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Dear Shah Rukh Khan,
This letter expresses more sincere feelings for the actor and the artist in you than for King Khan, whom we all know as a mega-star. The fact that you are completely disillusioned with and after Zero and your statement that you would rather spend time with your family testify to the depth of your feelings. The quality time you will get with them will undoubtedly be the red thread of the cloud behind which your celebrity will be temporarily part.
First point: at many stages of their lives, many stars have gone through professional crises and come out stronger, and Salman Khan and Akshay Kumar are excellent examples of their return to the stage. was more design and less fortunate.
Second point: the great success of Avengers: Endgame now and the resounding success Baahubali 2 – The Conclusion ] Two years ago , the same week (by chance) gives a key lesson – no mega star can command what two "heroes" can together – and these eros are a fabulous scenario and a fantastic director.
Technology, music and stars are embellishments and not substitutes for the script and the realization. To summarize, with rising budgets and technology-based facilitation, however, the industry is learning, incrementally and irregularly, these critical aspects of the mbad connection.
At one time, music was very important to contribute to the success of a movie. and create repetition value. And you and your seasoned composers, led by Anu Malik and Jatin-Lalit (who, for mysterious reasons that you later crushed to your disadvantage), master this powerful weapon very effectively. In fact, you remain the last musical star of Hindi cinema in the real world.
Today, our music has lost its importance as an integral part of the hangover gora . the story, and until we have a solid music – you do you report it? So, for the moment, let's leave it out.
The movie with SRK, or SRK with the movie?
Here is a sample of some of the real blue films of the public. recently felt like a value-for-money entertainment – URI: The Surgical Strikes, Simmba, Dangal, Padmaavat and Tiger Zinda Hai . And we are heading to a time when Badhai Ho, AndhaDhun, Stree and Gully Boy also make their appearance, though next to Total Dhamaal and Golmaal Again Who Will Still Be Larger
Laxman Utekar, Director of the Recent Hit, Luka Chhupi, categorically stated that only films, in India or elsewhere in the world industries that At least some big stars will prosper.
He is right. But there is a qualification you know too well at the moment, so let me repeat: a film makes a star, and after that, a star never makes a movie . It only enters in the initial hearings. Even the rehearsal value (with the exception of hardcore fans of stars) is created by the content of a movie. Do Rajinikanth, Amitabh Bachchan or Dharmendra have a flopless career? But they, too, have been riddled with failures and have even had to face crises in their professions!
Now let's go to the details. When was your last shot? Six years ago in Chennai Express ! Since then, even your 100 crore films like Dilwale and Raees failed in their making, and Fan, Jab Harry met Sejal and most importantly, Zero all landed in a crash.
Yes, your special effects company uses great guns. You have produced one of the greatest hits of 2019 in Badla . It's not money that counts, but artistic satisfaction and commercial weight. As Laxmikant (-Pyarelal) told a relative when the music duo had come down after reigning for nearly two decades: "An artist can have everything, a good family, worldly comforts and a lot of fun." ;money. But what he needs above all else, it is the purpose of his life – work ! "
During the Dilwale promotions in 2015, I remember you saying," I'm not getting all that work. I have to choose what I am offered. I would now like to start doing two or three movies at once, if they sign me! It was a shocking statement from someone who had played in record breakers and who, almost all alone in the 1990s, opened overseas territories to the movies. Hindi.
It might be too simplistic to attribute all this to luck, because, if I have to be frank, your penchant for becoming "global" has shattered your growth. And only you can change that. In your search for this mirage of an oasis that appeals to both Indian and global sensibilities, you have moved away from our audience and that of your global audience, and if you do not stop it, this erroneous travel in an empty desert will accelerate irretrievably. If you take stock of your greatest triumphs from the beginning Deewana, Baazigar and Darr you know what won the day. After all, you need exceptional directorial talents to reach a panindian public and it is this pure feeling of "desire" that has given you the benefit throughout DDLJ to Om Shanti Om and Chennai Express – even abroad.
Hollywood aspirants have the feeling that we have entered things like . Zero has never been in your movies with masters like Abbas-Mustan, the late Yash Chopra, Aditya Chopra, Rakesh Roshan, Karan Johar in his first two films with you, Sanjay Leela Bansali, Farah Khan and last but not least, Rohit Shetty.
You can say that these filmmakers gave you the best scripts, but there were more of them. They fed these movies as their own babies and adapted them to stars like you. You were the messenger of their stories, so that they could increase their budgets and splendor, attract the first spectators and, by default, increase your popularity with every success of this type.
Ironically, some of them went wrong later, but somehow you understood the wrong message, namely trying to compete with world cinema and following the path Swades – Kabhi Alvidaa Naa Kehna . Yes, you had more fleshy roles, but at what cost? A film must be bigger than an actor, or one of its aspects. A film like Paheli (certainly brilliant) did not attract the audience. My Name Is Khan either . And the exception only Chak De! India (2007) proved the rule by aiming to connect the whole of India with its powerful message.
In that sense, you decided not to work for a while. , is a good one. A "pseudo" version of a proposal – an idea supposedly " faadu ", animated by a beginning director who wants to impose his vision of "evolved" cinema, should be a strict "No-No" aujourd & # 39; hui!
Wait, Shah Rukh, for the film that will take you where you deserve, or design one with a great, well thought-out team. The success of Badla proves that a solo hero does not have to be a young man . Our audience today prefers roles that suit your age or so, and as long as there is entertainment with a good value, nothing else matters.
Last crucial points
They say that a good actor falls, but only in history. And one thing that stands out very clearly from all of your recent flops, is that you improve regularly as an actor. The nuances become exceptional and the maturity is great. And an actor can not disappear as the stars do.
One last point: you must be present and, more importantly, relevant when your children are making their debut. History proves that for a new hero to make his mark, the father must be important to the film industry at this very moment. We all know the advantage of Sunny Deol and how Rakesh Roshan launched Hrithik Roshan to his directorial top. For this reason, in addition to what you are yourself, you must be up there.
Chak De! Shah Rukh. We are waiting.
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