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It is tempting to describe Game Over as a very brave thriller. Except that you can not put this film intelligently edited and executed in any kind. Game Over combines a home invasion cliffhanger and a psychological horror, posing as a technological thriller tempered by a hint of supernatural. What is remarkable is that even if they achieve many things in a limited time, Game Over remains a game of horizon, with the protagonist – Taapsee Pannu's Swapna, a compulsive gambler – the deepest fears and the darkest thoughts taking place in the form of a video game where she has to negotiate through a horrible night like a Pac-Man game – locked in the labyrinth of her house, she has to repel three masked intruders, where she gets a shot at three lives. A wrong move … and the game is over.
Directed by Ashwin Saravanan in Tamil and Dubbed in Hindi, Game Over is a wink at various horror films – Psycho to Panic Room to Phobia – and yet it is an original of good faith. The film takes place in an open and interactive world – the influence of Black Mirror is unavoidable – and has many climaxes, depending on the decisions made in a split second by Swapna. Here, she not only faces intruders in a hide-and-seek format that can lead to a "game on" or a "game over", but also to her own deep fears.
The thriller is steeped in a strong emotional base and even if you look at the essential with the heart in your mouth, some moments will upset you.
Game Over begins with a horrible scene that will capsize your stomach. A young woman alone at home is slaughtered in the heart of Gurugram. The killer fires her decapitated body, while choosing to play football with her head torn. It's a heartbreaking moment that sets the tone for the rest of the film with Saravanan making a statement about violence against women and the scars that she leaves on their bodies and minds.
Swapna is also suffering from physical discomfort. aggression that left her voluntarily confined to her home for almost a year. She lives with her guardian Kalamma (an excellent Vinodhini Vaidyanathan), a single guard standing outside in a large bungalow. She has a broken relationship with her parents (which is mentioned a few times in the film, but we never see them). In fact, Swapna is rooted in a virtual reality – her only constant companion is Kalamma, with no sign of parents, friends or neighbors.
Life becomes normal again for Swapna, who spends her days not only playing. video games but also design them. But a pathological fear of black devalues her often, compounded by an inexplicable burn of the one-year tattoo – that of a joystick game, with no surprises – on her wrist. Her therapist chose to consider this as a "birthday reaction" – Swapna was badaulted exactly one year ago and her body and mind seem to react to the dreaded date he diagnoses – but things are quickly turning off of control, causing a fracture at Swapna. on a wheelchair. As Half Two arrives, the intruders are at his door.
Saravanan, who made his weapons in the South with thrillers, craftsmanship Game Over with minute details that enrich the narrative. Posters explaining: "And if life is a video game and that already seen are just checkpoints" and "Video games have ruined my life. It's a good thing that I have two more "are hanging on the wall of Swapna's bedroom, offering a glimpse of what to expect.
The film may not always be smart – we know the motivations of clbadic slasher killers like Jason and Freddie, but Game Over uses a trope without a cause, but remains almost always inventive. Swapna has three lives at her disposal, the final scenario of a possible home invasion running twice in her dreams. But we do not know for sure … could all this be in his head, a manifestation of post-traumatic stress syndrome? It is these multiple possibilities in each scenario that make the film turn and the viewer stays on the edge of his seat.
A lot of Game Over mostly towards the end, are macabre and macabre, but the gain – the suspense in some scenes is breathtaking – is worth it. A special word for Ron Ethan Yohann's thrilling background note that adds to A. Vasanth's quiver-cooling and semi-voyeurism. However, clumsy dubbing in Hindi distances the experience, as does the long interval between the two halves of the film.
At the Heart of Game Over is an emotional but effortless turning point for Taapsee, who once again describes strength through vulnerability. The camera is still on the face, Taapsee invests Swapna with courage and wisdom, while taking care of everything that life inflicts on him. And yes, she – and Game Over – leaves us a very important message: "Fight like a girl".
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