Preaching Session on Nationalism and Humanity

For how long will our filmmakers believe in the abyss of the viewer's intelligence? Obsolete and predictable, our cinema refuses to come out of the famous orbit of larger-than-life heroes, of a disproportionate, charming and painful size at the Mills and Boon factory.

The director Vamsi imposes on Mahesh Babu a pleasant dose of heavily. for three hours a tiring story that seems to last forever. One might think that it's a kind of magnum opus like Let's go with the wind and our Mahesh Babu is the Clarke Gabel.

Rishi (Mahesh Babu) is a successful professional, president of a large corporate house. Her friend Kanna (Vennela Kishore) and her colleague Nidhi (Meenakshi Dixit) are organizing a surprise party. His teacher (Rao Ramesh) attends the party. It's time to come back to events that led to Rishi's super success. Born into a middle-clbad family where Satyanarayana (Prakash Raj) dad has an eternal debt and is therefore insulted. The son therefore develops anguish and hates soon the failure. He promises himself success at a rapid pace. In college, he meets Ravi (Allari Naresh), who also has modest beginnings but is not blessed as Rishi. However, they develop slavery. Soon Ravi disappears and the success of Rishi is detailed. Her love interest is Pooja (Pooja Hegde) who is ready to do everything possible to make her marital happiness with him. Rishi, who thinks he does not have dreams and goals, also thinks that marriage is a killer for mountaineers and that love has a place of choice.

The businessman who owns a fleet of cars and his own flight suddenly decides to rush to his village. As a typical unprofessional, he hits the table and announces to his colleagues that since he is the CEO, he decides when and how much time he has to take, before leaving his colleagues and the bewildered viewer amazed.

Back at home, he is after. Halftime. Until now, time also pbaded to the usual humor and romanticism and some thrills. In the rural landscape located in New York, he manages to fight local villains, thus saving villagers from acquiring land in the name of development. He would give the race to Manoj Kumar for his money. You would believe attending a Sunday morning preaching session on nationalism, humanity and the need for human values. There is preaching and pulpit stuff. From Jayasudha's wear to Tanikella Barani's tear, from Prakash Raj's tears to the depth of Rao Ramesh, from the hero's booty to the heroine's song, everything is pattern. The painful lessons at the social lab on behalf of the drama are not only painful, but also endurance tests.

With production values ​​in place and an editor (Praveen KL) on leave, you sincerely wish to be able to guillotine parts of the film. Your heart goes to Mahesh Babu who tries all the tricks of the trade – in fact one too many. Allari Naresh is authentic, but he also finds himself in the hands of the director as a simple caricature. Every moment is a cliché and it sounds hollow when you are told repeatedly that success has no definition. Here, nothing succeeds like an excess.