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Bruno Ganz, Hitlerite actor, dies at the age of 77 & nbsp | & nbspPhoto Photo: & nbspIANS
Bruno Ganz, the Swiss actor who played admirably Adolf Hitler in Downfall and an angel in search of death in Berlin, went out on Saturday at the 39, age 77, announced his agent. Ganz, who was suffering from cancer, died "in the early morning" at his home in Zurich, the agent said. Regarded as one of the largest German-speaking actors of the era after World War II, Ganz had a distinguished career on screen and on stage before his appearance in Downfall, in 2004, which takes place during the last suffocating days in the underground bunker of Hitler.
For many critics, his nuanced description of the fascist tyrant oscillating between explosive and dark was unprecedented. Hitler is a figure that the German-speaking actors have always hesitated to take and that Ganz, born in Zurich, acknowledged that being Swiss was a necessary buffer.
Ganz was hailed and criticized for a performance shaped by historical documents that showed a complex Hitler – both disconcerted and trembling while he was reprimanding his vanquished generals, but who later manifested his fondness for helping scared. Ganz told The Arts Desk that he was amused by those who reprimanded him for "humanizing" the Nazi leader instead of portraying a caricature of evil.
People "need an intact icon of evil itself," he said. "I do not know what's wrong himself." When asked when he was approaching the play with the mentality that Hitler was, in the end, a human being, Ganz replied, "Of course that's the only thing I can do. is, what should it be else? "
– Prestigious Ring –
Before the Oscar-nominated fall, which had propelled Ganz into new heights of world renown, he had already been recognized as one of the most influential actors in the world. more important in German. In 1996, he received the Iffland-Ring, a gem officially owned by the Austrian state but successively by the most important performer of German theater of the time.
His fame rests on theatrical performances such as a prominent role in the film. Goethe's Faust. He played the role in a 21-hour production edited by director Peter Stein at the turn of the century.
On the screen, his most important role before the fall was in "Wings of Desire" (1987), in which played as the angel Damiel who listens to ordinary and melancholy moments around the meadow -unification of Berlin. The original title was The Sky Above Berlin.
Dieter Kosslick, director of the Berlin Film Festival who holds his awards night late Saturday, referred to this film in his tribute stating, "I have the feeling that nothing will prevent it. floating in the sky above Berlin. "
He also starred in American films such as The Boys From Brazil on Nazi war criminals with Gregory Peck and Laurence Olivier, a remake of The Manchurian Candidate and The Reader featuring Kate Winslett.
His latest films have seen Ganz play Sigmund Freud in The Tobacconist and included a role in The House That Jack, built by Lars von Trier, which revolves around a serial killer.
– from the bookseller, paramedical Hitler –
Ganz's family, composed mostly of blue-collar workers in Zurich, was puzzled by his decision to leave the company. school and continue to do theater, reported the German newspaper Deutsche Welle (DW) on the occasion of the 75th anniversary of the actor. He went as a bookseller and paramedic before settling in Germany in the early 1960s hoping to do so as an interpreter, according to DW.
He worked in some of the most prestigious theaters in Germany before breaking into the film that culminated in representation of the most repugnant ruler of the country
He explained to The Arts Desk that to stand out from the piece after a day of filming, he had to "build a wall or an iron curtain" in his mind. "I do not want to spend my evenings at the hotel with Mr. Hitler by my side." He later explained to the Berliner Morgenpost newspaper that this role haunted him for years.
But it could have been a permanent fixture in the history of cinema. New Yorker magazine's film critic David Denby described the performance as "an astonishing revelation of craftsmanship". "Ganz's work (like Hitler) is not only amazing, but rather moving," wrote Denby in 2005.
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