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The Oscars had only a few minutes and members of The Favorite's cast – as well as the director and producer of the film – were at the Dolby Theater bar . I went to say hello, but they were not in the mood to celebrate.
A few moments ago, the drama of the early eighteenth century, featuring two women arguing over the affection of the Queen of England, had almost lost in the Oscars category. concluded The Favorite would win: costume design. Actors Emma Stone, Rachel Weisz and Olivia Colman, as well as director Yorgos Lanthimos, seemed to be in shock, as if the next three hours brought them no joy.
Spending time with a drink and watching the show on a television screen in the lobby seemed like the best idea.
And then, almost three hours later, in the biggest shock of the show, Colman won the Oscar for best actress, a trophy that seemed destined to go home with Glenn Close for his film The Wife . Stone, who at the bar was a little more casual at first, suddenly seemed like the show was one of the most beautiful nights of her life, tears of joy running down her face.
The period leading up to Sunday's Academy Awards was filled with nowhere. shortage of plays, most created by the Academy of Arts and Film Science. In a calamitous attempt to increase the ratings of the series and reduce the duration, the academy launched – and was forced to give up – a series of changes to the series, such as Oscars during commercial breaks.
But once the ceremony of liberation of the hosts began, it is the voters of the Academy who created their own controversies.
Walking in Dolby, I chatted on the red carpet with the head of an important independent film. business. Like so many conversations in the days and hours leading up to the Oscars, the discussion quickly focused on the tight race for the best image. Could it be Roma, or BlackkKlansman ? Would Bohemian Rhapsody or Black Panther be able to win the most important prize of the evening? Did The Favorite have an outside shot? Green Paper ?
If he was in danger of revealing his ATM code and his social security number to the whole world, the executive looked around him to make sure no one was near him or her. s' is leaning towards me. and whispered: "I voted for Green Book .I loved this movie."
Green Book is a drama about a black jazz pianist and his Italian-American driver / guardian navigate the segregated south in the early 1960s. That's a veteran of the Oscars. worried that others blame him for voting for the best winner of the best movie says a lot about how Green Book polarized the academy (the film also won the best original screenplay and the best supporting actor for Mahershala Ali).
Some critics have claimed that it was the winner of the best and least memorable photo since Crash won first prize in 2006 (Los Angeles Times critic Justin Chang may have to be written the most brutal disbadembly ]). And Spike Lee, the director of BlackkKlansman was so upset by the grand victory of Green Book that he stormed his seat while the film's producers recovered their statuettes. the governors' ball after the Oscars, I came across one of the main creators of Green Book . I asked him if he had noticed that Lee was going out while he was going on stage: "Yes, and if he had won, I would not have done the same. thing."
For all those who attacked Green Book for his description of racism, the film had not only the support of the largest percentage of Oscar voters, but also prominent Afro -Americans in and out of the sector, including executive producer Octavia Spencer.
Before the show began, I spoke with Georgia's representative, John Lewis, in the lobby of Dolby. Lewis, one of the most famous and prominent veterans of the civil rights movement, attended the Oscars to present an excerpt of the film Green Book . Some opponents might think that Green Book was flippant and superficial. Not Lewis.
"It's an important film," he said. "And this is an important period in the history of our country."
Despite all the polarizing films and the winners of discord at the ceremony, the Oscar voters were united and happy to win, especially the documentary short categories. The respective winners are Free Solo and Period. End of the sentence .
After the ceremony, Alex Honnold, Mountaineer at the center of Free Solo showed me the winning envelope of the film while he was devouring a pie at chicken at Governors Ball.
It took Honnold years of training – but a little less than four hours – to climb El Capitan's face without a rope. But he's been promoting and talking about Free Solo for almost six months since the film's premiere at the Labor Day Festival at the Telluride Film Festival.
"Now," said Honnold, before heading to another Oscar night, "I can start climbing again."
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