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Another year, still Oscars. Another Oscars, another bunch of victories to celebrate … and to complain for the next 12 months.
Yes, nothing disturbs movie buffs like the Academy Awards, which are used to make crazy moviegoers and delight them as much. measured. The 2019 edition was no different, the ceremony alternating "well, it was deserved!" And "what were they thinking ?!", Reward by reward. So, let's break it down. Here are the best and worst moments of the Oscars of 2019.
Worse: the Green Paper wins the best film and the disastrous speech of acceptance
Not only was this speech devoid of emotion and bland, but it was also an acceptance of a moment I do not feel at all won. When you look at the faces on this stage, you will notice a handful of blacks among a sea of white men and women. It's not surprising for a movie that celebrates the fact that a racist white man suddenly realizes he does not have to be a bigoted jerk because he's gone on a trip with a black guy who had paid to be there. Since it's noble it all sounds like a defense against people who do not already think the film deserves the best movie. Nobody even mentioned Don Shirley, the main black character of the film, nor Victor Hugo Green, the man who created the original book Negro Travelers' Green Book from which the film derives its title. Shameful. (Ethan Anderton)
Best: Olivia Colman's surprise win for the favorite
The queen could have opened the ceremony, but there was only one true queen, Olivia Colman. The recipient of a first Oscar was able to win a surprise victory of the best actress in The Favorite after the major victories won by Glenn Close in the last two months. Colman's apparently improvised speech, in which she promised a "heavy mbadacre" to the names she had forgotten to thank and concluded by kissing and shouting "ah, Lady Gaga!" Only made her more endearing. (Hoai-Tran Bui)
Richard e. reaction grant to barbra streisand is a gift #Oscars pic.twitter.com/11W4vRctCO
– vulture (@vulture) 25 February 2019
Best: Each cut to Richard E. Grant, who spent the best of his life
The Oscars may have been mixed this year, but at least no one enjoyed it more than Richard E. Grant. Nominee for Best Supporting Role for Can you still forgive me? was a source of unstoppable joy when the camera tore him off the camera – that he was celebrating the victory of best documentary short film or was tearing himself apart at the sight of his hero Barbra Streisand. Cut-off games are always a mix, as celebrities rarely know when they're filmed, but you can always count on Grant to emit a positive glow whenever he's on screen. (Hoai-Tran Bui)
Worse: Bohemian Rhapsody's technical awards prove that the Academy does not understand how movies are shot
One would think that the voters of the Academy of Arts and Film Sciences are full of people who understand the process of making movies. But you are wrong. Just read one of the articles in the "Brutally Honest Oscar Vote Ballot" published annually in The Hollywood Reporter. This is precisely why Bohemian Rhapsody won the Best Editing, Best Mixing and Best Editing Awards. First and foremost, most voters have no idea of the difference between editing and mixing, but they badume that if a movie contains a lot of music, the work on the sound must to be the best. Honestly, these awards should have gone to First Man . But the most egregious offense here is to give Bohemian Rhapsody the prize for best editing. And if you need proof of that, go watch this movie clip and try to tell us why he deserves this award. We will wait. (Ethan Anderton)
The best way: the show without a host worked perfectly and the show went well
As at every Academy Awards, there is had great moments and horrible moments this year. There have been well-deserved rewards and rewards that time will treat as a radioactive waste fire. And yet, none of this can be placed at the feet of the producers of the series, because it was the most popular Oscar ceremony in a long time. Without any animator to slow things down with long monologues and useless skits, the show could steal reward as a reward, offering a fun joke to presenters without ever pressing a break for unnecessary editing or a viral moment " stupid. It's become a show about prizes and winners. This is the way it should be. The Oscars do not need a host. In fact, it is now clear that a facilitator hangs out. Hopefully the producers are taking note of this and keep this model in the future. (Jacob Hall)
Best: Melissa McCarthy and Brian Tyree Henry present their best costume while In-Costume
Let Melissa McCarthy put all she has in her pocket to present only an Oscar few minutes to the screen. She and Brian Tyree Henry, co-star of If Beale Street Could Talk were dressed in the costume panoply of the nominated films for the best costume design. But the best contact was the stuffed rabbits in the honor of The Favorite whose one became a puppet who co-presented the award with McCarthy and Henry. It was hilarious and wonderful. (Ethan Anderton)
Worse: Rami Malek and his speech very bad, not very good
It is bad enough that Rami Malek won an Oscar for his hokey performance of the singer of Queen Freddie Mercury in Bohemian Rhapsody . Even the clip played during the nominations was enough, with the Mr. Robot actor who synchronizes badly the lips with the inimitable voice of Mercury. But it would have been forgiven (at Eddie Redmayne), if he had taken the stage and given an acceptance speech full of grace, wit and humility. But he did not do it. His self-magnifying acceptance stammered "I deserve it", the kind of pomposite that gives a whole ceremony (or an entire industry) the impression that his head is buried. And his cry of gratitude to the LGBTQ community? Earlier in the day, Richard E. Grant demonstrated how a heterobadual man playing the role of a homobadual man can be kind and warm to the community that he represents in a character on the screen when He won the Independent Film Spirit Award for Best Actor in a Supporting Role. Malek should be forced to watch this speech without interruption until he learns a thing or two. (Jacob Hall)
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