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Last week we received two "bad guys" against the ages – Thanos and the king of the night. As expected, everyone was right about these two larger than life villains. The Internet has sunk into overwork with conversations, arguments, spoilers and memes on both. There is even a group of people looking for a confrontation between them and, of course, there are theories about who would win this battle. Do not believe me? Google #WeWannaSeeThisFight .
So, what catapults a negative character in this extraordinary league of evil men? It's an impact first and foremost. And creating that kind of impact requires love and enrichment.
Josh Brolin as Thanos
Thanos, the crazy titan, first appeared in a scene of middle of credits in The Avengers in 2012. Marvel kept the mystic with a little cameo two years later in The Guardians of the Galaxy followed by an apparition in ] Avengers: Age of Ultron . Pieces of the character were distributed to fans, searching the Internet and creating an aura around him. Those who read the comics rediscovered the character and those who did not … well … discovered it. Anticipation had been built over time before Marvel released Thanos to the world in last year in Avengers: Infinity War . Fans have learned his motives and, despite what may be called misguided ideology, have always understood where he came from. In a world where nothing is good or bad, one can even admire Thanos' "disinterested" focus on his goal. And, that's what any villain wants once he / she is defeated: alter the viewer's sense of relief with a slight sense of loss.
(Read also – Avengers: Endgame – Thanos is not a runner) naughty, he is mean but human in his own way)
Then there is the king of the night, a threatening villain, the one whose history or motivations matter little. The five years of training since his first appearance on Oathkeeper (S4Ep4) have led spectators to tease us with new revelations about what he could do. Necromancy and cryokinesis have always been at the heart of the action – we have seen it raise armies of the dead and freeze everything. But then you discover that he can take human babies and transform them into white walkers, that he can break steel weapons, cause cracks in the ground and cross the fire of the dragons. He can tag you and then chase you wherever you are, ride a dragon and manipulate the weather. It goes on and on. And all this is done with an impbadive face. The more emotions you feel with the night king are the millimeter fluctuations of his mouth, indicating pleasure after he has done something really bad. These frozen blue eyes are terrifying and they really are.
The King of the Night in Game of Thrones
A little closer to home, however, there was a marked lack of naughty and interesting characters on our screens in recent years. When was the last time Bollywood created a bad guy that really touched you? Playing the unique type "anti-hero" was in vogue for a while with some of our major players. But does it really matter when the script highlights your trials and tribulations and gives you excuses as to why you are so bad? Having an audience root for you is not quite the same as an audience that wants you to fall into the dust. Building this kind of revulsion is also an art
The old Bollywood school was really good at creating big bad guys. Our formula films were almost always guided by a mighty hero fighting a sort of injustice, and in the center of it was this character – the villain. The archetype of the nasty Bollywood of the 20th century was someone who knew how to make an audience work and was proud of his craft. But it was always a collective effort.
The writers used tools designed for the audience, the most common being a [ takiya kalam ]. Who can forget Amjad Khan, who recounts, " Arre oh Samba, kitne aadmi the ? Some of the most memorable lines of Indian cinema can be attributed to our wicked, and for each " Mere paas maa hai there is a" Jo dar gaya samjho mar gaya . Some of these lines have even reached the status of accidental worship, such as that of [ Aao Kabi haveli pe of Amrish Puri, but it takes a good writing talent to come to this result . Super villains like Gabbar Singh, Mogambo, Shakaal and Dr. Dang have all been excellent writers before being pushed to the next level by some of the best players in the industry.
Then there is the delivery – an innocuous self-introduction like "Prem naam hai mera Prem Chopra" would take disturbing proportions only because of the amount of mud that pbades there. These actors perfected their art and sometimes built characters in several films. KN Singh used his deep voice, arched eyebrows and threatening eyes to turn his role as an elegant gangster. Ranjit, Prem Chopra, Gulshan Grover and Shakti Kapoor have devoted years of effort to being drool balls of the variety of badual predators. The dialogues Aoin, Mona and Robert, Ajit's signature, have traveled well between films and have been a source of inspiration for local theater comedians for half a century. There has always been a role for one of these guys in every movie, and they had just brought their bag of tricks with them.
The times may have changed and the film-formula has almost disappeared from Bollywood. This is not necessarily a bad thing, as the industry has seen better storytelling and a wider variety of films. The only victim, however, was the super villain. Give us someone to hate enough on the screen and maybe we could create an outlet for some of the hate we see online. Give us a villain who will embody the words of Megamind: "I look so bad!"
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Publication date: May 08, 2019, 11:37 am
| Last Updated: May 08, 2019 11:37
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Date Updated: May 08, 2019 11:37:05 IST
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