Netizens blame Karan Johar and Abhishek Varman for copying the way Sanjay Leela Bhansali shot the film in "Kalank & # 39; | Hindi movie news



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The teaser of the highly anticipated drama "Kalank" starring Alia Bhatt, Varun Dhawan, Sanjay Dutt and Madhuri Dixit fell yesterday. His amazing visuals and raw emotion left many of us impressed. However, people could not help but compare the majestic backgrounds, colors, characters, and cinematographic embodiment with the work style of eminent director Sanjay Leela Bhansali.

While many people and celebrities have come forward to rent the teaser, which is truly a sight to behold, internet users have also lamented that many teaser scenes seem to be inspired by Bhansali's previous films. Director Abhishek Varman and producer Karan Johar were accused of copying SLB's work style.

A series of still images from the teaser of "Kalank" are shared with corresponding images from previous Bhansali films, including "Ram-Leela", "Padmaavat" and "Bajirao Mastani".

When you even copy their name on the test paper https://t.co/OU0fWm1ZUj

— (@Chali_Kahani) 1552388178000

The talent you have The elegance of your bravery The eye for the details of your having https://t.co/xyxXeliNJZ

— (@Chali_Kahani) 1552388176000

All you can do, I can do it … Same thing? https://t.co/c4PD0uAb2q

— (@Chali_Kahani) 1552389177000

What Creativity @karanjohar #Kalank #KalankTeaser Bhansali ko kyun direction of diya # AliaBhatt … https://t.co/tNz1b2RNEc71954500 Sachai Karvi Hoti Hai (@VyaktiVishesh_) 1552384236000

Let them rank in the https://t.co/EX9yufRiiJ

— (@Chali_Kahani) 1552388174000

The media claimed that director Abhishek Varman was a big fan of Sanjay Leela Bhansali's work. So, & # 39; Kalank & # 39; has received sequences and sequences that closely resemble the films of the eminent director. .

Directed by Abhishek Varman, "Kalank" is starring Sanjay Dutt, Varun Dhawan, Alia Bhatt, Madhuri Dixit, Aditya Roy Kapur and Sonakshi Sinha in lead roles. The film should be released on April 19 screens.

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