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A serious child coming to power in Delhi to bring justice to a loved one is a theme frequently addressed by Hindi cinema over the years, but perhaps most famous in the 1957 film Ab Dilli Dur Nahin . The problem of open defecation in India has also captivated the imagination of Hindi filmmakers in recent years. The toilet Akshay Kumar-starrer : Ek Prem Katha caused a box-office storm in 2017, and in 2018, Halkaa less known, of the director Nila Madhab Panda, about a child living in his home in the suburbs of Delhi is determined to have a toilet at home.
A photo of the Prime Minister of Mother Pyare. Screenshot of Youtube
Rakeysh Omprakash Mehra's Mother The Prime Minister of Pyare ( MPPM ) tells the story of a child in Mumbai whose campaign to get to the toilet in his slum starts when he realizes the danger faces the mother while relieving herself in dark public places as there is no toilet available to her. Toilets: Ek Prem Katha concerned the dignity of women, Halkaa concerned human dignity in general, MPPM concerned the safety of women. The subject is important and it is essential to discuss it, but a film must exceed the goals that it hopes to raise, and this one suffers in the narrative and casting departments.
First of all, it takes too long to arrive. the point where little Kanhaiya aka Kannu discovers his cause. The narration resumes from then on, but the protagonist's writing is neither particularly new nor profound, and the actor himself fails to give an advantage to the character.
The young Om Kanojiya who plays Kannu is not as dynamic as the many excellent children artists that Bollywood has discovered over the last decade, nor is it equally talented. I found myself much more attracted to Prasad Sawant and Adarsh Bharti, who respectively play his lively and spiritual friends Nirala and Ringtone. If they played a bigger role, these two boys would have the same potential as those of Hetal Gada and Krrish. Chhabria who flamed the screen at Nagesh Kukunoor Dhanak in 2016, the entire cast of Chillar Party and Harsh Mayar in I am Kalam .
Conversations between Kannu, Nirala and Ringtone are often sweet and funny, but the film does not contain enough to increase the level of energy.
The thief of the scene among the children of MPPM is a girl who gets the least screen time of the lot. Syna Anand who plays Kannu's friend, Mangla, is a riot in this short pbadage when she confesses to her mother and hers that she knows where Kannu has gone. This scene is the culmination of MPPM both in terms of writing and interpretation. However, there is too little of Ms. Anand in the film
The two main adults are much better designed than the protagonist of the child. Kannu's mother, Sargam (the charming Anjali Patil of Newton ), and her graph of relations with her friend Pappu (Niteesh Wadhwa) are more captivating than anything else in of MPPM . It has been written with sensitivity and care, he with understanding, and both actors offer quietly effective performance. There is also a small character called Rabiya, played by Rasika Agashe, who let me see more of her.
There is the impression that the writers – Manoj Mairta, Hussain Dalal and Mehra himself – are less comfortable with small than they are in adults, which is obviously a big handicap in a movie with a child at the center of the action. It may be for this reason that the trio broadens the definition of "kindness" and seems to be too often trying to attract public attention, never more than in this scene preceding Gateway of India, where children beg and physically done inappropriately with pbaders-by. are treated with a tone "oh look how they are chweet". (The following at a police station, on the other hand, is much easier to understand and fun.)
Rakeysh Omprakash Mehra has an uneven filmography. Bhaag Milkha Bhaag was a real pleasure, Aks was a big problem, but for me at least, he will always be the man who delivered the most heartbreaking Rank Of Basanti . Mehra is not the only one not to live up to expectations with the prime minister of Mother Pyare . Shankar Ehsaan Loy's music is as incoherent as the film itself: Bajaa Bajaa Bajaa Dhol Bajaa Re & # 39; is joyous and evokes the nostalgia of a bygone musical era with its use of C Ramachandra's charm "] Are Ja Re Hat Natkhat & # 39; of the 1959 Clbadic Navrang, but the title track is annoying Gulzar's lyrics are good but not memorable One word here, however, for the director of photography, Pawel Dyllus, who has the difficult task of showing various characters who are potty or are surrounded of pot in authentic places, but manages however to badert the point each time without being repugnant intentionally.
The Prime Minister, Mere Pyare undoubtedly means it. So many Indians still do not have a toilet in 2019 is a national disgrace, and it is heartening to see a Hindi filmmaker focus on the risk that poor women take daily with defecation. louabl The scenario is that he does not subject a woman survivor of badual violence to a dreary and eternal misery, nor transforms it into a populist stereotype of the Hindi film, victim of rape, victim of revenge and avenger ( Zakhmi Aurat ) or find a member of the family to badume this role ( Kaabil, Mom ), allowing him instead to try to move forward with his life with laughter, his old verve and an attempt to return to normal. This is a socially important position to take, making it all the more unfortunate that the general treatment and casting of the little ruler is inadequate.
Despite his comforting intentions, his liberal spirit and some interesting actors, . Prime Minister Pyare Pyare is a disappointing experience.
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Publication date: March 14, 2019, 10:38.
| Updated on March 14, 2019 11:55 am
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Date Updated: March 14, 2019 11:55:59 AM HIST
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