Madhuri Dixit talks about Total Dhamaal, Kalank and the void left by Sridevi



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Madhuri Dixit talks about the pleasures of parenting, balancing two films that are the antithesis of the void left by Sridevi


Madhuri Dixit has the gift of playing the leading roles. Sitting in front of me, dressed in a striped dress and strappy sandals, she could be a suburban mom recounting that her boys, 15-year-old Arin, and 13-year-old Rayaan, who, at the time of writing, were a recent trip to Kodaikbad, dragged their parents during surf lessons. "It was so easy for kids, but for us (her husband Sriram Nene and her), it was hard to keep our balance on the surf," she remembers laughing, admitting that being with his sons were always fun adventure.

In real life too, Madhuri is ready to take us on a wild ride with Anil Kapoor, Ajay Devgn, Riteish Deshmukh Arshad Warsi, Jaaved Jaaferi and a group of animals. "Total dhamaal!" She promises, pointing out that it had been 24 years since the director Indra Kumar had collaborated on Raja and even Anil Kapoor and that she was herself was recently badociated with the espionage of Rajkumar Santoshi thriller Pukaar in 2000. "As an actor, I like to explore different genres of music and see how far I can push the boundaries. But having tasted different cuisines, it is always good to return to dal-bhaat. That's my comfort zone. We started the movie with the song "Paisa Yeh Paisa" to create the mood and then it was awesome! ", She said, adding that Indra Kumar, who had already given her hits like Dil, Beta and Raja, had her in mind for her and when he finally gave her a narration, she could not stop laughing. "My character is a Maharashtrian married to Anilji, who is a Gujarati.Our dialogues are a riot, and even on the plateaus, everyone was joking all the time." With the exception of Arshad (Warsi I had already worked with each of them before, so it was better, I really think families, especially children, will appreciate this one.

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How did children react to promos and to the songs "They are so informed these days, they are discussing scenes, shots and special effects," she says in a somewhat astonished tone.And Arin and Rayaan are they marveled at Madhuri Dixit, the diva? "I never thought of myself," she said awkwardly and admits that even her sons were a little disconcerted at first when they were told, "Oh, your mother is Madhuri Dixit! " "For them, I've always been just mom, but recently they saw my Pukar song," Kay Sera Sera, "and they said to themselves," Hey, that's so cool! " now, I'm a cool mother! "she giggled.

Madhuri is one of the best Bollywood dancers who even teaches dance on her app. She is going to school her sons too, and she admits that none of them will dance in front of her because, after seeing her as a judge in Jhalak Dikhhla Jaa, they are afraid that she will judge them too. "Rayaan is shy and introverted, but Arin, more extroverted, participates in school plays, plays drums, tabla and piano and loves to dance. "He wanted to learn hip hop with me the other day and I asked him if it was to impress the girls. He was like, "Awww Mom!" ", She shares, mom to mom with a wink of complicity.

At a young age, Madhuri recalls having studied at Divine Child High School and participating in all extracurricular activities, from singing to dance to dramaturgy and elocution, while taking Kathak lessons. "My parents always encouraged me and my sisters in everything we did. We were not restricted because we were girls. In fact, my dad was proud to see me dancing on stage and later playing on the screen. We enjoyed the freedom to make our own choices and, like my parents, I trust my son to make the right choices. I want them to decide for themselves what they want to do. It's something they enjoy and does not give them the impression of working. I'm lucky in this regard, "she says.

The theme of his first production house is also Choices, a Marathi film to say the least about life, titled Rahul Pethe and Mrunmayee Deshpande, among others, and directed by Swapnaneel Jayakar. "This is a day when the Indian tricolor is hoisted to symbolize the fact that India is a free nation. In the course of the film, the inhabitants of a chawl also realize that freedom is a gift that you can offer yourself by deciding what to do, to whom. Madhuri, emphasizing that as a producer, she is open to any interesting concept and praises all the praise of her husband who took over to see the project succeed, as she was busy shuttling between two films, Total Dhamaal and Kalank.

About Kalank, according to what we heard, this production of Karan Johar also deals with choices involving life and love in the context of the score. Madhuri, so far so evanescent, suddenly becomes evasive, refusing to speak of the drama of the coming period, except to say that it is in another era and plays a role similar to that of Devdas's Chandramukhi and the opposite of Total Dhamaal. "So much so that when I was suddenly asked to film one day for Kalank, because they had had dates combined from other actors while I was in the middle of Total Dhamaal," he said. Was the most daunting day of my life, because it was such a -degrees turn, "she admits, hurrying to add that when she returned to the movie more late, she was perfectly synchronized.

Sridevi was supposed to do Kalank and address the subject of his untimely death a year ago. Madhuri admits that she still finds it hard to believe that her contemporary is gone. "We met for the last time at the birthday party of Manish (designer Manish Malhotra ). She was with her daughters (Janhvi and Khushi) and she was so happy, "she recalls, saying that Sridevi's shocking ending underscores this life again. is so short, so ephemeral. "That's why it's important to live every day to the fullest, to keep your family and children nearby, because you do not know what can happen tomorrow. Sridevi has left a void, there is this huge empty space. "

Is there anything that she wants to check on her to-do list? Pat comes the answer: "Many things. I want to travel except in Germany where I have not seen much of Europe. I want to go with the boys, spend as much time as possible with them, because in two years, Arin will go to college and Rayaan two years after him. As time flies, she sighs.

Meanwhile, she was approached for the debut of director of Tahira Kashyap. Once again, Madhuri gets up, saying only that she is in talks and that it is a "very different scenario". "It's time for some dhamaal," she says, displaying that million-dollar smile. You wonder how Anil and she always manage to look like a million dollars. "Anil and I do not have bad habits and are both very disciplined about our lifestyle and what we eat," she says.

Before leaving the store, we remind Madhuri of the lucky charms of Indra Kumar in Ooty. She burst out laughing, remembering how much he became part of their movies. "During a song in Dil, a shot forced me to watch Aamir (Khan) from behind a tree, and Suresh Master (choreographer) pointed this one nearby. Then, when shooting a song in Beta, we were close to the same jhaad and decided to include it in the frame. This film was also a success. So, during Raja, he said, "Let's make a shot around this tree and we got a hat." And then, for the false story. For another film, Indra Kumar flew to capture his lucky tree, but to find out that he had been cut off. Guess the movie does not show it? "No, it was with someone else," she jokes with a twinkle.

■ As an actor, I like to explore different genres … But having tasted different cuisines, it is always good to return to dal-bhaat

■ Anil and I do not have bad habits and are both very disciplined on our way of life

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