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In recent years, among the superhero movies, there was an easy way to sum it up: Marvel movies are (by and large) funny, and DC movies are very dark and dark. In the latter case, some authors (whether you like them or not) have created the template for the entire DC Extended Universe, even if one of them does not. has never made a film in this technically defined franchise: Christopher Nolan and Zack Snyder. The darkness of these films became a burden, and DC became aware of them. Their last two movies, Aquaman and now Shazam! from December are both trying to distinguish themselves from Grimdark's skid, offering characters and more dynamic, colorful and tempting worlds. be entertaining in a traditional sense.
This post contains Spoilers for Shazam!
Bending over the pleasure of the superheroism
Shazam! in particular, is doing quite well at … you know, fun . Part of the reason the film directed by David F. Sandberg is due to the fact that, either because the honors of DC have judged him so, or because the script of Henry Gayden chose it, there is very little recognition of the larger universe lying apart from the very idea that superheroes exist. The film, focused on the perpetual adoptive child Billy Batson (Asher Angel), generally distils any superhero consciousness into Billy's new adopted brother, Freddy (Jack Dylan Grazer), who sports shirts sporting the Aquaman logo. and a bullet shot in the past on Superman. 19659007] Once Billy became the alleged champion of a mystical wizard named Shazam (Djimon Hounsou), he is endowed with powers of flight, speed, strength, etc., which he can exploit by saying "Shazam". and turning to his ideal adult self, described by Zachary Levi. Finally, Billy / Shazam must face his first supervillain, Thaddeus Sivana (Mark Strong), a dark adult who had the opportunity to be the champion of Shazam before being rejected.
Sivana's backstory, much like Billy's, is sad in order to evoke empathy, but once the adult character has shown his own powers and cruelty, he is more fun to see Billy / Shazam lessen his fears. the villain to be a bad guy. It can be said that the film's funniest scene is coming late, as Billy / Shazam and Sivana face each other, hovering over Philadelphia about 100 yards away. Sivana begins to deliver a scary monologue, but when Sandberg pbades to Billy / Shazam, it is clear that he can not hear the monologue and he does not care what Sivana even says. Most of Shazam! is not interested in parody, but at this point, we hide a key trope in the subgenre.
The concept of a fun superhero movie is rather absent from many recent comics. book movies, not just those of DC. (That being said, let's be honest: the Marvel movie that literally ended with the death of half of humanity managed not to sink into the confusion, while the first DCEU movies are desperately sinister in the hope of appearing serious and monstrous.) The need to deal more seriously with comics has become a number of Marvel films, including The Captain Marvel and The Avengers: The War of the Infinite (This is not as black as DC movies, but … it ends with the death of half of humanity), looking for importance and missing the target.
The Complex of Serenity
For DC, it is a crutch thanks to the resounding success of Christopher Nolan's trilogy by Batman . In this series, the film most often described as high filigree is his sequel of 2008 The Dark Knight . It's easy to see this as a movie that leans too much into the darkness of its title, with Bruce Wayne / Batman pushed to the limit by the cruel and sociopathic Joker. Even in the world of a film by Christopher Nolan, there is one element of the game, at least as revealed by the late Heath Ledger. His Joker is a character whose offbeat qualities are absent from other Nolan Batman films. (Bane, a nasty key in The Dark Knight Rises is funny, but it's not intentional.). While the Academy Award-winning Ledger Joker has become an iconic landmark for many online fans, the seriousness of his work is what has really been reported to DC's extensive universe.
Nolan's presence was only moderately seen. at the beginning of the CESD in 2013 with Man of Steel . Although he did not make the film, he was credited as a producer and seems to have played a pivotal role in Warner Bros.'s work. with Snyder (who already had a solid relationship with WB thanks to 300 [19659004] and Watchmen ). But Man of Steel is much more of a Zack Snyder film than a Christopher Nolan film; none of them would have been right to direct a Superman movie, in part because Superman is a radically different character from Batman. This last character has darkness in him, while Superman is supposed to be a character full of unbridled excitement and joy of having powers. It is a sense of hope that is largely absent from the first CSEF movies.
