[ad_1]
"NGK", with the lead roles of Suriya, Sai Pallavi and Rakul Preet Singh, was shown at the cinema on May 31st. Let's see what works and what does not work.
History:
Nanda Gopala Krishna, aka NGK (Suriya), is a social activist who leads a happy life as an organic farmer. His wife (Sai Pallavi) and his parents are his family, but India is his extended family. When facing a problem of Goondas, NGK asks the help of the local deputy (Ilavarasu), who asks him to join his party with his 500 supporters. Yes, the elections are approaching. This is how NGK goes into politics reluctantly.
Once in politics, NGK learns that he must be willing to do anything to be in his boss's good books. Slowly, he sneaks with the Leader of the Opposition (played by Ponvannan) and the Chief Minister (played by Devaraj).
The following is a story of confrontations, machinations, etc. Vanitha (Rakul Preet Singh), a Chanakya lady who can control governments, is taking part in this tragedy.
Analysis
First of all. & # 39; NGK & # 39; may have never been intended for Suriya. Given the style of director Selvaraghavan (aka Sri Raghava) who presents his heroes as old-fashioned underdogs, it might have been done by a Dhanush. In fact, if you see scenes where Suriya behaves too cleverly and claims to be too harmless in the presence of her deputy leader, you may simply agree with us. This is not his kind of act that is expected of him.
Moreover, he cries too often in the first period. And the characters who surround him are either too angry (his wife Sai Pallavi), or too dramatic (the one who drives him to become a political activist).
In one scene, Suriya's body language is that of an honest and sincere man of the Singham genre. In the next film, he behaves like a typical Selvaraghavan hero who is strange. Is he good or cunning? NGK had to confuse the bad guys but he ended up confusing the audience.
Director Selvaraghavan is known for his realistic scenes, but "NGK" takes refuge in wild liberties. As in Vijay Starrer & # 39; Sarkar & # 39 ;, our defeated hero pronounces an emotional speech and a rebellion occurs. People watch his speech with the greatest interest, as if watching the finals of the Cricket World Cup, were motivated to do something and a new era is coming. Is it so easy in real life? Definitely no.
So many scenes are unusually long. Take, for example, the speech simulation scene in which NGK repeats its public gathering. It goes on and on, Suriya showing 2-3 shades in front of a character. Where was the necessity of this indulgence?
The scenes are strongly bathed in Tamil nativity. But there is a bigger problem actually. Most of them look staged.
About nativity problems, none of the songs (from Yuvan Shankar Raja) manages to record even barely. As if all these artificial songs of basthi were not enough, there is a strange duet composed of Suriya and Rakul Preet Singh. Almost all the songs are placed inappropriately.
Rakul is portrayed as larger than the real Prashant Kishore. But the way his character is built is disappointing. The ingenuity of NGK impresses this brilliant woman, as if she had never met a cerebral man all his life. Come on!
Suriya's performance is his main badet. It shines although the film engulfs it. Sai Pallavi plays an unconventional role and she does it well. The bad guys are largely bland, with the exception of the deputy. Yuvan Shankar Raja's background music is surprisingly ordinary. It's a lot of noise for nothing. The cinematography of Sivakumar Vijayan is effective.
Verdict: Suriya is sincere to NGK, other than that, everything is wrong here. It's one of the most unhealthy and bland movies ever made in the name of the political thriller. It is clear that Selva Raghavan, aka Sri Raghava, ruined everything after his previous colossal duel "Varna".
NGK, NGK Review, NGK Clbadification, Suriya, Selva Raghavan, Sai Pallavi, Rakul Preet Singh
Source link
