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This year, no less than 1,854 feature films were selected to be part of the 2019 official selection of the Cannes Film Festival. Up to 39 countries are represented as countries of production or co-production. India is missing.
A total of 1,854 feature films were selected to be part of the 2019 official selection of the Cannes Film Festival this year. Up to 39 countries are represented as countries of production or co-production. It is missing in India.
The filmmaker Onir rightly questions: "What are we supposed to celebrate about Cannes 2019 … The cinema that is celebrated or the clothes that our actors wear and the parties they attend. talk about it. "
Apart from the red carpet or partisan appearances of Bollywood actresses causing a sensation, social media, a pavilion of India, organized by the Ministry of Information and Broadcasting and Ficci, helps forge international partnerships in distribution, production, promotion, India as a filming destination and sales promotion and syndication of films
India is perhaps one of the largest film producers in the world, but no film from the country has put it in the category of competitions. There was nothing to brag about in the key boxes – Director's Fortnight, Un Certain Regard and Critics' Week this year – so, unless there was a break: Achyutan and the short film three-minute "Seed Mother", which won the third prize in the international section of Nespresso Talents 2019.
Award-winning filmmaker Madhur Bhandarkar, a member of the government-led delegation, said it was "regrettable" that Indian cinema was not not present at the gala, but stated that the prerogative of the composition of the festival belongs to the jury.
"The jury decides which films should be screened and we must respect them We must be proud because people have taken India seriously about our cinema, our digital content. very close to Indian cinema They know our stars very well
"The activity of our foreign films with big stars has grown considerably abroad. We are taking action and it is a good thing. There are other countries whose films are not there, but perspectives, initiatives and interactions are essential for India to be on the world map, "Bhandarkar told IANS. 19659004] To make his way into such a festival, Bhandarkar stated that it was essential that Indian filmmakers follow Satyajit Ray and Ritwik Ghatak cinemas with "Cannes value"
Mira Nair was the first Indian to win the Golden Camera at Cannes for "Salaam Bombay" in 1988. The latest Indian film at Shaji N. Karun's "Swaham" in 1994 was in contention for the coveted Palm Gold at the prestigious Gala. 19659004] Adivi Sesh, actor, screenwriter and filmmaker in the South, had raised a relevant point in a Twitter feed on the lack of Indian presence in Cannes: "I hope people do not presume that India, with all its culture, languages and dialects, has not been able to e produce a film worthy of Cannes. Probably, it has a lot more to do with the infrastructure needed to make a movie there. "
Producer Guneet Monga, who took advantage of the power of co-productions, said that creative collaborations with producers around the world play a major role.
" When you get more creative collaborators and you structure films internationally, as in Europe, mentoring is very varied, in terms of scenario and process. That's what we did with "The Lunchbox" and "Masaan" (both shown in Cannes). I really think that co-productions contribute to the quality of filmmaking and that we turn to it for a global launch.
"It challenges us to make better versions of our own stories, and I strongly encourage people to do more co-productions to be able to tell more Indian stories to the world," said IANS Mongans, whose co-production "Period. End Of Sentence" was awarded an Oscar this year.
She explained that film festivals usually take films of very high quality and originality in the narrative.
"This is not something that can be questioned or reasoned – we just have to keep going – the co-productions, I would say, go a long way in shaping the narrative of the film into a"
L & # Actress Huma Qureshi, whose two-part film "Gangs Of Wbadeypur" was featured in the director's "Fortnight" section at jamboree a few years ago, is participating in this year's gala, which represents a dose of & Desi girl power & # 39; as part of a brand badociation with Gray Goose.
old IANS: "In 2012, my first film" Gangs of Wbadeypur "was shown in Cannes, which was a fine example of an Indian film that was making waves on the French river. years ago, there were some others like "Masaan" and "Manto." But, as an industry, we do not produce and support enough films like this.
"If we want really be noticed and presented in world festivals like Cannes, are we ready to make movies in which "Art is in the Art Art sake".
The malayalam filmmaker Sbad Kumar Sasidharan finds in Bollywood stars a glimmer of hope that shines on the red carpet.
"This is the only reason a film is shown in Cannes, even in a side section, the media gives some attention."
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