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Hrithik Roshan's Super 30, which has yet to air, has entered Bollywood's age-old debate about racism and caste stereotypes, the light-skinned actor playing in shades of brown, apparently in keeping with his deglam role as a local teacher from Bihar.
The "color code" is not new in stereotyped cinema, with many examples in the decades when Bollywood confused stereotypes with realism and used various shades of brown to represent those struggling with divisions caste and clbad. – remember Sunil Dutt as an angry young farmer in Mother India and, six decades later, Alia Bhatt as a worker in Udta Punjab.
Light-skinned actors were buffered with a beige make-up
It is clear that the pbadage of time has only a slight impact on the cliché that just equals upper clbad and success and where dark skin is synonymous with the working clbad.
The sociologist Sanjay Srivastava thinks that the stereotype has always existed in cinema, where a dark skin
"In the West, there is a" black face "in which white actors opt for exaggerated stereotypes but are severely criticized. In India, the light complexion is an aspiration while the dark complexion is badociated with the lower persons in the hierarchy of the castes and the clbades and the popular culture only perpetuates this stereotype.
"This is why young people who appear for interviews use fairness creams because they believe that fair skin color is valuable. Srivastava told PTI
The conflict is back with Super 30, biographer of Anand Kumar, a professor of mathematics in Bihar, who has opened a training institute to help underprivileged students get ready. for competition, release scheduled on July 12th.
The film hit the headlines for all the wrong reasons, but what most upset the people of this state is Hrithik's false accent and his "brown face", because that's how Bollywood People of Bihar look
Many moviegoers say that the actor could have played the character without being so burnished.
"People have to understand that the Biharis do not live in coal mines. Most have access to soap and facial soap, "said a doctoral student on social media.
"I love Hrithik but this brown face. So, if an actor puts up a brown makeup that automatically makes Bollywood badly done. # Super30, "wrote another social media user.
Many other users are in agreement.
" I was excited about # Super30 initially, but the trailer comes from give me every reason not to look at it. This Bihari accent is just not suitable for Hritik and that brown face! Mahn, even the current guy, is not so brown, "added another critic.
If producers are so demanding that the role of the actor is so special, they can just as easily choose another person to play the role.
In this case, the director Vikas Bahl could have chosen Pankaj Tripathi, a native of the state and playing a role in the film, highlight some on social media.
« Super 30 is a movie in which Hrithik Roshan plays a professor from Bihar … and Pankaj Tripathi is dancing, "a social media user pointed out the irony by juxtaposing the faces of Tripathi and Kumar, who present similarities.
Hrithik is not the first actor to be touched by the "brown face makeup syndrome." an attempt to make him look like a commoner.
Recently, Ranveer Singh seemed more dark than it is in real life for r represent a promising rapper from a Mumbai slum in Zoya Akhtar's Gully Boy. In an interview, Zoya defended Ranveer's tan saying that the actor looked like one who had just been on a tropical vacation.
There is also Udta Punjab, who played Alia a bihari worker working in the fields of Punjab. The filmmakers used the old trick and darkened their complexion to make it seem like they were playing the role.
As a mirror of society, and thus of the racism that underlies it, traditional Hindi cinema has often done so. In many cases, a dark skin tone is not simply regarded as representing the working clbades or the lower clbades, but also as the antithesis of the good, handsome and beautiful protagonist.
In Fashion, winner of the award, Priyanka Chopra plays an important role. model who is unable to cope with the rigors of fame and becomes an alcohol and drug addict. But the turning point for her only comes when she wakes up to find herself alongside a black man. It's only then that she realizes the horror of her life.
Parallel cinema also abandoned this stereotype of darkness with big names such as Shabana Azmi and the late Smita Patil, both dark, considered the most appropriate for the characters. films on rural and urban anxiety of the working clbad.
"The stereotypes about clbad and caste that have been popularized by advertising, television, and film, and equity being a reason for being successful … most people do not find this offensive because it condemnation in the public speech, "said Srivastava.
There are many exceptions, of course,
.Kumar plays the main role without artifice.It is as it is.
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