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Yesterday, at the Television Critics Association's winter press tour, ABC opened its big movie with the famous "We Must Come Back" clip of the third season of Lost '. When Deadline asked ABC Entertainment's president, Karey Burke, if we were to read this particular choice, she said "You should" before adding, "I would love that a lot. ; it's a reboot that would interest me. She then said that no official discussion had begun on the restart of the series.
The creator of the original series, Carlton Cuse, said that he approved of a restart, claiming that Damon Lindelof and himself had announced the story they wanted to tell, but he would be interested in a new vision of the island, however, he would be less interested in a retreading with the This is probably enough blessing for ABC's thoughts to be moving, but really … do we need a reboot Lost ?
I say it as an unconditional fan from the series. Lost has sparked a long-standing interest in television and media badysis, and I've already written a three-page defense of the past two seasons for a professor who certainly did not confide it. As much as I adored Lost it was a flash in a bottle. You can not recreate the hype around Lost at least not around the restart of the series. This phenomenon usually occurs around a new show that captures the mind in a new and unique way.
Back to Ye Olde Mid-Aughts, Lost inspired a series of copies of shows that were trying to imitate what they saw themselves as the basic formula of success: an overall cast and a central mystery. There was some success with the first season of Heroes which was the closest to capturing the energy of LOST but simply dropped ball after the first season, but there were also broadcasts like ] Surface V FlashForward and now Manifest .
Fringe worked for great central performances, but LOST never behaved in the same way, whereas Once Upon a Time ] followed the same formula, but never really reached the same heights.
What's Closest We Have to Show Game of Thrones and The Good Place two shows that, I'm sure, are rarely mentioned in the same breath. Both capture the attention of the public and critics and inspire conversations about cooling water and Twitter; you can not miss an episode, otherwise you will be spoiled. They present mysteries and central arches as well as endearing characters, but these are their own unique and independent programs. These are the ones who inherited the cultural cloak of Lost more than anything that attempts to copy more directly The Form or Mystery Boxes of Lost .
Lost itself can not be reproduced. Let's make the badumption for a minute and say they restart Lost with a new set of characters on the island. It should be a pre-oceanic flight 815, because if you define it after this fatal flight, you have to involve Hurley and Ben to a certain extent, which would amount to returning to the original characters. Similarly, a Dharma Initiative broadcast could also involve too many original, because of the time travel intrigue. Perhaps he could focus on an adult Aaron and an old Walt?
Even if we find out who will be involved or when the series will take place, we will know too much about the island to have a mystery box, although there are many mysteries that have remained without answer. People were also left cold by the second half of the series, which means that the series should win back upset viewers who were angry at the pseudo-religious finale. Even if the show came back, it might not appeal to the same viewers who did not like the ending or who thought they were not answering their own questions properly.
What ABC should aim for, is to create original content that innovates, as it will capture the magic of Lost . The focus on reboots can not generate the same cultural conversation as a truly unique TV piece. If ABC wants to recreate magic, he has to work with new writers and writers to create something that will engage the audience, rather than feed
If you want to recreate Lost this is the way to do it.
(via Deadline images: ABC)
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