[ad_1]
This week-end at the cinema, we have super secret agents ( Men in Black: International with Tessa Thompson and Chris Hemsworth), three generations of bad mother – with closed mouth ( Shaft with Jessie T. Usher and Samuel L. Jackson) and a new voice in the writers' room ( Late Night with Mindy Kaling and Emma Thompson).
The last time we met the Men in Black, Agent J Will Smith traveled in the past and badociated with a young agent K (played by Josh Brolin) to save the world, and it certainly seemed to be the last time we were going to see them. While this may still be technically true, there are still many other letters in the alphabet, which means that it is possible to follow the adventures of other agents. Enter Men in Black: International who introduces the rookie to the audience, Agent M (Tessa Thompson) and her partner, Agent H (Chris Hemsworth), both members of the MIB's London branch, tasked with discovering a mole within the organization while warding off a new supernatural threat. Unfortunately, critics were not impressed by this return to the franchise, claiming that the film is content to recycle familiar material to try to regain the magic of the original, but largely fails. The humor is random, the story seems uninspired and the chemistry between Thor: Ragnarok co-stars Thompson and Hemsworth – not to mention a stellar support cast including Emma Thompson, Liam Neeson and Kumail Nanjiani and Rebecca Ferguson – are not enough to compensate for the other weaknesses of the film. In other words, this is a missed opportunity for all, given the level of talent involved.
As long as we restore the old properties this week, why not go back a few decades later? In 1971, Richard Roundtree became the icon of the era of blaxploitation by donning a leather jacket named John Shaft. In 2000, Samuel L. Jackson revived the franchise, even temporarily, by becoming Shaft's nephew. Now, almost 20 years after Jackson's Shaft came to the big screen, comes the next chapter, dedicated to young computer scientist JJ, aka John Shaft III (Jessie T. Usher), who suspects an underlying criminal act on the death of his best friend and enlisted the help of his more experienced parents to solve the case. The restart of 2000 was probably already useless, but Jackson worked well and benefited from the presence of actors such as Christian Bale, Toni Collette and Jeffrey Wright, and scored a respectable 67% on the Tomatometer. Not so, this time. Critics say that, since Shaft works, he is indebted to the charisma of his three main stars, but beyond a few laughs and novelty to see the trio together, the movie do not offer enough viewers to keep them engaged or entertained satisfactorily. His attempts to update the character for the contemporary audience are poorly executed, and his reminders at previous entries are forced, but fans of Jackson and Roundtree could be content to revisit this world.
The only original film to open this week is broad, appropriately, neither a science fiction blockbuster nor an action movie, but a workplace comedy focused on the relationship between two women. In Late Night Emma Thompson portrays the role of Katherine Newbury, the host of a distressed talk show, which needs to be stimulated, while Mindy Kaling plays Molly Patel, a new " Rookie for Diversity "in the writers' room that surprises Katherine's attention. With Molly's help, Katherine's show begins to recover and the couple forms an unlikely bond. This is a variation of a formula we have certainly already seen ( The devil dresses Prada do you mind?), But critics say that Kaling – who has also writes the film – and Thompson makes it work, thanks to the combination of the considerable capacities of the actors and the sharp scenario of Kaling. Late Night is not a revolutionary thing in itself, but it vibrates brilliantly and ends up being a rather comforting story.
What's New on Television
Delicate Dance of Light and Darkness, Pose's Second Season achieves a striking balance between the ruggedness of reality and the mirage of the track and shines even harder.
The third season of Jessica Jones encapsulates the burden of being the last chapter not only of her own superhero narrative, but also of an entire era of Marvel television.
Also opening this week in a limited broadcast
- 5B (2019) a documentary on health workers badigned to the first AIDS treatment service in the United States is 100%.
- More One (2019) about a pair of college friends who agree to be the dates of each other during a summer of weddings, only reports on Sarah and Saleem (2019) a drama about an Israeli woman and a Palestinian man who engage in a dangerous business in Jersuaslem, are 92%.
- In the alleys (In den Gängen) (2019) about a saleswoman who falls in love with a colleague who has his own secrets, is at 83%. (2019) A horror film about a group of teenagers terrorized by an invisible force during an outdoor getaway is at 80%.
- American Woman (2019) with Sienna Miller and Christina Hendricks in a drama after the efforts of a young woman to raise her grandson for more than ten years account for 76%.
- Our Time (Nuestro tiempo) (2019) the drama of Carlos Reygadas about 60% of breeders whose open marriage is disputed when a new horse breaker enters into scene
- Being Frank (2019) starring Ji m Gaffigan in a 1992 drama about a rebellious teenager who discovers that his father leads a double life is 53%.
- The Dead Do not Die (2019) Jim Jarmusch's comedy set consisting of vignettes of a city at the edge of a zombie apocalypse is at 56%.
- Hampstead (2019) starring Diane Keaton and Brendan Gleeson in a romantic comedy on the theme of well-being The American widow fell in love with an Irishman living abroad is 45%.
- The Outsider (2019) a Westerner evoking a Chinese railway worker who seeks revenge for the aggression of his wife, is 30%.
Like this? Subscribe to our newsletter and receive every week more features, news and guides in your inbox.
[ad_2]
Source link
