. "Chris and I early thought with Cape that we would betray his character if we made him something other than an honest and upright character," he says.
Writers have written Steve Rogers as an increasingly influential hero – people through his long bow
"He changes the ideas a lot in the first film," says McFeely. first sequel, "The Winter Soldier", "it becomes even more obvious that it changes the world that surrounds it."
With Endgame the writers discovered Cap – like all throughout his MCU career – by Chris Evans – being the most convincing character for "The new film, which officially opens Friday, added spice because he said it was his latest film of the Avengers.
"He never met the kind of defeat as he did at the end of Infinity War " said Markus, referring to last year's "Avengers" cliffhanger that had organized the cataclysmic events of Endgame .
"It's really rewarding and fascinating to see him struggling with that," he continues. "And to see that with the previous four films that we did on him – that all he did was lead to this: sitting in the ground saying," What am I doing? ;have done? "What does it do with that?"
Markus and McFeely had no idea when they met in the mid-90s, as part of a program Writing for graduates from the University of California at Davis, that their future would be to adapt clbadic comics to superheroes. While some of their clbadmates wanted to finish their novels and news, they decided to try Hollywood.
"About halfway through the first school year, we learned that," Oh, you can write for Hollywood and get paid. said McFeely.
So they made a promise: if their Hollywood writer career was not earning anything before the age of 30, they would shake hands and move on to another life.
In 2004, they did an Emmy-winning job for "The Life and Death of Peter Sellers" and then wrote a work on the "Chronicles of Narnia" film franchise – which led them to be hired to write for Marvel Studios, guided by its architect / chair Kevin Feige.
Markus and McFeely have been working on their last four films in the Avengers universe with directors brothers and sisters Anthony and Joe Russo. In praising the creative culture that surrounds the films, the writers say that they appreciate the democratic approach: the best idea wins out.
"They are incredibly collaborative – it's not a dictatorial relationship," says Markus about the directors. "We are two and two, and it becomes a democratic way to create."
Then comes the ability to write works that are embraced, examined and deconstructed by millions of fans around the world. The writers savor these unusual opportunities to go through the microscope of popular culture.
Markus states, "To have so many hidden eyes – even if they are preparing to tell you that they do not like what you did – it is incredibly rare."
(c) 2019, The Washington Post
(With the exception of the title, this story was not edited by NDTV staff and is published from a syndicated thread.)
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