[ad_1]
Amitabh Bachchan & nbsp | & nbspPhoto Photo: & nbspIANS
At the moment, we all have to sing for our supper, says Bachchan during his 50 years of performance, in an exclusive interview with IANS.
The voice in your ear has a certain sharpness. with time, he became a gruffer, sandpapery and grating. It is one of India's most precious baritones, a plus ultra, a typical and unique mono. While he's talking for his new thriller Badla, the deep voice resonates in my echo chamber: "Do you see me?" 6 dekhu jo cul dikha rahi ho y vo 9 jo mujhe dekhna hai! #! It has a different quality, you do not need surround sound to support it, it stays in your remaining memory. Amitabh Bachchan and his art have captivated many generations now. Ageless, the musician has spent 50 years in an industry that he rides in the manner of a colossus.
First, in his interview with IANS, Mr. Bachchan wanted to send a message. message about something that has caused him so much pain and sorrow in recent memory: "Above all, live in heart and mind with condolences and prayers for the brave hearts we have lost in Pulwama and the brave hearts that we fight and protect every hour, for our safety and security! "
During the interview, many factual questions arise, phlegmatic and superficial answers from one of the film stars the most popular of our time, the deep foundation of modesty at all times. . It is clear that the aura and adulation are poorly served, but the fanboys and the fangirls think the opposite. Epithets, hyperbole and verbosity have come to him, but he wonders why this is self-effacement and humility. Yet people are still around. The Inquilab in him (name that his father Harivansh Rai Bachchan gave him at birth, but who was later replaced by Amitabh at the behest of Mr. Bachchan's friend-poet, remains nameless at seeking his fulfillment as an actor.
Extracts:
Q: How would you describe your 50-year journey from the time Abbas Saheb chose a young man from Calcutta as one of the Saat Hindustani? to Sujoy Ghosh and Badla …
A: Another day another work then … But I already worked with Sujoy, I loved it story and the director, the element of suspense and thrill that was told to me in the scenario created me … artists, very clear in his thought process and how he wants to evolve with it, he intelligently understands the grammar of the
Q: An enriching journey in which you worked with great directors and actors, Would you say that Hrishida and Pran are your favorites, they were lucky for you in different ways … did you make 10 movies with Hrishida?
A: Every director, actor, screenwriter, producer, colleague I worked with will always be my favorites …
Q: Many leading American actors have pursued the The Method Lee Strasberg's role-playing game, which we then saw as the Hyman Roth in Godfather 2 stood up against his pupil Al Pacino, was a fascinating film.
A: No, I have never taken a drama clbad and I have never imitated anyone consciously or unconsciously, unless otherwise directed by me. my decision makers to do it .. and there were some such opportunities! I have no idea of the method at stake, and I have never progressed.
Q: What work do you admire in Hollywood? Christopher Plummer is ageless and looks better … ditto for Clint Eastwood, more director? Marlon Brando, Montgomery Clift, James Dean …
It is said that Ranveer Singh lived and breathed his roles nowadays … or that he becomes a character, I am sure that many of your roles would have required an important preparation, for example or Black, if you could explain your art for such difficult roles?
A: I have neither art nor idea of what others are doing so brilliantly. I followed as diligently as possible the written words of the writer, and the management gave me by the directors! For BLACK, we learned the sign language of people with reduced mobility! Badla is a different genre, a thriller that has fascinated us for years. Mahal remained buried in memory as it was a 1949 cult film starring Ashok Kumar and Madhubala with seminal music. They are an integral part of the strong fabric of Hindi cinema.
Obviously, Alfred Hitchbad was the master of this genre. Thrillers are an integral part of the history of universal cinema. (In his formative years, Mr. Bachchan himself played in two very powerful thrillers – Parwana and Gehri Chaal)
Q: You always said that you were lucky in your career. actor – me akela hi chala ja rha tha, log judge chale gaye aur karvan banta chala gaya – is it the creed that has determined your life?
A: I do not know the meaning of the creed in my profession .. I know I was lucky …
Q: For much of your peak years, you have had a very difficult relationship with the media, including an important part when the media boycotted you … and you now have a fabulous relationship with the media. Explain this paradox, and did you work to narrow the gap, what led to it?
A: I'm sure you're more than aware that one can never be too close to the media or too far away from it. their! The media is the fourth state, the conscience of the nation. I will have the ability or daring to live with my conscience, but not with that of the media. It would be silly of me to think so.
Q: Fifty years of painting with grease, but the fire has not diminished. Where do you find your energy? Or is it respect for work that defines your underlying ethics?
A: I do not understand why you or many others ask me this question?
Q: In the years following Saat Hindustani, there were many failures. but some fundamental works, even in a small role in Sunil Dutt's Reshma aur Shera, memories of that experience and any other before Anand?
A: Just the desire to be able to get another job. Most of the time, there was a failure …
Q: Back at Sherwood, did you play Shakespeare at school, somewhere in your baritone and playing, there's a thespian touch that emerges from many of your recent movies,
A: No, never Shakespeare was at school …
Q: Now that you've finished 50 years of acting, exists there a memorable character behind the ubiquitous Vijay, a character who is steeped in your memory and why, I have many favorites …
A: No, I do not have any … [19659004] Q: Is Hindi cinema in good hands with a new generation of young directors and actors and intermediaries? Road cinema and actors like Ranveer Singh, Ayushmaan Khurana, Alia Bhatt, Rajkumar or even the Sher of Gully Boy telling simple stories that resonate with people? Biopics or stories of real life with a bit of poetic license seem to be well, Akshay has perfected this art, you also do Jhund with Nagraj Manjule. Tell us if this is due to the lack of original scripts or the flavor of the season.
A: Times and circumstances change. They change for each profession too. The movies are not different. The current generation is a daring set of incredible talents! I admire them immensely and I am lucky to be able to play a small role in their business. It's an education for me. They provide a different and alternative worldview, which is educational. Never underestimate the credibility, dexterity, skill, and skills of today 's entertainment writers and decision – makers. They are the reason and cause of the flourishing and proliferation of our creativity for over 100 years! Having a sense and standing up after 100 years is not a joke. It deserves respect and dignity. Originality is a dichotomous terminology.
Q: Are you irritated by the fact that actors now have to sing for supper in the market and promote their films aggressively and devote a lot of time and energy that were not t the case where you were the undisputed "Shahenshah". How and why did the tactic change?
Look around you, dear sir … not just actors, but does not everyone today sing for supper?
Of eight releases in one year your time, the stars now shoot a movie in a year or even two years, is this a function of the new-age trade?
A: It is the recognition of better management, both financial and personal. The good thing is that the music and the melody are back in the Hindi cinema, the music pleases everyone, the music takes again the chords and the strings of our souls.
Q: From the age of cinema parallel to the small cinema like Raazi and Badhai After gaining momentum, how has Hindi cinema evolved? Has the Hindi Movie Palace changed or the definition of the dough itself changed?
A: I do not know what is "dough" or "parallel". Cinema is a cinema – size and circumference, large or small, are measurement labels on clothing. The palate of every generation in every corner of the world is changing, not just for the cinema, but for all walks of life!
Q: No memory of Geraftar is probably the only movie where Rajinikanth, Kamal Haasan and you shared the screen space?
R: It was in an honor, a privilege and a most humiliating experience to be in the same film as Rajni and Kamal.
[ad_2]
Source link
