Bollywood love? Here is a list of Indian films to see absolutely

Lights, camera, action … and a social message! A clever set of emotions, drama, humor and, of course, flamboyant dances with actors perfectly timed on the lips, often useless, over the best songs. In India, we call it the typical "masala film" of Bollywood (a mix of different spices). And with this ultimate recipe, the multi-billion dollar Hindi film industry has won millions of fans around the world.

As an Indian (who grew up in the dreamlike world of Bollywood), many of my foreign friends often consult me ​​about Indian films to be seen absolutely. To simplify things, I usually divide Bollywood movies into two parts, "Khan movies" and "Non Khan movies". In this article, I will stick to the first category.

There are three Bollywood "King Khans": Shah Rukh Khan, Aamir Khan and Salman Khan. Everyone has their own group of crazy and pure fans. These fans can easily be found in every corner of the world, deeply engrossed in serious arguments to prove why "their" Khan is better than the other two Khans (I swear I've never had such an argument).

Apart from their family name, the Khan trio bears a strange resemblance to their age and their year of debut. Aamir is 54, and Shah Rukh and Salman are 53. Salman and Aamir made their mainstream debut in the late 1980s, and Shah Rukh appeared on the big screen in the early 1990s. They spent nearly three decades in the Indian city of Tinseltown, where celebrity remains ephemeral for many.

Aamir, who proved his power with consecutive successes such as "3 Idiots" and "Dangal", is well known in China. Meanwhile, the other two Khans, who have many fans in Europe, Russia and the United States, are beginning to win many Chinese hearts. This year, Shah Rukh Khan's "Zero" director will be screened at the closing ceremony of the Beijing International Film Festival, and the superstar herself will participate in the Dialogue Forum, a China-India co-production to be held at the festival.

But before watching their new movies, here is a list of some "Khans movies" to see absolutely.

Aamir Khan, aka Mr. Perfectionist

Qayamat Se QayamatTak (From Fate to Destiny) (1988)

Aamir entered the traditional Hindi cinema landscape with this film more than 30 years ago, which made it a superstar overnight. Introduced as a chocolate boy, Aamir changed the model of Hindi movie heroes with this film. It is widely regarded as an Indian version of William Shakespeare's Romeo and Juliet, where a boy and a girl fall irrevocably in love, while their families are the fiercest of enemies. The famous historian Guatam Chintamani, in his book titled "Qayamat Se Qayamat Tak: the film that brings life back to Hindi cinema" "qualifies the film as a" blank card that reversed the Bollywood trend. "

Jo Jeeta Wohi Sikandar The winner is the winner) (1992)

The Aamir movie, which comes to adulthood, is a love triangle drama of a college where a rich kid and a poor boy trying to seduce a girl and where the rivalry is reduced to a university race bike.The film perfectly expresses the old themes of love, friendship and sacrifice.

Andaz Apna Apna (Everyone Has His Own Style) (1994)

The Riot Laughter does not have one but two Khans, starring both Aamir and Salman.The movie was a commercial failure, but over the last 20 years, the film has become a clbadic whose charm only increases with each visit. The plot revolves around two "losers" who try to seduce a woman multimillionaire, but who end up falling on a local gangster.

Lagaan (Tax) (2001)

Defined in 1893, when India was under British rule, the story revolved around a protesting village against an unprecedented property tax for farmers. British officers challenged villagers who were asking for tax relief to participate in a cricket match, which put the latter at a disadvantage, as it was a game reserved for rich white men of the day. 39; era. The film was an entry of India at the Oscars in 2002. The Guardian called it "a sumptuous epic, a wonderful love story and an exciting adventure".

Taare Zameen By (Like Stars on the Earth) (2007)

This is a heartbreaking story that tells the story of. an eight-year-old boy with dyslexia and constant pressure from his parents and teachers to make his studies a success. The famous Indian film critic Rajeev Masand on his official website has published: Taare Zameen Par is an accomplished effort – it is this rare film that carries an important message and tells a sensitive story, all in the Bollywood format.

Shah Rukh Khan, aka King Khan

Baazigar (The Ultimate Winner) (1993)

This thriller is one of the movies The most memorable of King Khan, in which he plays the character of a serial killer seeking revenge for his father's death. The film is a complete package of action, emotion and humor.

Darr (Fear) (1993)

Shah Rukh plays Rahul who is obsessed with love for a girl named "Kkkk-Kiran" (the trademark in which he triturates his name). While Kiran is engaged to someone else, Rahul would not take no for an answer. Psychological drama is both engaging and obsessing.

Dil Wale Dulhaniya The Jayenge (1995)

This film earned Shah Rukh millions of fans in Russia, Europe and the United States. Romantic melodrama is the oldest film in the history of Indian cinema, performing nearly 1,000 consecutive screenings in a Mumbai theater 25 years after its release. Famous American film critic Roger Ebert described the film as a "phenomenon" on his official website.

Chak from India (Go to India!) (2007)

The film is known for one of the best performances of Shah Rukh, who plays the role of # 39; coach of the women's hockey team of India, Kabir Khan. The film deals with issues such as badist prejudices, clbad distinction, regional chauvinism and ultra patriotism. A New York Times critic said, "The greatest merit of the film is its commentary on badism in India, and as it should be, Chak De! India is giving women the final say in the closing credits."

My Name is Khan (2010)

The film tells the story of an Indian Muslim suffering from Asperger's Syndrome and mistakenly arrested as an alleged terrorist in Los Angeles after the 9/11 attacks. The film tells his journey to meet the US President to deliver this message: "I'm calling Khan, I'm not a terrorist." In an article in the Hollywood magazine, Khan said: "Without any gadget, Khan captures the nervous obstacles and emotional barriers against which a grieving individual must fight daily."