The Steel Man was criticized by critics made against the fact that Superman broke General Zod's neck right after many innocent civilians had been murdered in the crossfire of their struggle. Batman v Superman: The Dawn of Justice was marked by critics expressing its dreadfully parodic level. (And very recently, Snyder publicly talked about his darker catch against Batman and Superman, suggesting that he does not regret any of his versions of the characters.) Whatever it is 39; other Justice League awarded to Snyder as director but guided until the end by The Avengers Director Joss Whedon tries immediately to be light and fun. Justice League largely fails this goal, in part because half of the film is as visually and emotionally disturbing as its predecessors, but it was already felt that DC knew Their problems. 19659007] Of course, by the time League of Justice had been opened, DC had already made fun of its own penchant for darkness with the awesome drama The Batman LEGO Movie . It's a solid mix of affectionate homage and sneaky parody, which opens up on a black screen while Batman's graffiti-voiced minifig version (voiced by Will Arnett) says "all important movies start with a black screen. This sense of importance is what the film puts on and what Shazam! also avoids. This may be because The Dark Knight was not nominated for an Oscar for best film, a decision that led the Academy to expand to ten the number of nominated candidates, but the mix of importance and hurt pride contribute significantly to the qualitative problems of the CUSD.
A breath of fresh air
And that is perhaps why films like Shazam! and Wonder Woman Feel like such fresh air puffs. None of these films avoids the dark or mature elements – Wonder Woman presents his main character in the middle of the First World War and Shazam! [1965]. 19659004] has several characters with stories designed to engender instant sympathy because of family separation – but they do not wallow in these elements. Shazam! begins in the dark with a prologue in 1974 by the time we meet the young Thaddeus Sivana on a snowy night trip with his intimidating brother and his equally evil father (John Glover) . ). Thaddeus with glbades is transported inexplicably into Shazam's lair, and after being tempted by the personifications of the Seven Deadly Sins, the old wizard sends him back to the real world.
When we meet Billy Batson, a similar sadness permeates his scenario. As a teenager, he came in and out of a foster home for a decade; in a flashback, we learn that he was separated from his young mother during a carnival and that she never could reconnect with him. Finally, it becomes clear that her mother's absence was less of an accident than an active decision on the part of the young woman. When Billy is finally able to locate his biological mother, with the help of his new adoptive siblings, he discovers the truth: even though they accidentally separated, she saw her young son with the cops and chose to leave him behind because of her. youth and immaturity, baduming that someone else could be a better mother to him. It's a heartbreaking moment, and that works because of how many Shazam! at least the parts surrounding the background of Billy, is so amusing . [19659007] Part of this might be the decision to make this story a story about two teenagers. Billy, when he is an adult, acknowledges that he does not know much about superheroes, but his adoptive brother, Freddy, is an addict. In part, this addiction is due to Freddy's physical handicaps and the extent to which he aspires to have the type of body capable of withstanding all the pains. Billy and Freddy, once the first one has demonstrated his super powers, test the limits of Shazam with the kind of dizzying joy reserved for children who laugh and play while their parents are not watching. This is the kind of fun that children experience when they pretend to be superheroes, but are filmed with honest superpowers. This, combined with the pathos manifested by the fact that Billy discovers his mother's choice to leave him behind, creates characters that interest the audience, a precious necessity in what could otherwise be the umpteenth superhero movie of the decade.
This is what makes Shazam! is special and that is what makes so many of the best so special superhero movies. (Certainly, The Black Knight is one of those great movies, even though it's not very entertaining in the traditional sense.) is not so much the story of the new film that is terribly original. as much as it looks like the kind of story that the studios have moved away from lately. Superhero films are impossible to avoid at the multiplex, but the films of superheroes whose characters as are superheroes are fewer and more distant from each other . Without a doubt, viewers are turning to one or the other type of movie – high budget aside, even . The Justice League has grossed more than $ 650 million worldwide, and Marvel has not really unveiled the ups and downs of the box office. But those who stand out more than a weekend or two feel special. Or, if you want, great.
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