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No reference to Lok Sabha elections. But the monsters are coming. Not that they do not try to behave. This last calamitous disaster-like product has a core of humanism. There is a family at the heart of the tail with a vertiginous rotation.
A disastrous rendezvous with agitated dinosaurs Ain tore Dr. Mark Russell (a charismatic Kyle Chandler) from his wife and daughter. The wife (Vera Farmiga, struggling with the kind of role that Meryl Streep would attempt in a comedy avatar) has moved away with her daughter due to disastrous ecological decisions.
The film and its convulsive scenario undergo a single monster. Attack after the other (fortunately not in 3D), family values are tossed among ecological villains like chicken pieces around a bonfire. They, the ugly boys, want to wake sleeping monsters for their own selfish reasons.
Much of the film reads like an atomic alert sounding like a decibel where all hysterical cries are so incoherent that they come back to nothing. There are some interesting moments in the long story. But these moments are wasted in an exaggerated statement and, worse, in a failure to communicate the urgency of the apocalyptic theme to the public who does not expect a monster battle after the other, but that all these ramifications ruinous world-wide result in a logical conclusion.
Alas, the reasons are not lacking, because the director Michal Dougherty is committed (but unfortunately not with us) in a game of bidding war between monsters, men and monstrous men. Some monster attacks have an epic scope but are not supported by performances that go beyond the immediate call.
It's shocking to see a monstrous talent (oops!) Like Sally Hawkins (remember his Oscar Shape Of Water ?), Ken Watanbe and Charles Dance struggle to give credibility to a scenario that seems to have been written by a group of high school students with a good dose of hashish.
Many incidents in the narrative call for being taken seriously. Instead, they evoke laughter in their own attitude. The narrative is fluid, the invasions of monsters divide into dialogues that seem to serve only to bridge the breaks between episodes of action.
Some films about the end of the world make you want to do it. It is one of them. Jump. Wait X Men – Dark Phoenix next week. At least this one will not make the three-headed dinosaurs appear on the screen like a miracle. It's a miracle to have survived the mediocrity of this parade of environmentalism without talent.
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