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The sonhiriya director Abhishek Chaubey has directed films like Udta Punjab and Ishqiya. His films have always had a thoughtful cast and for him, it is of utmost importance. He said: "I've always thought that a lot of public engagement goes through the performance of the actors. So you have to be careful when you go up for your movie. "
Now, the 41-year-old filmmaker, who has helped talented filmmaker Vishal Bhardwaj in films like Omkara and Maqbool, is ready to present the story of the Dacoits of Chambal in his forthcoming album Sonchiriya. The film is starring Manoj Bajpayee, Rana Ashutosh, Rajput Sushant Singh, Bhumi Pednekar and Ranvir Shorey, before the release, Chaubey reveals why the movie called Sonchiriya and what prompted him to present the film. history of dacoits
Why the film is entitled Sonchiriya?
Sonchiriya is the name of a bird, the great Indian Bustard, which is located in Chambal .. C & # 39; is a very rare bird species and I think it is also an endangered species.We have retained it as the title of the film because one of the characters of the film s & dquo; This is where you'll know when you're going to watch the movie, and all the main characters in the movie are looking for has freedom and deliverance. They are looking for meaning in their lives, so we played it as if they were looking for their inner Sonchiriya. It's very amusing to hear the name of the movie Sonchiriya, which is a sweet, kind and sweet word, but when you look at the film footage, they are quite opposite.
Why do you say Sonchiriya
I say this because the action movies are mainly intrigues and the plot is usually centered on an object that the characters in the movie are trying to touch, for example, it can act money, on the theft of a bank, or you have spy movies, where they seek a tangible object. This film is also a complicated action movie, but it speaks more about the soul of a man. It's more about what's going on in their minds and hearts. And, the object they are looking for is the most abstract object. That's why I call this a very different action film
. What special care did you bring to the casting of the five protagonists of Sonchiriya?
As far as casting is concerned, I always thought that public engagement depended largely on the performance of the actors. So, you have to be careful when casting your movie because the actors you need to have for your movie must be very high caliber to play a character convincingly. I am a film director, I can help the actor to go where he / she wants, but I can not really teach them to play theater because I do not know how to play.
So I always count on my casting. director Honey Trehan and my own instinct while staging actors who are very good in what they do. Then I work with them to create a certain type of appearance and prepare them enough for them to do their job.
In a movie like this, you have someone like Bhumi, Sushant or Ranvir, they are very young and urban. This film is set in a rural India 40 years ago. They must therefore undergo intensive training to become this person, be it the dialect, the body language or have a glimpse of the life of their character. this must be done. But all this is useless if they are not good at what they do.
Ashutosh Rana said about you that you are a "democratic dictator". Are you one or do you let your actors take that creative freedom?
I think he (Rana) was having fun at my expense and he said it with a lot of affection. No, I would not call myself a dictator at all, because filmmaking is an intensely collaborative process and if someone thinks that he can do it himself, then I think that ## 147 ## # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # He fools himself or others. You must listen to the other person. Some of the best ideas on a set do not come from the director. They come from the team or actors. But it happens sometimes that the film gives ideas that are not good and that do not go well, so I must also say that "Mr. President nahi chalega (Sir, it will not work)."
Qu & # 39 did you explore the world of Chambal bandits?
While we were working on the story, we discovered this area. Sudeep Sharma (writer) and I were working together and we started to look at the lives of the bahadi or rebels, and even after seeing Paan Singh Tomar and Bandit Queen, we realized that we still did not know their knowledge enough. Their lives and beliefs were extremely fascinating. It was very moving to think that they do not think of themselves as criminals and that the people of this region do not look at them like that. They believed in what they were doing and thought that what they were doing had a more ambitious meaning or purpose than stealing people or kidnapping them. I think it has become our goal to tell a story about their beliefs and what they think about themselves.
21st century filmmakers have not explored the bandit world as much as it was in the late '70s or' 80s. What is the reason behind that?
That's because the world was at the time. The Zamindari system was abolished at the beginning of independence, but this culture remained and that is the reason why people have become dacoits. It was a very feudal society and there were bandits like Malkhan Singh and Phoolan Devi who operated and were still active in Chambal at the time. Their stories were very relevant to people at the time because they could also read about them in the newspapers. We went filming in Dhaulpur, Chambal, but we could not even think about it at the time.
But the society then changed. Many infamous bandits abandoned their arms and entered the general public after serving their sentence. The world has changed dramatically. The new generation was not interested in these stories because their concerns were different. Since the 90s, we have only had two or three films about bandits.
But now, when I look at this as part of our story, it seems fascinating. This is something the new generation should know and we need to tell them these stories because they are our stories. Also, the fact that I can make an exciting and captivating action movie about these lives, so why not.
We have seen that your films are those that can not be called typical Bollywood masala artists. So when they're created, what kind of audience do you have in mind?
I think it's the same audience who also watches these masala films. I've been an audience for most of my life and that's only now that I became a filmmaker. I look at myself as an audience. While I enjoy watching masala artists, I also want to watch another type of cinema. I have a very big appetite and I want to watch all kinds of movies. It's a little boring to see the hero and heroine dance in a movie theater after movie. In fact, it annoys you.
So, I want to do this kind of film that I would like to see myself as an audience and there are so many people like me who would like to watch a different cinema, which has more courage, it does not have not to follow the line "yahi chalta hai, yahi banao".
You can do your original work, you can do a job that reflects your personality and your own beliefs. There is an audience for this today. Films that do not subscribe to the traditional masala commercial formula are doing very well and that is very encouraging.
Do you foresee the third sequel of Ishqiya?
If someone tells a story, I will do it. I am completely out of ideas regarding the Ishqiya franchise. But I love Naseer (Naseeruddin Shah) Bhai and Arshad (Warsi) and I will do anything to use them again.
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