"John Wick: Parabellum" Movie Review: Rifles, Guts and an Abundance of Glory

John Wick is a man of concentration, commitment and will. He has already killed three men in a bar with a pencil. Also known as Baba Yaga, Wick is the elected envoy to kill Bogey Man. It's Wick in a few words. The series of extremely enjoyable actions by director Chad Stahelski, now in its third year, has remained top notch, not for its narrative or captivating performances. In fact, the singular plot is drawn at most by three films, but that's not why we're here. The joy of a film by John Wick lies entirely in his action that continues to keep the audience hooked to a wonder with wide-eyed eyes. It all comes down to the innovation and the efforts of Stahelski, who find themselves in all the killings. Often it almost borders, say, even a titillation. That's to say, if you like this thing.

In the third installment John Wick: Parabellum our former great hit (Keanu Reeves), recently widowed, proves his courage and courage. body number and incredibly creative, if gore, kills. Stahelski, a Hollywood stuntman turned extraordinary director, is making plans to explore new ways to shed blood. There is a brilliantly designed sequence of knives and blades of all kinds thrown at a vertiginous speed, one impaling even one orbit. Another Wick on a horse galloping in the traffic, then he rides a bike with one hand while beating his enemies with a sword. A large caliber rifle scans even parts of a man's brain, splattered on the ground. Despite the cruelty of the Indian Trustee's Easy Trigger Cut, the Gore of Parabellum continues to entertain.

The saga of Wick – which began by justifying the death of his puppy and the theft of his 1969 Ford Mustang – snowballed in a celebration of death for all. The High a union that Wick, legitimately left in place of marital happiness, declared a premium of $ 15 million. Wick committed one of the two ultimate sins: the blood spilled on the consecrated high table: the Continental Hotel. Those who helped Wick also have their share of punishment. To redeem himself, Wick must do the unthinkable and kill a friend if his life can be spared.

Unlike his predecessors, Wick has virtually no dead time at Parabellum . Like a fast car approaching this tantalizing finish line, Stahelski counts between 0 and 60 minutes just minutes after the start of the film. He puts Parabellum in form. It should be noted the acute awareness of Stahelski for the action sequences. He deliberately introduces brief moments of lightness in the middle of a fight. The humor of the film, although firmly rooted, remains perfectly subtle and culminates in a glopade that has only rarely been experienced. Reeves, plays a man of few words, but full of substance, never failing to deliver the essence of his character. But Kate Dillon, whose high "Adjudicator" at the high table, is just as mysterious as deadly.

Although Stahelski presents all firearms, the pun intended for the end of Parabellum marks a fourth part. The way the director intends to go back in time (despite a year or more waiting) will undoubtedly be absolutely satisfactory if the first three films deserve to be seen.