Review: "Brightburn" gives us "Smallville" but the evil



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  Jackson A. Dunn in Brightburn (2019) answering the question

The question of "What if Superman was evil?" Was discussed several times by comic authors during of the character's story. Alternative universes, such as Mark Millar's Superman: Red Son limited series that landed in the Soviet Union instead of Kansas, did an excellent job of exploration and that of David Yarovesky Brightburn attempts to answer the question "What if Superman was sent to conquer the world without protecting him, and he discovered him a child?" It's a compelling question and a solid premise, but Brightburn ends a bit early to meet expectations.

In 2006, the couple Tori farmers (Elizabeth Banks) and Kyle Breyer (David Denman), in the city of Brightburn, Kansas, witnessed an accident by a meteor and discovered a tiny baby. summer (as the movie clearly shows with a shot of several pounds) failing to have a child, they take the boy as their own, naming him Brandon (Jackson A. Dunn). Ten years later, puberty comes and Brandon turns into a devil's child.

Written by Mark Gunn and Brian Gunn (the cousin and brother, respectively, of the director of Marvel Guardians of the galaxy who produces this film) make a fascinating story between nature and culture, as we see with Brandon raised with love and kindness. We make fun of him at school, but someone defends him right away, showing him that it is nothing serious. However, this changes when the ship that brought her to Earth begins to contact him. This causes a radical change in mood and he begins to move to the act. It starts with the harbadment of a clbadmate who was kind to him, going from criminal harbadment to a broken hand.

It's cold in the back because Tori wants to protect his son and give him an unconditional love, especially because he was adopted, but Kyle quickly begins to realize

Dunn is doing very well at making Brandon the perfect little monster and, with his blue eyes and black hair, you could absolutely see him as a baby, Clark Kent. It's also convincing because it's acting in a very childlike way, so even if you realize that there's more hope for him, his little one face arouses sympathy a moment or two.

Elizabeth Banks and David Denman both do a good job. as parents trying to do the responsible thing but bademble the pieces just a little too late. There are really fantastic blood scenes in the movie that have made me crawl the skin because it does not get away from the carnage and there is something really haunted about it. the idea of ​​seeing Superman's iconic red eyes being directed against innocent people in a devilish way.

At only one hour and 31 minutes, the film does not hang around at all, but for the first time in a long time, I felt like a movie needed a little more. When the film ends, we have the impression that we are just starting, and the credits credit lays the foundation for this kind of league of perverse justice, and I was like: "Wait, come back! Show me this movie too! But perhaps it's better, at a time when most superhero movies are inflated, more than 2 hours of computer-generated damage, the feeling of leaving the cinema in search of To further explore what Brandon is doing is probably the best end.

Brightburn is not revolutionary; This is a concept that has already been visited by other media, but it is well done, well played and succinct. It gives you exactly what it advertises, and it does not take long for the public to want it.

(image: Sony Pictures Releasing)

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