Review of the film John Wick Parabellum: Chapter 3 – The Power of Unusual Violence

The franchise now almost (presumably) reverential John Wick was updated in 2014 while a human being just as relatable as anything else mythological strength, stamina and determination, Jonathan, starred by a stoic Keanu Reeves, stomping a dog and stealing his beloved car, immediately after the death of his wife, Helen, in a hospital . Five murderous years and dozens of people later, the incumbent and afflicted antihero returns with Parabellum a very elegant film that succeeds not to the merit of its history, but to the way it coldly carries out a mbadacre mbad in the cinema.
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The director Chad Stahelski Parabellum boasts of many elegant elimination sequences, each brutal movement being conceived with ingenuity and judiciously choreographed to the maximum. But, while the quality of violence perpetrated by Wick on countless badbadins related to an artistic performance in the previous two films, unfortunately he is here reduced to an badault vehicle Blind, someone who would do just about anyone's survival in a secret network of "first-name" badbadins & # 39; ( Chapter 3 also insists on the etymology of the word badbadin).
Ironically, none other than Wick sincerely believed that he was done with the violence.

(Courtesy of the Image: John Wick's Twitter Handle: Chapter 3-Parabellum)

Parabellum resumes right after the events of Chapter 2 where John is on the run after murdering the boss of the Italian mafia, Antonio Santino (Riccardo Scamarcio) for continental motives – apparently the only place in New York where murder is strictly forbidden, or the less disapproved. Almost every clock in the city, from Times Square to public libraries, invests us in the story of a trapped hero, reminiscent of the revenge thriller genre, while Wick seeks to survive a $ 14 international contract. 15 million, which essentially implies that it fights against all the modest souls of the city and the outside, who are strangely disguised henchmen.

(Image provided by Twitter John Wick's round: Chapter 3-Parabellum)

Reeves' John is more an emotion and less a character . The way Monsignor Reeves looks, nods, looks, twists, among other things, sets the tone for the beautiful, but worried idea of ​​seeking anonymity in a world increasingly connected. The fact that John concentrated all his anger and aggression to claim his autonomy in a system of conflicting manners was his attraction to a layman, but in Parabellum we see him helpless, to be dragged into the system, with a painful end in sight. Perhaps Parabellum is the first in the series where seeing Wick hurt himself is just as exciting as watching him kill. And such desensitization is not terrible.

Actors such as Halle Berry, Asia Kate Dillon, Anjelica Houston and Mark Dacascos are an exciting addition to John Wick's cast, or rather a pile of corpses. Dacascos appears as a ninja at the forefront of ironic humor and his role in Parabellum is intended to alleviate the climate of tension. Although it's not Wick. He is as tense as they come.

(Image Courtesy: John Wick's Twitter handle: Chapter 3-Parabellum)

In all, The Level Parabellum's action beats an ecstasy record, while the jokes of the show weary you and the myth of John Wick begins to become too heavy or boring for another movie, which, for The interest of the reader is finally set up for a dedicated meeting Matrix . It's the familiar that mesmerizes us, but John Wick's desire to convey a complex emotion, through action, is just beginning to give the impression that it needs a reinforcement of writing or a creative change, like the decisive action sequence of Parabellum where bright fluorescent tubes add to the edge. A great sequence indeed.

Note: 3/5

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