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M ichael Kors: where music and pbadion are always in fashion. One morning only, Ciprani on Wall Street was turned into Copacabana while the current Barry Manilow was on stage and sang the finale of Michael Kors, lit by the light of a legend and by a fabulous crystal jacket orange. "I do not want to play Pollyanna, but the reality is, I think fashion is happy," Kors said before the show. "A lot of people think that happy means you're not smart and optimistic, you're not clbady. I think it's ridiculous. In today's world, you want to do the right thing for the planet and be nice to others, but at the same time, a pretty dress does not make you less intelligent or powerful. When people act appropriately and look in the mirror, suddenly their posture is different and they have a spring in their footsteps. "
It takes some precise execution to escape with the high-octane glamor and liveliness that Kors scattered around Cipriani on Wednesday morning as a scintillating cannon unleashes itself. Boring on other podiums works one way or another in the world of this designer.When moving apartments recently, Kors had dug up his high school yearbook and recalled the youthful optimism that was going turn it into a fashion force. "I thought about the moment I moved to Manhattan, to a hectic and dangerous city, but I thought everything was unlimited.The Fifties in New York, At the end of the seventies, there was an explosion of energy, really the beginning of the sidewalk as an airstrip, "he said," everyone was dressed to strut on the street, "he said. 39, dressing with abandonment even though the world was in t rain to collapse, which, in my opinion, is the best ammo. So this is my love letter to this melting pot, this pot-pourri which, I think, is the life of big cities. "
The collection celebrates the diversity and exuberance of Studio 54 at its peak, an era in which Inclusive Diversity and Inclusion, so relevant to today's consciousness, unfolded on a racetrack. 1970s New York dance "If you have curly hair, wear curly hair, we have teenagers in the show and people in their twenties, forties and sixties," said Kors, referring to a which included everyone from Kaia Gerber to Karen Elson and the 1970 poster Patti Hansen "Why would not you want them all to be part of the game of fashion?" C & # 39; is the mix of people and fashion that made Studio 54. Evoking the glamor and exuberance of the 70s, some looks evoked the sumptuous opulence of the decade, a territory currently occupied by Gucci with a lot of success, but the vision of Kors on the urban decadence of Studio 54 had a darker and harder look, supported by the sense of uncompromising expression of which he spoke, even if the world was against you.
If you needed additional evidence of With the optimism and inclusiveness of Kors, you just have to ask him about the buyout of Versace by Capri Holdings, the group owning of his company in December. "Listen, when I started, American fashion was so specifically American. So for me to see that not only Michael Kors is a global brand, but that we are now three pillars of society with Jimmy Choo and Sandra [Choi] and Donatella [Versace] I mean talk of global! It's an incredible thing. And of course, we both like tanning, "he joked referring to Donatella Versace. "We will have to tan Sandra so that we are tanned all three! I really think that shows the global interest and enthusiasm for fashion. As for the #Korsace hashtag he generated, he was not bothered. "Oh, you know what, it's social media, people will say what they say."
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