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The film begins in the early 90s in a village called Jayagiri. After being imprisoned for many years, a Naxalite returns from prison in this village in search of Raju, the youth of this village who saved him long ago. The story goes to the 90's. Raju (Anand Deverakonda), who studies in the village of his grandparents, comes to Jayagiri on vacation to Dussera to stay with his parents. His family is poor. He writes good poetry. Devaki (Shivathmika), the daughter of the village owner, is attracted to him as he visits her every day and watches from below. She also likes her poetry to be a budding poet herself.
The new director of KVR Mahendra Dorasani begins on a rather solemn note and tells a love story that has been seen in several movies. The rich girl who lives in Gadi (a palace-like place) who is attracted to a poor artist looks like a lot of movies. Here, Gadi and the surrounding culture gave the film a new dimension and texture.
Gadi is a small mansion that looks like a fortress and was known for its atrocities, as the feudal lords before independence, Telangana, had ruled the villages from there. Culture was not present after the 1970s. Directors like Shyam Benegal, Gautam Ghosh and B Narsing Rao explored this feudal raj of the ancient Telangana. What Mahendra did, is to place a typical love story of a rich girl and a poor boy in this medium using Gadi as the main backbone. However, it is completely difficult to believe in Gadi culture in the 90s. This is totally misleading history. This culture of Banchanu Kalmokta had already been eroded in the 90s.
If history had started much earlier, it would have been credible.
The director, however, wove the story with enough interesting footage. The places have changed the setting of the history much. The film is shot in real places of Kodada and other surrounding places to get the look of Gadi. The two novice actors, Shivathmika as the owner's daughter and Anand Deverakonda as a poor young man, are convincing in their roles.
"Kadilinchavu Nanne Gundeni Kadili Meeti Vaccha Neekai Sarihaddule Daati" crossing the borders) is the first line that he writes on the wall for her. This line becomes the basis of their love. The director used the Batukamma festival, the Dussehra holidays and other typical cultural elements to tell this story authentically. These things made the film apart from the movies based on the model Kotalo Rani Thotalo Raju .
Since the film takes place in the '90s, the director has also used the naxalite movement, then in power, to add a drama to the procedure that helped. The highlight is the best part.
Another disadvantage is that it is too slow. But there are hardly any big love footage shot on this pair of heads.
The two newcomers are in agreement for the first act while Shivathmika in the title role leaves with the honors, the male role Anand Deverakonda also being noticed. His dialogue is similar to that of his brother. Shivathmika lacks conventional beauty for a heroine and also for a Dorasaani, but she has given convincing skills in performance. given great songs, both soothing and situational. Goreti Venkanna writes Ningilona Palapuntha is magnificent. Chinmayi made Kalavaramaye and another haunting background song. Music is one of the main badets of this realistic drama. Production design and illustrations should be mentioned. The film was shot in real places in Warangal, Medak and other places where ancient Gadis still exist. The sound design is neat.
The work of KVR Mahendra is impressive as a director.
Dorasaani is a tale of sincere love between the daughter of an owner and a poor young man with great songs and a new medium. The storytelling model is sincerely told, but the context of the 90s is not convincing at all.
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