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Gully Boy Shot: Ranveer Singh, Alia Bhatt, Siddhant Chaturvedi, Vijay Raaz, Vijay Varma, Kalki Koechlin, Amruta Subhash, Sheeba Chaddha
Director of the movie Gully Boy: Zoya Akhtar
note from the movie Gully Boy: Half Stars
Gully Boy tells the story of a young man who frees himself by rap from the street. Zoya Akhtar, who is working on a screenplay she's been writing with Reema Kagti, stuffed with thrilling dialogues by Vijay Maurya and four young rappers, is inspired by this premise of a line and is spinning with, and gives us a film that enlightens those who have done it, Over the years it has been made invisible in the traditional Bollywood: minorities, lower clbades, people who do not have access to the whimsical arcades of rich India.
Murad (Singh) lives in a mailbox-sized Mumbai building with her younger brother, an unhappy mother (Subhash) and a grandmother. His abusive father (Raaz), a driver, brought home a second wife, not much older than Murad. The only ray of light in his life is Safeena (Bhatt), a beautiful possessive quote, that his support allows him to keep afloat, while doing the odd job of his boyfriend (Varma), trying to determine the next step . Some of these elements may seem familiar (8 Mile of Eminem come to mind), but Gully Boy is rooted in the idiom of Mumbai and is his own film.
Rap comes to the rescue of Murad. A chance encounter with an artist named MC Sher (Chaturvedi) is like a call to arms: Murad starts to sound and speak, using his pain as a weapon. It's a predictable bow, but Singh brings a hint of restraint to the party: there's a sweetness in his anger. His Murad shows that Singh can pack his characteristic turbulence to create something of value, even if sometimes you can see the show.
Bhatt, as Safeena, is great. She had trained a lot as a manic pixie, and last year's Raazi gave her the opportunity to spread her wings. In this, she really gets the girl-who-wants-to-be-someone-thanks to education, jargon ("simple boyfriend ke saath gulu gulu karegi") and is all brilliant.
Koechlin, like America A music student, who has returned home, gives the film the opportunity to spend on the other side for a few minutes: his bathroom is over great than Murad's imagination. But I would like her to have more to do. Subhash, as Singh's mother, plays older than she is, but what treasure is this actress. It's good to see the talented Varma get bigger roles; Raaz is, as always, beautiful.
But whoever takes this film a notch higher is the new face of Siddhant Chaturvedi: in some places he takes it off to Singh.
My problem with this film is Akhtar's. play safely: the father who is so opposed to his son who arrives improbably has the feeling of crisscrossing the circle to keep us happy. Some of the predictable arcs are good.
But, in the end, it's a movie to enjoy. In present-day India, putting a Murad and a Safeena at the center of Muslim opinion, giving attraction to those who live on the wrong side of the path is an act of courage. 'Inka time aa gaya'. Long rap.
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