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Polar
Director – Jonas Åkerlund
Actor – Mads Mikkelsen, Vanessa Hudgens, Winnick Katheryn and Matt Lucas
Note – 1/5
L & # 39 Swedish director Jonas Åkerlund's commitment is perhaps the only reason why one might want to go see Polar, who is easily one of the main candidates for one of the worst original Netflix movies ever made.
Inspired by a cult comic book, Polar is a film that strangely throws the very essence of its sources in favor of Åkerlund's distinct punk rock amorality. This is a situation similar to that where Michael Bay had endorsed the Transformers of his own sensibilities, then forced the studio to remove the property from his hands after liquefying. Åkerlund obviously operates on a much smaller scale, but in the past, in his feature films and music videos for which he is more popular, he displayed a unique visual style.
Curiously, for a comic strip whose inspirations were so proudly cinematographic – the creator Victor Santos quoted everything, whether it was Jean-Pierre Melville's Samourai or John Woo's films – Real movie adaptation is like nothing you've seen before, and not subversively. It seems that John Wick's films beat Polar at his own game, both in terms of literacy and style. The most obvious reference, pathetically, is that of Shoot's Em Up, Clive Owen-Monica Bellucci's movie, 2007 – this should be a good indication of what you are going to do.
Watch the Polar Trailer Here
Polar tells the complicated story of a hitman, played by Mads Mikkelsen, who is on the point of retiring and getting stuck in the game when his former employer hits him. He is known as The Black Kaiser, a name not nearly as immediately emblematic as Keanu Reeves' Baba Yaga, based on John Wick's films. But within his clandestine Hitman community, he is almost as legendary. Like John Wick, Duncan Vizla – that's the real name of Black Kaiser – exists in a hyper stylized world. It is a world in which women have an aversion to clothing and where men speak almost exclusively in monosyllabic grunts.
Matt Lucas, who played in Åkerlund's strange and strange comedy, Small Apartments, plays the role of evil, Mr. Blut in Polar. Mr. Blut is the overlord of an organization of killers (and women) known as Damocles. With the threat of bankruptcy hovering over his head, Mr. Blut – a man with the grotesque physical appearance of a Bond villain and the intellect of a character Looney Toons – concocts the most Cretan scheme that you can imagine. He plans to hire employees to murder other employees, in order to qualify for their life insurance for the basics. If it's an badertion about the evil companies that are cheating on their hard-working employees, contingency funds and other dues, and are competing with each other, then they get lost in a deluge of hyper-violent actions and boring dramas.
Polar is a disgusting piece of work. He ignores the black-and-white visuals of the Sin City-inspired comic book and instead opts for a dark color palette, with jittery title cards that inform the viewer of everything from places to character names, all with the strength of a drill the skull. He does not even briefly consider the possibility of preserving the total absence of comic book dialogue and instead sinks the most ridiculous scenario into Mads Mikkelsen's throat.
But his greatest sin is the nihilism that overflows with every pore of his being and the absence of soul that stinks every minute of his time. It has the unique and unenviable peculiarity of turning a terrestrial montage into an extremely nasty racism show, if I remember correctly. This also includes the least judicious example of glorifying an obsolete Indian custom since Padmaavat.
Polar is painful to watch, and not just in the many scenes of cruel torture in which he plunges. Her lack of respect for the public may not match her lack of respect for women – many of them give the impression that they were caught in the act of striptease for an extravagant ball. There is nothing interesting to say about violence in films, nor about the role of women in men-centered films.
As the first film Åkerlund, the film rather pleasant – Spun – a film that was of little value apart from a vague sympathy for his drugs. Billy Corgan – Polar distills an atmospheric soundtrack of Deadmau5 and a relatively strong performance of Mads Mikkelsen in a weird exercise that will not please anyone.
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The author tweets @RohanNaahar
First published: January 28, 2019 at 16:40 IST
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