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The highly successful 3D remakes of Disney's animated clbadics have been raging at the box office in recent years, but the studio is betting on its last – The Lion King – to climb up to the top of the food chain. 19659002] With a cast of stars such as Beyonce and a budget estimated at $ 250 million, the great Hollywood hitmaker spared no expense in bringing his beloved source material roaring to a photo-realistic life.
Expectations are staggering for the film young lion cub Simba avenging the death of his father to imitate the commercial success of The Book of the Jungle (2016), The Beauty and the Beast (2017) and Aladdin (2019)).
A Trailer of the New The Lion King was watched by 225 million people during its first 24 hours in November, destroying the Disney record.
being presented as the Mouse Hous e's latest "live-action" movie is actually a completely different beast.
Without any human figures in sight, almost every shot – pixel hairs near Mufasa's shimmering mane in the eyes of a strangely realistic hyena crossing the gloom of the elephant cemetery – was created from scratch from computer generated images.
And yet The Lion King is also not a 3D animation, in the conventional sense of the term.
new, says director Jon Favreau – a film shot by a traditional film crew, but entirely in a virtual reality world in 3D.
Filmmakers and studio actors were able to don a digital headset and "enter" in the style of a video game. African savannah to film – or just to watch – rough versions of computer-generated Simba and friends roaming the land of pride.
"The crew would be able to put the helmets, watch and place cameras in VR," said Favreau.
The novelty was not lost for the actor JD McCrary, who plays the young Simba at the beginning of the film. "We put the helmets on and got those little things of control in our hands," he said. "We saw everything, we saw the grounds of pride, the rock of pride, the water hole … We saw everything, and it was so cool!"
But this revolutionary method presented immense practical advantages that shape the film Apparently, according to Mr. Favreau.
A talented team with no experience in high-tech visual effects could bring their experience and traditional techniques, as well as "carts" and cranes, to the VR studio.
Sets, screenwriters and directors of photography can watch the film unfold and make real-time adjustments to lighting, filming and shooting.
All of this took place before the footage was sent to the London visual effects society MPC,
In another liberation break from the tradition, voice actors – who traditionally speak alone in sound booths – were recorded together on stage, allowing them to improvise.
The iconic scene in which Simba learned the philosophy of "Hakuna Matata" ("no worries" in Swahili) was created in this way.
Seth Rogen, who interprets the warthog Pumbaa, said that it was "unbelievable" to ask the add-lib in "probably the most technologically incredible film ever made".
– "Circle of Life" –
The 1994 "Lion King" is considered the pinnacle of Disney's "rebirth" in the 1990s, creating a successful Broadway musical version resounding.
The remake copies the script of the first film on a rhythm, even bringing back James Earl Jones as the voice of Simba's father, Mufasa.
Circle of Life "and" I can not wait to be king "of the film's soundtrack, which won Academy Awards and Grammy, remained intact, as well as many musicians behind them.
Composers Hans Zimmer and Lebo Morake have been brought together once. again for the soundtrack, with Elton John and lyricist Tim Rice p proposing a new generic song
But the film diverges in another way.
The actors are called to sing their own songs – actors-musicians Beyonce and Donald Glover (Simba) to Rogen, comic and offbeat.
While the original was criticized for its predominantly white cast, the creators of the remake wanted to enhance its African flavor.
Florence Kasumba, born in Uganda, describes the sinister leader of the hyena, Shenzi, while the South African John Kani lends his voice to the sage Rafiki.
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