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Stephen King Pet Sematary is perhaps his darkest work, and says a lot about a guy who wrote very dark things. In one way or another, the latest film adaptation manages to be just as dark, if not darker. The tragedy of the Creed family is a bit universal: even though we will never resurrect a cat or a child through a scary graveyard, we will all face death and sorrow.
This recent adaptation is also the latest in the canon of horror films that embrace a dark end. In horror, we like a little catharsis at the end. The last girl departs somewhere ( from the Texas Chainsaw Mbadacre ) or returns to his (1945- 1945) Scream or the recent Halloween Agency ). The monster is defeated ( A quiet place ), even if they come back sometimes for one last fright. Very often, someone goes there, and there is a kind of hope, even if that glow of hope is extinguished in the last minutes.
However, there has always been a variety of horror films opting for the dark, hopeless ends. The monsters win, the characters die and the hope goes out. Pet Sematary only completes the catalog of movies that will haunt you with their dark vision of life.
Everybody dies and sometimes, horror films refuse to turn a blind eye to this frightening truth.
] ** Attention, spoilers for Pet Sematary and several other films that follow. ** At the end of At the end of Pet Sematary Louis, his wife Rachel and daughter Ellie all died and were resurrected in arable soil behind the cemetery. The film ends with advancing on the toddler Gage, the only surviving Creed; we cut to black before Gage could join them in death and rebirth, but that's the implication. This is not a happy ending, although I doubt that anyone expected the film.
This is not the only sad end in horror. Drag Me to Hell sees the charming protagonist literally dragged to hell. The Night of the Living Dead sees Ben survive zombies before being killed by a white man with a gun. The Mist ends with a father who kills three other survivors and his own child to save them from the creatures hiding on the outside … to be saved moments later. The latest horror deals of A24 – the years of 2017 – It Comes the Night and the Hereditary of 2018 – really merge into a family trauma and an inevitable death for deliver extremely depressing purposes. ? Fiction usually gives us a catharsis that we rarely encounter in real life, so why come to the frightening concept that our actions are meaningless and that we are all heading towards misery when we could have the thrill of terror followed of a happy ending? 19659003] But that's where the answer lies. Sometimes we need a safe space to explore our deepest and darkest fears. Seeing them play on the screen can be disturbing, but it can also be cathartic. Even if we want a happy ending, it can act from the dark ones that stick to us and make us really think.
Sometimes a squeaky ending is needed for a story. Sometimes the stories speak so much of existential fears that they must almost be sad. Without the exploration of darkness, the light seems much less brilliant. Horror is an ideal vehicle for gloom, because it has always been a kind of commentary on a variety of topics. Through stories of survival or dangers of consumption or generational trauma, we can also dispel our existential fears of loss and death.
I am a big supporter of the happy ending, but you have to win it. Other stories must end on a lower note in order to convey their deeper thematic meanings. The horror, which flourishes in the recesses of our psyche, must play for the fears to work properly. Sometimes a little bitterness is beneficial to the soul.
(image: KERRY HAYES / PARAMOUNT PICTURES)
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