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Ranveer Singh, it seems, can not do anything wrong. He impressed the critics with his intense playing as King Marauder Alauddin Khilji in Padmaavat, enjoyed box office success with Simmba and even married his dream daughter, actor Deepika Padukone, all in the same time. Space one year.
In 2019, Singh returns with Gully Boy, a Bollywood version of Eminem's 8 Mile, which takes an unusual look at the emerging Indian underground hip-hop scene.
Filmed in the claustrophobic shantytowns of Mumbai, where most of the Indian rappers come from, Gully Boy will premiere at the Berlinale before appearing in Indian theaters next week. Singh spoke to Reuters about the film, the Indian hip-hop scene and the making of a big film about Bollywood.
[19459005HowdiditworkwithZoyaAkhtaragain?
Zoya and I have previously collaborated, so there was some familiarity. But while working on Dil Dhadakne Do, because it was an ensemble film, it was almost an unspoken thing between me and Zoya that we were going to work together again, because we still had so much to explore.
We wanted to do something for which we would have a lot more to do together. We picked up on various ideas and all were extraordinary. But one day, she called me and showed me Meri Gully Mein's video and said, "It's the world in which I want to edit my film." For me, it was amazing, because I like so many things – the hip-hop scene, the language 'bambaiyya'. It's all part of my identity.
Of course, it's Mumbai, but it's a very different Mumbai from the one you live in.
That's not quite right. I had an amazing perspective growing up. I lived on the border between Bandra (east) and Bandra (west). It was almost like I was at the center of the division. If I headed west, there would be no private schools, huge flats, the upper middle clbad, a rich part of Mumbai. I went to private school during the day and played cricket with the slum boys. I grew up with them – these are my pals.
One of the most amazing aspects of this city is that it is two worlds in one – as the title of a movie song: "ek duniya mein do duniya "(a world between two worlds). The first 25 years of my life happened on the border of these two worlds. As an actor, it helps me a lot to live a life experience that encompbades a wide range of societies.
Read also: The director of Total Dhamaal, Indra Kumar, to the authors of the original song Mungda: Does not require their consent
How do you approach the game of a character whose experiences of life are so different from yours? Do you trust the director's vision?
You must exploit certain parts of an actor's own life and shape it. It's already in you – you have to tear it out, turn it and use it. Whatever dark experiences I have had in my life, I turned to Khilji. Whatever fight I've had in my life, whether it's career or relationships, I've used it for Gully Boy.
The language came very naturally. Street jargon is really my style. I am also the kind of person who is just as comfortable at high society gatherings as attending court boys. This type of experience that I have experienced growing up allows me to be comfortable with people from all walks of life and is the biggest contributor to my ability to make Gully Boy. My life with the real "boys of the ravine" shaped my life and helped me make this movie.
Read also: Ranveer Singh, Alia Bhatt and Zoya Akhtar take Gully Boy to the world. See the photos of the Berlin Film Festival
When you met the rappers and musicians on which Gully Boy is based, have you ever trained your character in your head? How many Murad (his character) did you shoot?
You are usually inspired by the script. Of course, it was helpful to interact with the boys, but it was not entirely based on a person's life. All the landmarks for my character were present in the screenplay, but I am a big fan of Divine, so it was rewarding for me to sit and interact with him during the making of this film. This is a very generous artist and he has made an unwavering contribution to this film. He understood very well that this film was going to be an important factor in bringing underground hip-hop to make itself known. I was blown away by his ambiance, his music. and before I even met him, I was a fan.
Hip-hop culture is a niche in India. How do you make a mainstream Bollywood movie about a genre of music that most audiences have not even heard about or are unrelated to?
The challenge itself offers a very unique opportunity to present something to the general public that they have known. not sampled before is very exciting. One of the most important things before the release of the movie is the success of Apna Time Aayega. It's the number one on the charts.
This means that the mainstream audience has accepted the music and that it is a sign that it only takes a short time before engaging in hip-hop culture.
Follow @htshowbiz for more
First published: 09 February 2019 13:40 IST
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