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The film, based on the butterfly effect, makes the emotion and does not have enough fright.
A butterfly swings into traffic and enters a bus, distracting the driver. He collides with the vehicle in front of him, triggering a chain reaction that leads to a person hitting Yamuna's two-wheelers (Nanyanthara) and breaking the taillight.
Quite literally, the butterfly effect. ] Airaa talks about a small snowball incident that changes the course of lives. The director tried to create an emotional narrative with supernatural elements, parts of which reminded us of Mysskin Pisasu . The effect, however, is rather disappointing.
The film begins on a scary note. Two policemen go to a bungalow in Pollachi when someone calls for help. They witness strange events and are driven by a demonic force then … cut off. It's been three months since Nayanthara received a superstar presentation, pronouncing a Tamil key word to encourage the public, without saying so.
As Yamuna, Nayanthara plays the role of a brave journalist who decides to go see her grandmother. (a sufficiently phantasmagorical Kulappulli Leela) in Pollachi for a break. Yogi Babu appears under the name of his cousin, Mani, and both try to recreate Kolamaavu Kokila's equation without enthusiasm. For a movie that forbids anyone to blame someone for blaming someone for looking at his face later, I wonder why Yogi Babu had to be portrayed once again in such a role where his appearance is a point of fun.
offers some jumps and fears but these remain like fleeting moments. The film does not really create suspense to get you on your nerves. The butterfly element is also overused and, as the CGI is not really convincing, it turns out to be boring beyond one point.
Kalaiarasan plays Amudhan, a man investigating a series of suspicious deaths. The two scenarios intersect at one point and we meet Bhavani. From the movie's promotions, it was clear that Nayanthara was playing a dual role, one in which she resembled herself and the other in which she had dark skin. The dark-skinned portion of Bhavani is turned almost entirely black and white and is rich in melodrama. Considered as cursed, the people around Bhavani constantly tell her how ugly she is.
But Bhavani is played by Nayanthara and, even if you try to "slander" her, the woman seems anything but seductive. So, scenes where people tell him things like "Who will marry someone with your face?" Just look absurd. Nayanthara did a commendable job, changing her body language and expressions to fit a woman who is suffering from an inferiority complex and who is withdrawn. But the scenario is so ruthless that it just offers too much screaming and too little conviction. Why can not we just call on actors who have naturally dark skin instead of playing blackfacing?
The extended flashback eventually becomes a drag and the climax also leaves us feeling cheated. Would it hurt to give Bhavani at least a little more spirit than a harmless insect?
Sundaramurthy's score is subtle when necessary and leaves enough silence to allow us to ask what will happen next. The red coloration of some scenes, however, seems exaggerated.
Airaa has a decent idea at the base, but loses her way by floating around her rather than taking the plunge and shaking us up.
Warning: This review was not paid for or commissioned by anyone badociated with the film. Neither TNM nor any of its reviewers has any commercial relationship with the film producers or other members of the cast and its crew.
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