[ad_1]
The first rapper of Hindi cinema was seen in the park rather than in the ravine. Ashok Kumar's recitation of Harindranath Chattopadhyay's poem Rail Gaadi in Aashirwad (1968) to a group of children in a park is widely regarded as the first rap song in the movies in Hindi. Rail Gaadi is a spoken recitation that has the playful spirit of a nursery rhyme, as it describes a train being loaded ("rail gaadi rail gaadi chhuk chhuk chhuk / beech waale station bolen ruk ruk ruk" ). The music of Vasant Desai mimics the sound of a coal train.
<figure clbad = "cms-block cms-block-embed cms-block-embed-youtube a-sub-text" data-iframe = "" data-embed-type = "youtube" data-thumbnail = "https://i.ytimg.com/vi/TcLrPIE_18o/hqdefault.jpg" data-embed-id = "TcLrPIE_18o" data-embed-Load = "false" data height = "270" data-width = "480 ">
Zoya Akhtar's Gully Boy rap torn apart was still nowhere on the horizon when Kishore Kumar sang Bam Chik ] in Kahte Hai Mujhko Raja (1975). In the song, the director and main actor of the film, Biswajeet Chatterjee, playing a street show, treats a crowd with chaotic couplets. The song also has a Bengali version with equally insane lines.
It took half a century for Gully Boy to appear. In the February 14 release, Ranveer Singh plays a rapper from the Dharavi district of Mumbai, who wants to break with the misery that surrounds him. The film contains an 18-song soundtrack composed of several Indian rappers, beatmakers and beatboxers.
<figure clbad = "cms-block cms-block-embed cms-block-embed-youtube has subtext" data-iframe = "" data-embed-type = "youtube" data-thumbnail = "https://i.ytimg.com/vi/JfbxcD6biOk/hqdefault.jpg" data-embed-id = "JfbxcD6biOk" data-embed-Load = "false" data-height = "270" data-width = "480 ">
Akhtar's film sheds light on Mumbai's hip-hop scene through rappers who explore their modest economic environment through their music. This brand of hip-hop, imbued with the politics and economy of its place of origin, differs from that of Hindi films.
Rap was a hit in Hindi films in the 1990s. The resounding success of Baba Sehgal's album Thanda Thanda Paani connected the artist to Bollywood. One of his first Hindi film songs is This is my love from by Khoon Ka Sindoor (1993). Composed by Dilip Sen and Sameer Sen, the song features rhythms based on funk and disco in which Sehgal effortlessly switches between rap and singing. The lyrics are credited to Nawab Arzoo.
<figure clbad = "cms-block cms-block-embed cms-block-embed-youtube has subtext" data-iframe = "" data-embed-type = "youtube" data-thumbnail = "https://i.ytimg.com/vi/6p_qgMTmWos/hqdefault.jpg" data-embed-id = "6p_qgMTmWos" data-embed-Load = "false" data-height = "270" data-width = "480 ">
Somewhere around this time, Anu Malik thought he could also rap. Thus, the composer burst into "Hand mila, you mili, you mili, hand mila" between the songs of Kumar Sanu in Yeh Kaali Kaali Aankhein of Baazigar (1993). Malik would later slip into such strange supporting roles in many of his compositions. The composer has also frequently used Sehgal and Devang Patel in his compositions.
<figure clbad = "cms-block cms-block-embed cms-block-embed-youtube has subtext" data-iframe = "" data-type = "youtube" data-thumbnail = "https://i.ytimg.com/vi/QB0Oc0GxB2E/hqdefault.jpg" data-embed-id = "QB0Oc0GxB2E" data-embed-Load = "false" data -height = "270" data-width = "480 ">
The combination of Sehgal and Malik produced interesting results, such as a stinging interpretation of the Sufi song Dama Dam Mast Qalandar of Hum Hain Bemisaal . (1994). The song combines a melodic title sung by Alka Yagnik, a chorus singing "Dama dam mast qalandar" and Baba Sehgal's rap.
