Before Alia Bhatt-Varun Dalwan, Kalank, 5 epic dramas that were the subject of the Bollywood Hall of Fame | Bollywood

Karank Johar's Kalank drama will be shown on the screen on April 17. The producers make fun of their stunning scenery (one of them is a recreated version of Hira Mandi from Lahore) and gives us insights into the lives of strong characters. at a time before the score.

With stars like Sanjay Dutt, Madhuri Dixit, Varun Dhawan, Alia Bhatt, Sonakshi Sinha and Aditya Roy Kapoor, the film is loaded with stars. Everything about the film is played on an epic scale – clothes, jewelry, songs, dances. It is a story that arouses a lot of emotions and that unfolds in a turbulent time. However, this is not the first time that such an attempt is made. Before the release of Kalank, here are five iconic films that have embarked on this path:

Pakeezah

At the turn of the last century (1890-1900). Lucknow town, Pakeezah tells the story of a tawaaif (courtesan) who wants love and a family to her. A simple desire, but given its situation in life, the task is arduous because it must fight against prejudice, rejection and exploitation.

Sahibjaan (Meena Kumari), a beautiful courtesan falls in love with a ranger, Salim Ahmed Khan (Raaj Kumar), reading his letter, as their paths intersect in a train. Later, they meet and fall in love for good. The only glitch being he was born high and she a courtesan. Salim's family opposes a dancer as a daughter-in-law as she tries to sell the aggressive advances of a patron, Nawab Zafar Ali Khan. Things are getting worse and Sahibjaan finds himself playing mujra (dancing) at Salim's wedding. As events unfold, it is clear that Sahibjaan is the illegitimate daughter of Salim's uncle, Shahabuddin (Ashok Kumar). The film ends with a dying Shahabuddin asking Salim to marry his daughter. The film ends with the baraat of Salim (groom's feast) which reaches a tawaaif kothi, a symbol of changing times and customs.

The spectacular scenery of the film, its backdrop, family drama, conflicting emotions, songs and dances were so magical that the film continues to fascinate audiences over 40 after its release. Meena Kumari in a dual role of Nargis and Sahibjaan was painfully perfect in the role, which was also to be her swan song. The main actors were also stellar – Ashok Kumar, Raaj Kumar, Sapru, and Kamal Kapoor, with the exception of Meena Kumari, gave the film its weight.

Umrao Jaan

Considered a clbadic, Umrao Jaan of Muzaffar Ali is a painfully beautiful story of courtesan taking place during the eventful years of 1857 in Lucknow. Featuring Rekha in the defining role of a career as a convicted courtesan, the story is based on the novel Umrao Jaan Ada, an Urdu novel of 1905. A girl named Amiran of Faizabad (in ln. Uttar Pradesh) is kidnapped and sold to a madam, who teaches courtesans the art of captivating the rich and the wealthy. By blossoming into a young woman, now known as Umrao, she becomes skilled in dance and music and carries the toast of Lucknow's high society. In addition, Umrao is also a talented poet. Nawab Sultan is one of those people. She travels for her charms. However, their nascent romance dies in the bud when the sultan declares that he must marry a woman of his choice.

While turbulence arises and Lucknow is trapped in a revolt, Umrao becomes pbadionate about the bandit leader Faiz Ali, with whom she flees . The situation goes awry when he is killed by British forces and ends up in his childhood home in Faizabad. Her mother is happy to see her, even though everyone else can not recognize her and ask her to play. Wanting to unite with her family, Umrao is forced to leave, her brother not wishing it. She returns to Lucknow, only to find the mess in a doldrums.

The film was emblematic on many scales – it is perhaps the first realistic drama, although it is presented in a commercial film format. Rekha's performance is superb as she delves into the pathos, loss, confusion, beauty, aesthetics and sophistication of Umrao Jaan. The scale of the film is mbadive; The high society of Lucknow in the 1840s and the ravages of revolt give the film its timelessness. Rekha stars the films Farooq Shaikh, Naseeruddin Shah, Raj Babbar, Dina Pathak, Satish Shah, Shaukat Kaifi, Prema Narayan and the late Bharat Bhushan.

Waqt

The Vintage Drama, with Balraj Sahni, Sunil Dutt, Raaj Kumar, Shashi Kapoor, Sharmila Tagore, Sadhana and Achala Sachdev in eminent roles, is an epic family drama unfolding in a catastrophic period. Lala Kedarnath is a wealthy merchant who leads a happy and prosperous life with his wife Laxmi (Achala) and three young sons – Raju, Ravi and Vijay. An astrologer warns him to be wary of fate and not to be proud of his exploits, but Kedarnath does not care.

As fate would have it, the night of his son's birthday, a disaster occurred and the city was hit by a deadly earthquake. In a few hours, his life is broken – his two eldest sons are lost and his wife, his youngest son, and he are left in poverty. He is imprisoned for a crime, his eldest son becomes a thief, the second son is adopted by a wealthy family and his wife and younger son are forced to lead a life of scarcity. How different facets of history intersect, identities revealed and how romances result in weddings form the rest of the story.

Devdas

Bengali novelist The epic family drama set in the British era has captivated moviegoers and filmmakers since time immemorial. No wonder the story was made three times in Hindi and 19 times in various Indian languages. A role made famous by Dilip Kumar, the story revolves around a descendant of an aristocratic Bengali family, Devdas, who falls in love with a girl named Paro, a stratum inferior to his own. He also likes it, but does not have the courage to stand up to his family's objection to Paro Church as a daughter-in-law, as she grew up in the house (families are neighbors). ).

A daring Paro comes out of his house to meet him and asks him to marry her, something unheard of at this time, but only to find a meaningless lover. She accuses him of being a coward and decides to marry a much older but wealthy widower arranged by his family. Devdas confused goes to Calcutta, only to realize his mistake. He rushes to confess his love but it is too late. Her preparation for marriage is in full swing and can not be reversed. Depressed, he returns to Calcutta and finds himself in the arms of a great-hearted courtesan Chandramukhi, who falls from knowing very well that he does not like her. The film ends with the death of Devdas at the doors of the new house of Paro.

The story is a breathtaking narrative of its time – nineteenth century India, with its prejudices, weaknesses and helplessness of its main characters.

While the Bimal Ray version starring Dilip, Suchitra Sen, and Vyjayanthimala was modest, Sanjay Leela Bhansali's 2002 clbadic was a lavish drama with a huge canvas, gigantic plays, and an intense drama. The star of the film was also composed of Shah Rukh Khan, Madhuri Dixit, Aishwarya Rai and Kirron Kher, among others responsible for the charge.

Sholay

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