Projections at the end of the game creating huge piles of garbage for theaters



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The successful Avengers: Endgame company creates piles of garbage for movie theaters.

He just worked from 15:15 to 17:45, cleaning after Avengers: projections at the end of the game. Here is what it looks like.

Please, take your trash with you when the movie is over. pic.twitter.com/Bqi354fZzq

– Autistic Wrestling Fan (@TBroomey) April 27, 2019

Thomas Broome-Jones, a movie theater employee, shared a photo on Twitter Post-war showing of several Endgame screenings, with a reminder to clients advising them to clean themselves after they leave the theater.

This happens because some rooms have issued warnings informing viewers that there are no mid-credits or post-it presents scenes staging the film in the hope to clear the audience more quickly, which allows theater staff to clean and prepare theaters for subsequent screenings.

"I adore Avengers: Endgame as a movie lover. I hate, I hate, I hate as a movie director, "Michael Colpitts wrote on Twitter.

" We are simply not equipped to handle this type of business, and it kills us. Not enough staff. Not enough records. Not enough ovens. Not enough space for queues. It's crazy.

I like the Avengers: #Endgame as a movie lover. I hate, hate, hate as a movie theater director. We are simply not equipped to handle this kind of work and it kills us. Not enough staff. Not enough records. Not enough ovens. Not enough space for queues. It's crazy.

– Michael Colpitts (@Kolpitz) April 27, 2019

This kind of trade gives Endgame a stroke of luck to become profitable on Sunday.

The blockbuster has already ambaded $ 643 million people worldwide, according to Mojo Box Office and could win an unprecedented national weekend opening of over $ 340 million and a global potential of $ 1.1 billion when totals are revealed.

Speculation Grows Now Avengers: Endgame may well be the heavyweight blockbuster that will overthrow James Cameron's Avatar as the most profitable film of all time. This film, released in 2009 as a technological marvel and a source of change for the premium 3D format, brought in $ 2.78 billion worldwide.

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