<figure clbad = "cms-block-block-embed cms-block-embed-youtube-youtube -subtext" data-iframe = " " data-embed-type = "youtube" data-thumbnail = " https://i.ytimg.com/vi/nWrhNkryjWQ/hqdefault.jpg "data-embed-id =" nWrhNkryjWQ "data-embedded-loaded =" false "data-height =" 270 "data-width =" 480 " >
The popularity of Baba Sehgal reached its zenith in 1998, when he played the spy agent Mr. 421 in the espionage thriller Miss 420 putting featured Sheeba in the titular role. The film produced a series of hit songs composed by Sehgal, the most popular being Aaja Meri Gaadi Meadi Baith Ja .
Hindi rap of the 1990s had less in common with musical, socio-political complexity. conscious and introspective hip-hop produced at the time in the United States of America and looked more like old-school hip-hop from the '70s and early' 80s. The evolution of the hip-hop scene in America had no bearing on how Bollywood viewed rap: an exotic and rather stupid element to make a zanier song.
<figure clbad = "cms-block cms-block- embedding cms-block-embed-youtube has subtext" data-iframe = " " data-embed-type = "youtube" data-thumbnail = "https://i.ytimg.com/vi/7aF0qsGEi-g/hqdefault.jpg" data-embed-id = "7aF0qsGEi-g" data-embed-Load = "false" data-height = "344" data- width = "459">
Among the composers who made respectable rap in Hindi films, there is AR Rahman. His experiences in Tamil cinema produced the brilliant Padai Rap of Kadhalan by Shankar (1994), which combined English and Tamil couplets with the rap parts sung by Suresh Peters. He will then compose several compositions of Rahman as Columbus Columbus ( Jeans 1998) and superhit Style ( Sivaji: The Boss 2007).
Rahman's first song in Hindi films was in the title of Rangeela by Ram Gopal Varma (1995). How are Aditya Narayan's existential concerns about milk and chocolate consumption different from the adult struggles of contemporary rappers?
<figure clbad = "cms-block-cms-block-increment cms-block-embed-youtube-youtube -subtext" data-iframe = " " data-embed-type = "youtube" data-thumbnail = "https://i.ytimg.com/vi/Km595k46rZY/hqdefault.jpg" data-embed-id = "Km595k46rZY" data-embed-Load = "false" data-height = "270" data-width = " 480 ">
One of the last Hindi rap songs to emerge in the late 1990s was Mumbai after Bombay Boys by Kaizad Gustad [19989004] (1998). . The lyrics of Javed Jaffrey and Kiran Kotrial, which reflect Mumbai's own slang, are written by Jaffrey on a music by Dhruv Ghanekar and Ashutosh Pathak.
The dawn of the new millennium brings the remixed culture to Hindi movies. Neeraj Shridhar's Bombay Vikings have combined old Hindi film songs with Western music styles including rap. The dance mixes were embellished with jesis with English rap verses that were unintelligible facsimiles of Western rap.
<figure clbad = "cms-block cms-block-embed cms-block-embed-youtube a-subtext" data-iframe = "" data-embed-type = "youtube" data-thumbnail = " https://i.ytimg.com/vi/oCmi6eofAE4/hqdefault.jpg "data-embed-id =" oCmi6eofAE4 "data-embed- Loaded =" false "data-height =" 270 "data-width =" 480 " >
Hindi rap in the 2000s roughly belonged to two names: Blaaze and Style Bhai. Blaaze first worked in Tamil cinema with AR Rahman, then in Hindi films such as Saathiya (2002), Yuva (2004) and Rang De Basanti (2006). . Bn B from Shaad Ali Bunty Aur Babli (2005), composed by Shankar-Ehsaan-Loy.
