Director Shankar, Rajinikanth, Akshay Kumar as "Creator, Protector, Destroyer"



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New Delhi:

Akshay Kumar has just shared an invaluable picture of himself with his co-star 2.0 Rajinikanth and director S Shankar. We can not escape. In the photo, the 48-year-old actor can be seen posing with Rajinikanth and Shankar S in what appears to be a private airport. We clicked on it before a press conference of 2.0 in Hyderabad, as Akshay said in the legend. Akshay Kumar evoked Trimurti's religious concept of Hinduism to describe each member of the photo. Alluding to the three divinities composing Trimurti – Brahma the creator, Vishnu the curator and Shiva the destroyer – Akshay Kumar wrote: "Here is Team 2.0 – the creator Shankar Sir, the protector Rajini Sir and the destroyer (your true) ..

Directed by S Shankar, 2.0 is the continuation of the 2010 film Enthiran in which Rajinikanth returns to take over the roles of the two Dr. Vaseegaran and his creation robot Chitti Akshay Kumar, who presented himself as "the destroyer", was presented as the antagonist.He embodies in the film a scientist scientist, Dr. Richards, whose mission is to destroy mankind for the

Shared Monday afternoon, the message of Akshay Kumar has collected more than 3,46,431 rupees in similar tastes, as "the world's best talent in a single frame" and "this trio will bring the destruction of the box office in three days "in in the comment section. 2.0 is about to go on screen on November 29

However, in a recent interview with the US PTI news agency, the director revealed that Akshay Kumar was not the first choice to play the villain in 2.0 . The team approached the famous Hollywood actor Arnold Schwarzenegger to give him the role: "We had planned to play Arnold, we had also discussed and badigned dates, but things did not work out well. because the contracts of Hollywood and India are contradictory, "said PTI. S Shankar said.

2.0 whose budget is estimated at 500 billion rupees, would have already recovered up to 370 billion rupees before the release of the film via satellite and through digital rights.

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