<figure clbad = "cms-block cms-block-embed cms-block-embed-youtube a-subtext" data-iframe = " " data-embed-type = "youtube" data-thumbnail = " https://i.ytimg.com/vi/6JsAEc2ODko/hqdefault.jpg "data-embed-id =" 6JsAEc2ODko "data-embed-Load =" false "data-height =" 270 "data-width =" 480 " >
The prolific rap of Bhai Style in many Hindi movie songs, mostly composed by Pritam, goes unnoticed since it is not credited. The song rap sections are very similar to the mix of Ae Pappi by Kismat Konnection 2008, by Twist (19459004) by Love, Aaj Kal of 2009.) and The character of Dheela ( Ready 2011) belongs to Style Bhai. Composers such as Shankar-Ehsaan-Loy's Loy Mendonsa and Vishal-Shekhar singer Vishal Dadlani also hit several songs. Vishal-Shekhar obtained Abhishek Bachchan in in the present in Bluffmaster by Rohan Sippy [20059004] (2005).
<figure clbad = "cms-block cms-block-block-embed cms-block-embed-youtube has subtext" data-iframe = " " data-embed-type = "youtube" data- thumbnail = "https://i.ytimg.com/vi/JX409_Bq7m0/hqdefault.jpg" data-embed-id = "JX409_Bq7m0" data-embed-Load = "false" data-height = "270" data-width = "480">
In the early 2010s, Punjabi rap had taken hold of Hindi film music. Hard Kaur's Glbady became a hit and soon, she found herself in Bollywood, striking in Move Your Body ( Johnny Gaddaar 2007), Lucky Boy ( Bachna Ae Haseeno 2008) and Talli ( Ugly Aur Pagli 2008).
In 2009, Bohemia, creator of Punjabi hip-hop, contributed to the soundtracks of Chandi Chowk To China and 8 x 10 Tasveer . RDB with Snoop Dogg hit for another Akshay Kumar-starrer, Singh Is Kinng (2008).
<figure clbad = "cms-block-inlaid-inlaid cms-inlaid-block-inlaid-youtube to -subtext" data-iframe = " " data-embed-type = "youtube" data-thumbnail = "https://i.ytimg.com/vi/sK0iiiUKAS0/hqdefault.jpg" data-embed-id = "sK0iiiUKAS0" data-embedded-loaded = "false" data-height = "270" data-width = "480 ">
Rap in Hindi film music was largely a decorative element, separate from the country's largest hip-hop culture. This has changed with the Delhi team, Mafia Mundeer, who has made a name for herself in films. First, there was Yo Yo Honey Singh, who made her Bollywood debut with Main Sharabi and Angreji Beat in Homi Adjania's badtail [20129004]. The former colleagues of Singh, Badshah and Raftaar, followed him. Soon, club music hit with Punjabi rap became a staple in Hindi movies. Their lyrical content constantly touched the party, cars, women, clothing, drugs and alcohol. Honey Singh even struck for a title entitled Main Alcoholic Hoon before returning after a break with Chhote Chhote Peg .
<figure clbad = "block cms block block cms-block-embed-youtube cms has subtext" data-iframe = " " data-embed-type = "youtube" data-thumbnail = "https: //i.ytimg.com/vi/q0LehEw6EpM/hqdefault jpg "data-embed-id =" q0LehEw6EpM "data-embed-Load =" false "data-height =" 270 "data-width =" 480 ">
The hip-hop scene of Mumbai is finally heard in Hindi films in the film Anurag Kashyap Mukkabaaz in 2018. Divine has a whole song – ] Paintra – in the drama of Kashyap's boxing. The full rap song was used in the score to thematically emphasize the events that unfold in the film, just like a non-rap clbadical song.
Throughout 2018, rappers from Mumbai and rap bands such as Dopeadelicz made remarkable appearances in movie soundtracks. Even Raftaar has reinvented himself as a hard-hitting rapper with pieces like Mantoiyat ( Manto 2018). The new sensation of Punjabi rap, Prabh Deep, published his radical hip-hop style in the soundtrack of Manmarziyaan (2018). And this year, the rise of hip-hop in Indian pop culture culminates with the long-overdue film, Gully Boy .
<figure clbad = "cms-block cms -block-embed cms-block-embed-youtube has subtext" data-iframe = " " data-embed-type = "youtube" data-thumbnail = "https://i.ytimg.com/vi/ jFGKJBPFdUA / hqdefault.jpg" data-embed-id = "jFGKJBPFdUA" data-embed-Load = "false" data-height = "270" data-width = "480 ">
Source link
